Born into poverty in Mississippi at the close of the nineteenth century, Charley Patton and Jimmie Rodgers established themselves among the most influential musicians of their era. In Tune tells the story of the parallel careers of these two pioneering recording artists -- one white, one black -- who moved beyond their humble origins to change the face of American music. At a time when segregation formed impassable lines of demarcation in most areas of southern life, music transcended racial boundaries. Jimmie Rodgers and Charley Patton drew inspiration from musical traditions on both sides of the racial divide, and their songs about hard lives, raising hell, and the hope of better days ahead spoke to white and black audiences alike. Their music reflected the era in which they lived but evoked a range of timeless human emotions. As the invention of the phonograph disseminated traditional forms of music to a wider audience, Jimmie Rodgers gained fame as the "Father of Country Music," while Patton's work eventually earned him the title "King of the Delta Blues." Patton and Rodgers both died young, leaving behind a relatively small number of recordings. Though neither remains well known to mainstream audiences, the impact of their contributions echoes in the songs of today. The first book to compare the careers of these two musicians, In Tune is a vital addition to the history of American music.

This book examines Mississippi's Civil War experience. It begins with an introductory overview of the socio-political climate of the state during the 1850s and ends with a treatment of Mississippi's post-war environment and the rise of Lost Cause mythology. In between, the work covers the pivotal events, issues, and personalities of the period. Wynne emphasizes the experiences of Mississippians-male and female, black and white-as they struggled to deal with the crisis. The political events leading to secession, Mississippians' initial enthusiasm for war, voices of dissent, the disbursement of troops in and out of the state, the home front, freedom for the slave community, waning enthusiasm (both in the military and on the home front) as the war dragged on, defeat, and the ultimate struggle to turn defeat into a moral victory through Lost Cause mythology are also discussed.

The history of Macon, Georgia, has an exceptional soundtrack, and Something in the Water provides a lively narrative of the city's musical past from its founding in 1823 to 1980. For generations, talented musicians have been born in or passed through Macon's confines. Some lived and died in obscurity, while others achieved international stardom. From its pioneer origins to the modern era, the city has produced waves of talent with amazing consistency, representing a wide range of musical genres including country, classical, jazz, blues, big band, soul, and rock. As the book points out, the city's influence stretches far beyond the borders of Georgia, and its musical imprint on the United States and the world is significant. The story of music in Macon includes a vast, eclectic cast of characters, such as the city's first music ""celebrity"" Sidney Lanier, entertainment entrepreneur Charles Douglass, jazz age divas Lucille Hegamin and Lula Whidby, big band singers Betty Barclay and the Pickens Sisters, rock and roll founding father Little Richard Penniman, rhythm and blues icons James Brown and Otis Redding, local country star Eugene ""Uncle Ned"" Stripling, Capricorn Records founders Phil Walden and Frank Fenter, and The Allman Brothers Band, one of the most popular groups of the rock era. Something in the Water also offers a treatment of Macon's leading entertainment venues, both past and present, like Ralston Hall, the Grand Opera House, and the Douglass Theater, along with local institutions such as Wesleyan College, Mercer University, and the Georgia Academy for the Blind, which trained generations of music students.