The Puritan Revolution escaped the control of its creators. The parliamentarians who went to war with Charles I in 1642 did not want or expect the fundamental changes that would follow seven years later: the trial and execution of the king, the abolition of the House of Lords, and the creation of the only republic in English history. There were startling and unexpected developments, too, in religion and ideas: the spread of unorthodox doctrines; the attainment of a wide measure of liberty of conscience; new thinking about the moral and intellectual bases of politics and society. God's Instruments centres on the principal instrument of radical change, Oliver Cromwell, and on the unfamiliar landscape of the decade he dominated, from the abolition of the monarchy in 1649 to the return of the Stuart dynasty in 1660. Its theme is the relationship between the beliefs or convictions of politicians and their decisions and actions. Blair Worden explores the biblical dimension of Puritan politics; the ways that a belief in the workings of divine providence affected political conduct; Cromwell's commitment to liberty of conscience and his search for godly reformation through educational reform; the constitutional premises of his rule and those of his opponents in the struggle for supremacy between parliamentary and military rule; the relationship between conceptions of civil and religious liberty. The conflicts Worden reconstructs are placed in the perspective of long-term developments, of which historians have lost sight, in ideas about parliament and about freedom. The final chapters turn to the guiding convictions of two writers at the heart of politics, John Milton and the royalist Edward Hyde, the future Earl of Clarendon. Material from previously published essays, much of it expanded and extensively revised, comes together with freshly written chapters.

In this book the pre-eminent historian of Cromwellian England takes a fresh approach to the literary biography of the two great poets of the Puritan Revolution, John Milton and Andrew Marvell. Blair Worden reconstructs the political contexts within which Milton and Marvell wrote, and reassesses their writings against the background of volatile and dramatic changes of public mood and circumstance. Two figures are shown to have been prominent in their minds. First there is Oliver Cromwell, on whose character and decisions the future of the Puritan Revolution and of the nation rested, and whose ascent the two writers traced and assessed, in both cases with an acute ambivalence. The second is Marchamont Nedham, the pioneering journalist of the civil wars, a close friend of Milton and a man whose writings prove to be intimately linked to Marvell's. The high achievements of Milton and Marvell are shown to belong to world of pressing political debate which Nedham's ephemeral publications helped to shape. The book follows Marvell's transition from royalism to Cromwellianism. In Milton's case we explore the profound effect on his outlook brought by the execution of King Charles I in 1649; his difficult and disillusioning relationship with the successive regimes of the Interregnum; and his attempt to come to terms, in his immortal poetry of the Restoration, with the failure of Puritan rule.

The neglected period of the Protectorate is reviewed and reassessed in this stimulating collection. The Protectorate is arguably the Cinderella of Interregnum studies: it lacks the immediate drama of the Regicide, the Republic or the Restoration, and is often dismissed as a 'retreat from revolution', a short period of conservative rule before the inevitable return of the Stuarts. The essays in this volume present new research that challenges this view. They argue instead that the Protectorate was dynamic and progressive, even if the policies put forwardwere not always successful, and often created further tensions within the government and between Whitehall and the localities. Particular topics include studies of Oliver Cromwell and his relationship with Parliament, and the awkward position inherited by his son, Richard; the role of art and architecture in creating a splendid protectoral court; and the important part played by the council, as a law-making body, as a political cockpit, and as part of a hierarchy of government covering not just England but also Ireland and Scotland. There are also investigations of the reactions to Cromwellian rule in Wales, in the towns and cities of the Severn/Avon basin, and in the local communities of England faced with a far-reaching programme of religious reform. PATRICK LITTLE is Senior Research Fellow at the History of Parliament Trust. Contributors: BARRY COWARD, DAVID L. SMITH, JASON PEACEY, PAUL HUNNEYBALL, BLAIR WORDEN, PETER GAUNT, LLOYD BOWEN, STEPHEN K. ROBERTS, CHRISTOPHER DURSTON.

