Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse. The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for. So, when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return... In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at The Old Vic, London, in July 2017, in a production directed by Conor McPherson, and later transferred to the West End, Broadway, Australia, Ireland and toured the UK.

The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One — and since winning the Nobel Prize in Literature in 2016.

Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over 60 essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyses what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence.

In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years and, like everything that Dylan does, it is a momentous artistic achievement.

WINNER OF THE NOBEL PRIZE IN LITERATURE The celebrated first memoir from arguably the most influential singer-songwriter in the country, Bob Dylan. 'I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.' So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities - smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota, and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times. By turns revealing, poetical, passionate, and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful, and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art. 'Chronicles stunned everyone . . . [it's] clear, apparently frank, unremittingly serious about his musical influences and exquisitely written. It is, in fact, a masterpiece' Sunday Times 'Entertaining and surprisingly deprecating... The book's structure is elegant . . . Chronicles is tautly written, vividly cinematic, and funny . . . a courageous little book' Financial Times 'There is something on every page, in every paragraph, that demands attention . . . In rock and roll terms, this book is like discovering the lost diaries of Shakespeare. It may be the most extraordinarily intimate autobiography by a 20th-century legend' Daily Telegraph

""I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else.""

So writes Bob Dylan in "Chronicles: Volume One, " his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, "Chronicles: Volume One" is an intimate and intensely personal recollection of extraordinary times.

By turns revealing, poetical, passionate and witty, "Chronicles: Volume One" is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns "Chronicles: Volume One" into a poignant reflection on life, and the people and places that helped shape the man and the art.

May you build a ladder to the stars And climb on every rung May you stay forever young Since he first released his self-titled debut in 1962, Bob Dylan has been one of the most celebrated artists of our time. And perhaps nowhere is he more affecting than in his 1974 hit, Forever Young. It's an antem to youth, to doing the right thing, to cherishing the spirit of being young. Re-imagined by award-winning illustrator, Paul Rogers, the lyrics tell the story of a young boy who travels through his life, living in the footsteps of the man who gave the world the greatest gift he had: music.

Written in 1966, 'Tarantula' is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution. 'The good samaritan coming in with the words "round & round we go" tattoed on his cheek / he tells the senator to stop insulting the lawyer.' 'Tarantula' captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the antic imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny and strange, the poems and prose in this collection reflect the concerns we find in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street. 'Tarantula' never made its publication date in Autumn 1966. To the delays added by Dylan's constant revisions was added the greater complication of his motorcyle accident - which left him with still undisclosed injuries and kept the book from publication until 1971. In the interim, it became a cult phenomenon, with 'bookleg' editions photocopied from reviewer proofs circulating throughout the musical and literary demi-mondes. Reissued to coincide with the paperback release of 'Chronicles Volume 1', 'Tarantula' will finally find the wider audience it deserves.

On October 13, 2016, it was announced that Bob Dylan had been awarded the Nobel Prize for Literature, recognizing his countless contributions to music and letters over the last fifty years. Some months later, he delivered a lecture that will now be available in book form for generations to come. In it, he reflects on his life and experience with literature, giving readers a rare and intimate look at an American icon. From being inspired by Buddy Holly to the novels that helped shape his own approach to writing (The Odyssey, Moby Dick, and All Quiet on the Western Front), this is Dylan like you've never seen him before.

WINNER OF THE NOBEL PRIZE IN LITERATURE Music legend Bob Dylan's only work of fiction--a combination of stream of consciousness prose, lyrics, and poetry that gives fans insight into one of the most influential singer-songwriters of our time.Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution. It captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.

