In 1938, English actor Abe Goldstein is offered the chance to star in a movie in Germany. There are just two problems, and only one of them's his name...

For nearly 150 years, William Lloyd Garrison, founder of the famed antislavery newspaper The Liberator, has been represented by scholars, educators, politicians and authors as the founder of the American abolitionist movement. Yet the idea that Garrison was the leader of a coherent movement was strongly contested during his lifetime. Drawing on private letters, diaries, newspapers, novels, memoirs, eulogies, late 19th century textbooks, poetry and monuments, this study reveals the dramatic social and political forces of the postwar period which transformed our perceptions of Garrison, the abolitionist movement and the first histories of the Civil War.

"The Blue, the Gray, and the Green" is one of only a handful of books to apply an environmental history approach to the Civil War. This book explores how nature--disease, climate, flora and fauna, and other factors--affected the war and also how the war shaped Americans' perceptions, understanding, and use of nature. The contributors use a wide range of approaches that serve as a valuable template for future environmental histories of the conflict.
In his introduction, Brian Allen Drake describes the sparse body of environmental history literature related to the Civil War and lays out a blueprint for the theoretical basis of each essay. Kenneth W. Noe emphasizes climate and its effects on agricultural output and the battlefield; Timothy Silver explores the role of disease among troops and animals; Megan Kate Nelson examines aridity and Union defeat in 1861 New Mexico; Kathryn Shively Meier investigates soldiers' responses to disease in the Peninsula Campaign; Aaron Sachs, John C. Inscoe, and Lisa M. Brady examine philosophical and ideological perspectives on nature before, during, and after the war; Drew Swanson discusses the war's role in production and landscape change in piedmont tobacco country; Mart A. Stewart muses on the importance of environmental knowledge and experience for soldiers, civilians, and slaves; Timothy Johnson elucidates the ecological underpinnings of debt peonage during Reconstruction; finally, Paul S. Sutter speculates on the future of Civil War environmental studies. "The Blue, the Gray, and the Green" provides a provocative environmental commentary that enriches our understanding of the Civil War.

Positive shifts in attitudes mean that emphasis is now being placed on the person with dementia and their personal relationships, rather than the illness. There is also growing recognition of the significance of a person's spiritual life in forming an essential basis for their sense of identity, and in providing them with a resource for coping. Offering an inter-disciplinary approach to spirituality and personhood in dementia care, the contributors to this book are leading practitioners and researchers in the field. They provide both a theoretical structure and a practical understanding of the essential role that spirituality can play in the affirmation of personhood and identity, and of ways in which the spiritual well-being of people with dementia can be nurtured. This thought-provoking book includes chapters approaching the subject from Christian and Buddhist perspectives, discussion of inter-faith relations, and of what spirituality might mean for those not part of any faith tradition. This will be valuable reading for nurses, care workers, care commissioners and pastoral support professionals interested in a more holistic and contemplative approach to caring for people with dementia.

Cyber risk management is one of the most urgent issues facing enterprises today. This book presents a detailed framework for designing, developing, and implementing a cyber risk management program that addresses your company's specific needs. Ideal for corporate directors, senior executives, security risk practitioners, and auditors at many levels, this guide offers both the strategic insight and tactical guidance you're looking for. You'll learn how to define and establish a sustainable, defendable, cyber risk management program, and the benefits associated with proper implementation. Cyber risk management experts Brian Allen and Brandon Bapst, working with writer Terry Allan Hicks, also provide advice that goes beyond risk management. You'll discover ways to address your company's oversight obligations as defined by international standards, case law, regulation, and board-level guidance. This book helps you: Understand the transformational changes digitalization is introducing, and new cyber risks that come with it Learn the key legal and regulatory drivers that make cyber risk management a mission-critical priority for enterprises Gain a complete understanding of four components that make up a formal cyber risk management program Implement or provide guidance for a cyber risk management program within your enterprise

Bad Foundations is a comedic absurdist novel about a home foundation inspector whose own home life is falling apart.Cook does not have an ordinary job. He spends his days inspecting people's crawl spaces, cataloging their filth and photographing the decay. At his other job, as a father, he has to learn how to bond with his teenage daughter, but that's hard to do when covered in spider webs.High on legal weed and searching for answers to life's mysteries, Cook works alongside similar colorful characters trying to make money and save for the future. That is until a bad sales month spirals out into a quantum stay at a surreal Ohio hotel.New friendships are made, old curses are dealt with, and the local police force is put to the test. Told in a stylized working-class voice, Brian Allen Carr is a true raconteur of the American Midwest.