New insights into the nature of the seventeenth-century English revolution - one of the most contested issues in early modern British history. The nature of the seventeenth-century English revolution remains one of the most contested of all historical issues. Scholars are unable to agree on what caused it, when precisely it happened, how significant it was in terms of political, social, economic, and intellectual impact, or even whether it merits being described as a "revolution" at all. Over the past twenty years these debates have become more complex, but also richer. This volume brings together new essays by a group of leading scholars of the revolutionary period and will provide readers with a provocative and stimulating introduction to current research. All the essays engage with one or more of three themes which lieat the heart of recent debate: the importance of the connection between individuals and ideas; the power and influence of religious ideas; and the most appropriate chronological context for discussion of the revolution. STEPHEN TAYLOR is Professor in the History of Early Modern England at the University of Durham. GRANT TAPSELL is Lecturer in Early Modern History, University of Oxford and Fellow and Tutor at Lady Margaret Hall. Contributors: Philip Baker, J. C. Davis, Kenneth Fincham, Rachel Foxley, Tim Harris, Ethan H. Shagan, John Spurr, Grant Tapsell, Stephen Taylor, Tim Wales, John Walter, Blair Worden

This is a collection of essays about major aspects of the "English Revolution" of the mid-seventeenth century. It examines how it was fought (soldiers), how it was defended and argued over (writers), and how it was shaped and how it failed (statesmen). The essays are written by both established and younger scholars of the period in honor of Austyn Woolrych, founding Professor of History at the University of Lancaster and the author of many influential books and articles.

Hugh Trevor-Roper was one of the most gifted historians of the 20th century. His scholarly interests ranged widely - from the Puritan Revolution to the Scottish Enlightenment. Yet he was also fascinated by the events of his own lifetime and wrote widely on issues of espionage and intelligence, as well as maintaining a fascination with the workings - and personalities - of Nazi Germany. In this volume, a variety of contributors - many of whom knew Trevor-Roper personally - engage with his scholarship and analyse his finest achievements as an historian. Covering the full range of Trevor-Roper's interests, this book is essential reading for anyone who wishes to better understand this great academic and his work.

A brilliant appraisal of the Civil War and its long-term consequences, by an acclaimed historian. The political upheaval of the mid-seventeenth century has no parallel in English history. Other events have changed the occupancy and the powers of the throne, but the conflict of 1640-60 was more dramatic: the monarchy and the House of Lords were abolished, to be replaced by a republic and military rule. In this wonderfully readable account, Blair Worden explores the events of this period and their origins - the war between King and Parliament, the execution of Charles I, Cromwell's rule and the Restoration - while aiming to reveal something more elusive: the motivations of contemporaries on both sides and the concerns of later generations.

The Puritan Revolution escaped the control of its creators. The parliamentarians who went to war with Charles I in 1642 did not want or expect the fundamental changes that would follow seven years later: the trial and execution of the king, the abolition of the House of Lords, and the creation of the only republic in English history. There were startling and unexpected developments, too, in religion and ideas: the spread of unorthodox doctrines; the attainment of a wide measure of liberty of conscience; and new thinking about the moral and intellectual bases of politics and society. God's Instruments centres on the principal instrument of radical change, Oliver Cromwell, and on the unfamiliar landscape of the decade he dominated, from the abolition of the monarchy in 1649 to the return of the Stuart dynasty in 1660. Its theme is the relationship between the beliefs or convictions of politicians and their decisions and actions. Blair Worden explores the biblical dimension of Puritan politics; the ways that a belief in the workings of divine providence affected political conduct; Cromwell's commitment to liberty of conscience and his search for godly reformation through educational reform; the constitutional premises of his rule and those of his opponents in the struggle for supremacy between parliamentary and military rule; and the relationship between conceptions of civil and religious liberty. The conflicts Worden reconstructs are placed in the perspective of long-term developments, of which many historians have lost sight. The final chapters turn to the guiding convictions of two writers at the heart of politics, John Milton and the royalist Edward Hyde, Earl of Clarendon. Material from previously published essays, much of it expanded and extensively revised, comes together with newly written chapters to bring fresh evidence and argument to a period of lively debate and interest.

