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An Island in the Stream, a collaboration between Cuban and American writers and scholars, is a diverse collection of ecocritical and literary responses to the natural environment in Cuba and to Cuban environmental culture. The essays explore Cuba's vibrant cultural history with particular attention to literature and the visual and performing arts, which are viewed through such lenses as ecofeminism, postcolonial ecocriticism, multiculturalism, and the nuclear imaginary, among others. American environmentalists have long viewed modern Cuba as a model of progressive environmental thinking. In the 1990s, the Cuban government made sustainability a centerpiece of national policy initiatives. This book explores some of the historical foundations of contemporary sustainability efforts in Cuba, while also describing the contemporary environmental situation in that part of the world. From Jose Marti to Excilia Saldana, from Antonio Nunez Jimenez to Lydia Cabrera, the articles here aim to provide a starting point for others who wish to learn about Cuban environmental thought. The conjunction of scholarly and creative work is a gesture toward the interdependence of humanities research and artistic expression, both of which seek to encourage environmental and cultural mindfulness and sensitivity.
An Island in the Stream, a collaboration between Cuban and American writers and scholars, is a diverse collection of ecocritical and literary responses to the natural environment in Cuba and to Cuban environmental culture. The chapters explore Cuba's vibrant cultural history with particular attention to literature and the visual and performing arts, which are viewed through such lenses as ecofeminism, postcolonial ecocriticism, multiculturalism, and the nuclear imaginary, among others. American environmentalists have long viewed modern Cuba as a model of progressive environmental thinking. In the 1990s, the Cuban government made sustainability a centerpiece of national policy initiatives. This book explores some of the historical foundations of contemporary sustainability efforts in Cuba, while also describing the current environmental situation in that part of the world. From Jose Marti to Excilia Saldana, from Antonio Nunez Jimenez to Lydia Cabrera, the chapters here aim to provide a starting point for others who wish to learn about Cuban environmental thought. The conjunction of scholarly and creative work is a gesture toward the interdependence of humanities research and artistic expression, both of which seek to encourage environmental and cultural mindfulness and sensitivity.
"The stereotype spells death to the imagination by shrinking all
possibilities to one. Generalizations encourage us to stop
considering what can be."
It is rare to find contemporary American poetry that speaks to readers with engaging directness, free of pretense or posturing. That is exactly the kind of poetry that Blas Falconer writes. In his first collection, Falconer presents 46 poems that are emotionally forthright and linguistically evocative but written without affectation or subterfuge. Although Falconer is formally trained and is aware of the structures and potential of both free verse and traditional poetic forms, he crafts exquisite, heartfelt poems that surprise us with their simple intensity. Whether writing about the mysteries of childhood or the pleasures of cruising for gay sex in a metropolitan airport, he surprises us with the delicacy of his touch, never obvious or heavy-handed. As a gay man who embraces his Puerto Rican heritage, Falconer stands at an edge of American society, and there is the tension of borders in his work: borders between peoples and nations as well as the less visible, more porous and deceptive borders between family members and lovers. There is not one point of view in these poems but many. It is the quality of their observational power that binds them together. Whether the setting is the hospital room of his dying grandfather or his own backyard teeming with garrulous tree frogs, Falconer transports us to the scene. It is easy for us to imagine what he sees. And we care, deeply, just as he does.
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