Dance Movement Therapy is a concise, practical introduction to a form of therapy, which has the body-mind relationship at its center. Movement, with both its physical and metaphorical potential, provides a unique medium through which clients can find expression, reach new interpretations and ultimately achieve a greater integration of their emotional and physical experience.

In the book, Bonnie Meekums maps the origins of Dance Movement Therapy (DMT) and its relationship to other more traditional forms of therapy. Outlining a new model for DMT, she describes the creative process, which develops in cycles throughout each session and over the course of therapy. Illustrated throughout with vivid case examples, the book defines the role of the therapist in working with clients to bring about change.

Dance Movement Therapy is a concise, practical introduction to a form of therapy, which has the body-mind relationship at its center. Movement, with both its physical and metaphorical potential, provides a unique medium through which clients can find expression, reach new interpretations and ultimately achieve a greater integration of their emotional and physical experience.

In the book, Bonnie Meekums maps the origins of Dance Movement Therapy (DMT) and its relationship to other more traditional forms of therapy. Outlining a new model for DMT, she describes the creative process, which develops in cycles throughout each session and over the course of therapy. Illustrated throughout with vivid case examples, the book defines the role of the therapist in working with clients to bring about change.

Bonnie Meekums presents creative group work strategies and techniques for professionals working with women who have experienced child sexual abuse. The practical strategies have been developed from an understanding of the complex process of recovery, and are informed by the voices of women who have been abused in childhood themselves. The book is divided into two parts. The first looks at the theoretical issues, exploring the nature of abuse and patterns of recovery and also considers the debate about `false memory syndrome'. The second part of the book presents practical group strategies, detailing a full sequence of creative exercises for the sessions. The author outlines how to set up the group, how to establish the group and how to manage group endings. The material in the book has been successfully trialled in a variety of professional settings, including a specialist multi-modal arts therapy program with a group of fourteen women. Creative Group Therapy for Women Survivors of Child Sexual Abuse will enable professionals and students to understand and support women through the difficult process of recovery from childhood sexual abuse.