More than two hundred years ago, Russian Empress Catherine the Great and some of her courtiers developed a taste for British art and collected some spectacular items including paintings, drawings, sculpture, silver, and Wedgwood ceramics. This sumptuously illustrated book tells the story of the acquisition of these treasures and of the cultural relations between Britain and Russia in the eighteenth century. Distinguished critic John Russell provides the introduction for this book, and eminent British and Russian scholars offer chapters on such topics as British gardeners and the vogue of the English Garden, the Houghton sale, British architects in Russia, and English porcelain and the Russian court. The book includes color illustrations of 164 items from the Hermitage collections of British art, including such highlights as full-length portraits by Van Dyck painted in England, assorted pieces of the celebrated Green Frog dinner service commissioned from Josiah Wedgwood for the Chesmensky Palace, Charles Kandler's huge Rococo silver "Jerningham" wine cooler, other silver items by Augustine Courtauld and Paul de Lamerie, and some furniture and important architectural drawings by Charles Cameron. The collection also includes sculpture, jewelry, watches, clocks, medals, cameos, and gems. Published for the Yale Center for British Art, The Toledo Museum of Art, The Saint Louis Art Museum,

Featuring extensive case studies, this volume provides a unique window into implementation of evidence-based treatments in real-world community settings. Experienced therapists illustrate the use of three effective therapies for traumatized children and their caregivers: trauma-focused cognitive-behavioral therapy (TF-CBT), child-parent psychotherapy (CPP), and parent-child interaction therapy (PCIT). Covering the entire process of assessment and intervention, the cases highlight ways to maintain treatment fidelity while addressing complex clinical challenges with diverse clients. Experts in the respective therapy models offer instructive commentaries at the end of each case. The book also provides a concise introduction to each model, including its theoretical underpinnings, empirical support, and applications.

This superbly illustrated book accompanies an exhibition of thirty objects from the exceptional collection of English silver in the Moscow Kremlin Museums, where the world's greatest surviving group of English sixteenth- and seventeenth-century silver is housed. Much of the silver from this period was melted down during the English Civil War, making the pieces at the Kremlin exceedingly rare and historically important. The silver items-a large water pot with snake-shaped handle and spout, a flat drinking cup, a magnificent flagon shaped like a leopard, and more-exemplify the developing ties between England and Russia. Some pieces were brought to Russia as diplomatic gifts, some were presented by English trading agents, while others were purchased for the Tsar's Treasury. Setting these silver treasures in fuller context, the catalogue also features precious objects made by Russian craftsmen, a group of English firearms from the Kremlin collection, and portraits, engravings, books, and maps that illuminate the important diplomatic and commercial exchanges that were taking place between the two countries. In addition to essays by Kremlin curators Natalya Abramova, Elena Yablonskaya, and Irina Zagarodnaya, the catalogue will include writings by Paul Bushkovitch, Olga Dmitrieva, Philippa Glanville, Maija Jansson, and Edward Kasinec. Published in association with the Yale Center for British Art Exhibition Schedule: The Gilbert Collection, London (mid-October, 2006 - January 2007) Yale Center for British Art (May 25 - September 10, 2006)

A "conservative environmental tradition" in America may sound like a contradiction in terms, but as Brian Allen Drake shows in Loving Nature, Fearing the State, right-leaning politicians and activists have shaped American environmental consciousness since the environmental movement's beginnings. In this wide-ranging history, Drake explores the tensions inherent in balancing an ideology dedicated to limiting the power of government with a commitment to protecting treasured landscapes and ecological health. Drake argues that "antistatist" beliefs--an individualist ethos and a mistrust of government--have colored the American passion for wilderness but also complicated environmental protection efforts. While most of the successes of the environmental movement have been enacted through the federal government, conservative and libertarian critiques of big-government environmentalism have increasingly resisted the idea that strengthening state power is the only way to protect the environment. Loving Nature, Fearing the State traces the influence of conservative environmental thought through the stories of important actors in postwar environmental movements. The book follows small-government pioneer Barry Goldwater as he tries to establish federally protected wilderness lands in the Arizona desert and shows how Goldwater's intellectual and ideological struggles with this effort provide a framework for understanding the dilemmas of an antistatist environmentalism. It links antigovernment activism with environmental public health concerns by analyzing opposition to government fluoridation campaigns and investigates environmentalism from a libertarian economic perspective through the work of free-market environmentalists. Drake also sees in the work of Edward Abbey an argument that reverence for nature can form the basis for resistance to state power. Each chapter highlights debates and tensions that are important to understanding environmental history and the challenges that face environmental protection efforts today.

The black magic of bad living only looks hideous to honest eyes.

Welcome to Scrape, Texas, a nowhere town near the Mexican border. Few people ever visit Scrape, and the unlucky ones who live there never seem to escape. They fill their days with fish fries, cheap beer, tobacco, firearms, and sex. But Scrape is about to be invaded by a plague of monsters unlike anything ever seen in the history of the world. First there's La Llorona -- the screaming woman in white -- and her horde of ghost children. Then come the black, hairy hands. Thousands, millions, scurrying on fingers like spiders or crabs. But the hands are nothing to El Abuelo, a wicked creature with a magical bullwhip, and even El Abuelo don't mean shit when the devil comes to town.

"Motherfucking Sharks reads like it was carved into the floor of a sun-baked desert by an old testament prophet with a thirsty knife." - BEN LOORY, author of "Stories for Nighttime and Some for the Day"

"Where I come from, the children sing a song:

Oh the motherfucking sharks Oh they're gonna come to town Oh they're gonna kill the babies Oh they're gonna make you drowned in your blood

Oh the motherfucking sharks Oh they're gonna mince the flesh They're gonna swim up and surround you Don't you know you'll never pass the test it's over

Oh the motherfucking sharks Oh they don't care about the gods And they don't care about the families And they don't care about the cries or tears they're killers.