Essays on English Renaissance culture make a major contribution to the debate on historical method. For nearly two decades, Renaissance literary scholarship has been dominated by various forms of postmodern criticism which claim to expose the simplistic methodology of `traditional' criticism and to offer a more sophisticated view of the relation between literature and history; however, this new approach, although making scholars more alert to the political significance of literary texts, has been widely criticised on both methodological and theoretical grounds. The revisionist essays collected in this volume make a major contribution to the modern debate on historical method, approaching Renaissance culture from different gender perspectives and a variety of political standpoints, but all sharing an interest in the interdisciplinary study of the past.ROBIN HEADLAM WELLS is Professor of English, University of Surrey Roehampton; GLENN BURGESS is Professor of History, University of Hull; ROWLAND WYMER is Senior Lecturer in English at the University of Hull. Contributors: GLENN BURGESS, STANLEY STEWART, BLAIR WORDEN, ANDREW GURR, KATHARINE EISAMAN MAUS, ROWLAND WYMER, GRAHAM PARRY, MALCOLM SMUTS, STEVEN ZWICKER, HEATHER DUBROW,ROBIN HEADLAM WELLS.

In this book a pre-eminent historian of Cromwellian England takes a fresh approach to the literary biography of the two great poets of the Puritan Revolution, John Milton and Andrew Marvell. Blair Worden reconstructs the political contexts within which Milton and Marvell wrote, and reassesses their writings against the background of volatile and dramatic changes of public mood and circumstance. Two figures are shown to have been prominent in their minds. First there is Oliver Cromwell, on whose character and decisions the future of the Puritan Revolution and of the nation rested, and whose ascent the two writers traced and assessed, in both cases with an acute ambivalence. The second is Marchamont Nedham, the pioneering journalist of the civil wars, a close friend of Milton and a man whose writings prove to be intimately linked to Marvell's. The high achievements of Milton and Marvell are shown to belong to world of pressing political debate which Nedham's ephemeral publications helped to shape. The book follows Marvell's transition from royalism to Cromwellianism. In Milton's case we explore the profound effect on his outlook brought by the execution of King Charles I in 1649; his difficult and disillusioning relationship with the successive regimes of the Interregnum; and his attempt to come to terms, in his immortal poetry of the Restoration, with the failure of Puritan rule.

This collection of essays examines the struggles of the people of England with the collapse of civilization as they knew it. As the country fell into civil war and near anarchy, the people sought out in word and action how to preserve what could still be preserved or to create new political, religious and social certainties. The authors discuss individuals or groups who were soldiers, writers or statesmen of the Civil Wars or the Interregnum, people who were at the centre of power or in more humble and localized circumstances. All of the authors take their inspiration from the work of Austin Woolrych, whose own books and articles focus on these very questions. This volume is published in his honour.

The Rump Parliament was brought to power in 1648 by Pride's Purge and forcibly dissolved by Oliver Cromwell in 1653. This book is a detailed account of the intervening years. Dr Worden concentrates particularly on the Rump's policies in the contentious fields of legal, religious and electoral reform; its attempts to live down its revolutionary origins, to disown its more radical supporters, to conciliate those Puritans alienated by the purge and the King's death, and to re-create the Roundhead party of the 1640s. He examines the Rump's struggles for survival in the face of the Royalist threat between 1649 and 1651, and its fatal quarrel with the Cromwellian army thereafter. A concluding chapter deals with the Rump's forcible dissolution. This novel and challenging interpretation of the most dramatic phase of the English Revolution will interest all specialists in seventeenth-century political and constitutional history.

Written around 1580, Philip Sidney's 'Arcadia' is a romance, a love story, a work of wit and enchantment set in an ancient and mythical land. But, as Blair Worden now startlingly reveals, it is also a grave and urgent commentary on Elizabethan politics. Under the protective guise of pastoral fiction, Sidney produced a searching reflection on the misgovernment of Elizabeth I and on the failings of monarchy as a system of government. Blair Worden reconstructs the dramatic events admidst which the 'Arcadia' was composed and shows for the first time how profound is their presence in it. The Queen's failure to resist the Catholic advance at home and abroad, and her apparent resolve to marry the Catholic heir to the French throne, seemed likely to bring tyranny and persecution to England. Her policies provoked a radical political dissent which historians and literary critics have missed, and of which the 'Arcadia' is the most penetrating and eloquent expression. 'The Sound of Virtue' combines, in a manner and on a scale never before attempted, the close analysis of a literary text with the scholarly reconstruction of its historical context. It transforms our understanding of Sidney's masterpiece and offers a new approach to the relationship between the history and literature of the Renaissance. Blair Worden was Fellow and Tutor in History at St Edmund Hall, Oxford, between 1974 and 1995, and is now Professor of Early Modern History at the University of Sussex.