Sustainability Science: Managing Risk and Resilience for Sustainable Development, Second Edition describes the state of the world, how society and its sustainability challenges have coevolved over time, our main contemporary sustainability challenges, the range of disturbances, disruptions and disasters of the unsustainable state we are in, the processes of change continuously transforming them, how to approach the world, and a discussion on suggestions for a language for grasping and connecting concepts of risk, resilience and sustainable development and coping mechanisms. The book's final sections focus on safety and sustainability, including the roles of traditional science (descriptive) and design science (normative). Sustainability and sustainable development are increasingly important guiding principles across functional sectors and scientific disciplines. Policymakers, practitioners and academics continue to wrestle with the complexity of risk, resilience and sustainability, but because of the necessary transdisciplinary focus, it is difficult to find authoritative content in a single source.

Stress. Everyone is talking about it, suffering from it, trying desperately to manage it-now more than ever. From 1970 to 1980, 2,326 academic articles appeared with the word "stress" in the title. In the decade between 2000 and 2010 that number jumped to 21,750. Has life become ten times more stressful, or is it the stress concept itself that has grown exponentially over the past 40 years? In One Nation Under Stress, Dana Becker argues that our national infatuation with the therapeutic culture has created a middle-class moral imperative to manage the tensions of daily life by turning inward, ignoring the social and political realities that underlie those tensions. Becker shows that although stress is often associated with conditions over which people have little control- workplace policies unfavorable to family life, increasing economic inequality, war in the age of terrorism-the stress concept focuses most of our attention on how individuals react to stress. A proliferation of self-help books and dire medical warnings about the negative effects of stress on our physical and emotional health all place the responsibility for alleviating stress-though yoga, deep breathing, better diet, etc.-squarely on the individual. The stress concept has come of age in a period of tectonic social and political shifts. Nevertheless, we persist in the all-American belief that we can meet these changes by re-engineering ourselves rather than tackling the root causes of stress. Examining both research and popular representations of stress in cultural terms, Becker traces the evolution of the social uses of the stress concept as it has been transformed into an all-purpose vehicle for defining, expressing, and containing middle-class anxieties about upheavals in American society.

In a wide-ranging exploration of the creation and use of Buddhist art in Andhra Pradesh, India, from the second and third centuries of the Common Era to the present, Catherine Becker shows how material remains and visual experiences shape and reveal essential human concerns.
Shifting Stones, Shaping the Past begins with an analysis of the ornamentation of Andhra's ancient Buddhist sites, such as the lavish limestone reliefs depicting scenes of devotion and lively narratives on the main stupa at Amaravati. As many such monuments have fallen into disrepair, it is temping to view them as ruins; however, through an examination of recent state-sponsored tourism campaigns and new devotional activities at the sites, Becker shows that the monuments are in active use and even ascribed innate power and agency.
Becker finds intriguing parallels between the significance of imagery in ancient times and the new social, political, and religious roles of these objects and spaces. While the precise functions expected of these monuments have shifted, the belief that they have the ability to effect spiritual and mental transformation has remained consistent. Becker argues that the efficacy of Buddhist art relies on the careful attention of its makers to the formal properties of art and to the harnessing of the imaginative potential of the human senses. In this respect, Buddhist art mirrors the teaching techniques attributed to the Buddha, who often engaged his pupils' desires and emotions as tools for spiritual progress.

Whit Stillman helms this offbeat romantic-musical-comedy following a group of social misfits as they negotiate the minefield of college life. Greta Gerwig stars as Violet, the emotionally fragile yet overbearing leader of a pretentious group of girls who imagine themselves superior to everyone else when in fact they are for the most part ignored by their fellow students. Everyday concerns such as dating disappointments, essay grades and social mores give way to the more perilous pitfalls of female friendship after the girls take it upon themselves to befriend new student Lily (Analeigh Tipton).

How far would you go to save your best friend? TO BE BORN OF THE FOREST IS A GIFT AND A CURSE. Rora is a shifter, as magical as all those born in the wilderness - and as feared. She uses her abilities to spy for the king, traveling under different guises and listening for signs of trouble. When a magical illness surfaces across the kingdom, Rora uncovers a devastating truth: Finley, the young prince and her best friend, has caught it. His only hope is stardust, the rarest of magical elements, found deep in the wilderness where Rora grew up - and to which she swore never to return. But for her only friend, Rora will face her past and brave the dark, magical wood, journeying with her brother and the obstinate, older prince who insists on coming. Together, they must survive sentient forests and creatures unknown, battling an ever changing landscape while escaping human pursuers who want them dead. With illness gripping the kingdom and war on the horizon, Finley's is not the only life that hangs in the balance.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. INSPECT ANY HOME INSIDE AND OUT--WITH HELP FROM AN EXPERT!Find out the real value of a house or condo using the tested techniques in this step-by-step guide. Written by a professional home inspector and fully updated throughout, The Complete Book of Home Inspection, Fourth Edition, shows you how to determine exactly what's behind, beneath, above, and around a house before you make an offer. If you're selling your home, you'll learn how to accurately evaluate its condition prior to setting a price. This comprehensive manual covers every aspect of exterior, interior, and electromechanical home inspection--and contains a new chapter on green home technology. Now with details on American Society of Home Inspectors (ASHI) requirements, this book serves as a valuable on-the-job tool as well as a basic layperson's guide. Plenty of useful photos, drawings, worksheets, and checklists are included in this practical resource. The Complete Book of Home Inspection, Fourth Edition, covers: Tools and procedures Roofs Roof-mounted structures and projections Paved areas around the structure Walls, windows, and doors Lot and landscaping Garage Wood-destroying insects and rot Attic Interior rooms Basement and crawl space Electrical system Plumbing Heating systems Domestic water heaters Air-conditioning Swimming pools Energy considerations Environmental concerns Green home technology

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Set in the 1960s before Roe, a poignant and powerful novel in the vein of Lessons in Chemistry and Big Little Lies, about the friendship between a group of suburban housewives who help one another navigate through their personal challenges, marriages, and their pregnancies—both wanted and unwanted.

In 1965 America, women can’t have their own bank accounts, credit cards, or sign their own leases; divorce is scandalous and difficult; and abortion is illegal.

Every week, a group of suburban housewives meet for their Tuesday canasta game. As cards are drawn and discarded, the women share advice and confidences. When prim and proper Lily Berg, a doctor’s wife, discovers she’s pregnant with their second child, she follows her friend Becca’s suggestion and takes in Betsy, a pregnant teen from the local home for unwed mothers. Betsy, who’s never met anyone Jewish before, is to live with the Bergs for six months, help with babysitting and housekeeping, have her own baby, and agree never to contact the family again.

But things quickly get complicated. Lily, who’s opened her home to the teenager, never planned on opening her heart, yet that’s exactly what happens. Meanwhile, Becca is pregnant with her fourth, and comes up with a scheme to get a legal, therapeutic abortion, and Lily’s sister, Rose, discovers the man she married isn’t who he purported to be, and turns to Lily and her husband for help.

Moving and atmospheric, full of history and heart, In the Family Way is a timely novel that captures the experiences of women on the cusp of liberation as they struggle with their own complex feelings about being wives, mothers, and women with their own dreams and ambitions.