Motherfucking sharks Motherfucking sharks Motherfucking sharks Motherfucking sharks"

Don't be fooled by the title. Rickety Rackety Rhymes is not rickety at all This collection of 34 fun verses for the young at heart is for all ages and is a delightful cross-section of light-hearted, funny rhymes. Rickety Rackety Rhymes are mostly in the form of rhyming couplets, which makes them easy to read, listen to and recall. The rhymes often tell about people and animals in a mess, and how the problem is resolved, or not, such as Gus the Hippopotamus has run out of water, Percy the Penguin wants to keep warm in winter, and the difficulties of trying to say nothing but the truth. Then there's the dinosaur of Pugton Green, Marcus Mole and his earthwork problems, along with many others just as silly and funny. Born in the United Kingdom, Brian Allen left school at the start of World War II, working in various jobs useful to the war effort until he was old enough to join the RAF as a wireless operator/air gunner in Bomber Command. He ran his own market garden before moving to New Zealand in 1952, where he did farm work, was an accountant and a probation officer. Now retired, he is also the author of Brain Food and Other Tales and Dubious Definitions. Publisher's website: http: //sbpra.com/BrianAllen

Ten stories. Three cycles. Fists and possums and gunfighters and penises and hookers and short buses and dead babies and fireworks. The stories in this collection originally appeared in: HOBART, FICTION INTERNATIONAL, KITTY SNACKS, TEXAS OBSERVER, NEW BORDER and THE PURITAN.

In 1938, English actor Abe Goldstein is offered the chance to star in a movie. There are just two problems, and only one of them's his name... From pre-war London, through Nazi Germany to 1960s Hollywood comes an enthralling tale of obsession, survival and love. And movies.

When the story of modern art is told, British artists are mentioned infrequently or not at all. In this book, distinguished art historians attempt to explain the marginal position of British modern art by examining the development of the London art world-its institutions and individual artists-over the past two centuries. Chapters discuss artists as diverse as William Hogarth, Sir Joshua Reynolds, W.P. Frith, Walter Sickert, and Henry Moore and also describe academies, public exhibitions, and commercial galleries throughout the era. Introduced by David Solkin, the volume consists of contributions from Caroline Arscott, Ann Bermingham, John Brewer, Marilyn Butler, Julie Codell, Peter Funnell, John Gage, Charles Harrison, Andrew Hemingway, Ludmilla Jordanova, Ronald Paulson, Martin Postle, and Stella Tillyard. This volume is the first of a new serial publication, Studies in British Art, published for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art. Published for the Paul Mellon Center for Studies in British Art

This book summarizes attachment processes across the lifespan and reviews clinical applications with infants, children, adolescents, and adults. Attachment theory is often mischaracterized as focusing solely on maternal influences in early childhood, but developmental science has explored the important roles that other attachment figures play throughout one's life, including foster parents, social peers, and romantic partners. Following the history and evolution of attachment research, this book translates foundational knowledge into clinical practice by reviewing interventions such as parent training techniques, attachment-based family therapy, and mentalization-based therapy. These attachment-based interventions are differentiated from other, harmful treatments that have been erroneously linked to attachment theory, being labeled by their proponents as "attachment therapy." Key concepts such as internal working models and secure vs. insecure attachment scripts are described, as are important assessment measures like the strange situation procedure and the adult attachment interview. Special features highlight notable topics and controversies in attachment theory and research and present case studies that bring clinical guidance to life.

"Short Bus" is a darkly humorous collection of linked stories set in the southern haunts of coastal Texas--near where the Rio Grande dumps its brackish water into the Gulf of Mexico. The stories in this book ponder deformity in all its forms. Fetuses twist their mustaches, feet float in jars, a special- education teacher aims to rob a bank with the aid of his students. But binding these stories is a gentle humanity. Brian Allen Carr moves his grotesque characters toward the hollows of hearts, heaving despicable actions toward tender outcomes. "Short Bus" is a book about understanding the worst of us, smiling at that which makes us shudder.

"Brian Allen Carr's brain must be a snarl of firing pistons, sizzling fuses, hoses leaking blood and tequila and hydraulic oil. How else can you explain the twisted machinery of his stories? Each of them is a disturbing journey that will thrill and educate you in the sunlit haze of the Texas/Mexico border--and the sometimes subterranean darkness of the human heart."--Benjamin Percy, author of "The Wilding" and "Refresh, Refresh"

"Brian Allen Carr balances the harshness of his characters' lives with beautiful and precise language, making parched land feel lush. Carr writes the best kind of stories--stories that only he could have written." --Mary Miller (author of "Big World)"

"Brian Allen Carr has written a short story collection that is everything hardworking--the characters, the scenery, the sentences--all form to build a machine crafted to break hearts along the border. A ridiculously strong first collection."--Shane Jones (author of "Light Boxes")