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Screaming for Change advances an understanding of punk rock by
going beyond description of punk as a musical, political, social,
and cultural genre of communication. Previous scholarship about
punk rock has primarily dealt with those boundaries of genre.
Previous scholars neglected to examine the ideology of punk across
the decades and continents. That ideology, in a word, is deviance.
Through Gramscian textual analysis, this book uncovers this
ideology of deviance with some surprises along the way. Students
and scholars of punk rock will value the book's attention to both
well known and more esoteric punk artists. Punk is arguable the
most studied 'subculture' to ever launch itself onto the larger
social agenda as a possible counterbalance to the mainstream
cultural hegemony. During the late 1970s, punk scenes sprouted up
in large numbers all over the globe, and it appears that deep
feelings of discontent towards the inherent alienation present in
the capitalist system were the motivational seed that facilitated
their growth. Unconvinced that the historical accounts have been
successful in adequately describing and proficiently capturing the
essence of punk, this study examines the phenomenon in slightly
different terms. This study proposes that punk should be understood
as a way of seeing the world, as a way of reasoning, or,
essentially, as a philosophy on its own terms.
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