WINNER OF THE 2016 NOBEL PRIZE FOR LITERATURE '100 Songs is a good start, for anybody lucky enough to be starting out with such a genius' The London Evening Standard A new collection of Bob Dylan's most essential lyrics - one hundred songs that represent the Nobel Laureate's incredible musical range through the entirety of his career so far. 'The Nobel acknowledges what we've long sensed to be true; that Mr. Dylan is among the most authentic voices America has produced, a maker of images as audacious and resonant as anything in Walt Whitman or Emily Dickinson.' Dwight Garner, New York Times 'The Nobel committee got this right - Dylan's ongoing achievement in American song is a literary feat to celebrate in his gaudiest of ways.' Rob Sheffield, Rolling Stone Bob Dylan is one of the most important songwriters of our time and the first musician in history to win the Nobel Prize for Literature. In 100 Songs, Dylan delivers an intimate and carefully curated collection of his most important lyrics that spans from the beginning of his career through the present day. Perfect for students and younger readers as well as long-time fans, this portable, abridged volume of Dylan's lyrics shines a light on the songs that mean the most from a music and cultural legend.

(Guitar Chord Songbook). From the folk troubadour to electric iconoclast, born-again preacher to elder statesman, Bob Dylan has sound-tracked the last 50 years in an unparalleled catalog of song. This collection contains 70 Dylan classics from every part of his career. Arrangements are in the same keys as the original recordings and include chord symbols, guitar chord frames, and complete lyrics. Songs include: All Along the Watchtower * Blowin' in the Wind * Forever Young * Hurricane * It Ain't Me Babe * Just like a Woman * Knockin' on Heaven's Door * Lay Lady Lay * Like a Rolling Stone * Mr. Tambourine Man * Rainy Day Women #12 & 35 * Tangled Up in Blue * The Times They Are A'Changin' * and more.

Collection of live performances from the iconic singer-songwriter, recorded at the Newport Folk Festival in 1963, '64 and '65. The footage includes songs such as 'Blowin' in the Wind' and 'Like a Rolling Stone' and features his first-ever, controversial, purist-baiting appearance with an electric band.

A poetry anthology to aid the work of MACMILLAN CANCER SUPPORT Including 2012 T S Eliot Prize Winner SHARON OLDS Nobel Prize in Literature winner SEAMUS HEANEY Supporters BOB DYLAN, LEONARD COHEN and JONI MITCHELL Grammy Award winning Renaissance Woman MAYA ANGELOU 2010 T S Eliot shortlisted poet PASCALE PETIT Cholmondeley Award winners PENELOPE SHUTTLE and MONIZA ALVI World renowned poet and performer BENJAMIN ZEPHANIAH Classic poets including Betjeman, Dylan Thomas, Yeats, Wordsworth, Byron, Pushkin, Housman, Browning, Keats, Clare, Donne and many more... PLUS established and new poets who believe in the cause... Heart Shoots has 'love' as the general theme of the majority of poems. It has been compiled by us to reach all members of the buying public, from those who are familiar with the best poets writing today, the millions of fans that follow Bob Dylan et al, and those millions of people who support the work of Macmillan and want to read accessible poetry that they can relate to.

The portrait of a very young Bob Dylan on the cover of "The Times They Are a Changin" is probably one of the most recognizable and famous album covers of all time. Photographer Barry Feinstein took that photo, as well as many more of Dylan throughout his career. His images have been published throughout the world many times over, and have become synonymous with our perceptions of that place and time in rock and folk music history.

Inspired by a series of photographs that Feinstein took in Hollywood during the 1950s and 60s, Bob Dylan wrote an extraordinary series of poems that have remained unpublished for decades. They are thought-provoking, witty and erudite observations of the world; through the lens of Feinstein's photographs, they speak volumes about the anonymous faces and places of Los Angeles, and offer wry commentary on images of stars and legends in the neighbourhood at the time. Photos of Frank Sinatra, Marlene Dietrich, Judy Garland float through the book, as do poignant images of starlets, casting couches, employment agencies and palm tree'd boulevards. Feinstein was there with a camera to capture some world-famous events, such as Marilyn Monroe's memorial service, and he photographed the forgettable moments, preserving them perfectly and timelessly. Bob Dylan's unsettling and distinctly unique perspective informs and enlivens every page, an irresistible interpretive voice narrating the visual images from photo to photo.