From "The Afterlife of Trees" /Neither sheep nor cows crisscross our lives as much./Trees dangle apples and nuts for the hungry, throw/shade down for lovers, mark sites for the lost, /and first and last are/utterly themselves, /fuller and finer than any letter or number, /any 7 or T. Their fragmentary afterlife goes on/in a guitar's body and a hockey stick, in the beaked faces/up a totem pole and the stake through a vampire's heart, /in a fragrant cheese-board, a Welsh love-spoon, /a sweat-stained axe handle, a giant green dragonfly suspended from the ceiling with twine, /in the spellbinding shapechanging/behind a glass woodstove-door...

Alden Nowlan (1933-1983) once wrote of a desire to leave behind "one poem, one story / that will tell what it was like / to be alive." In an abundance of memorable poems, he fulfilled this desire with candour and subtlety, emotion, and humour, sympathy and truth-telling. For many years, Nowlan has been one of Canada's most-read and -beloved poets, but only now is the true range of his poetic achievement finally available between two covers, with the publication of Collected Poems of Alden Nowlan.Nowlan takes us from nightmarish precincts of fear and solitude to the embrace of friendship and family. Delving into experiences of violence and gentleness, of alienation and love, his poetry reveals our shared humanity as well as our perplexing and sometimes entertaining differences. Nowlan's childhood and adult years are colourfully reflected in his poetry. These autobiographical threads are interwoven with fantasies, an astute historical consciousness, and a keen awareness of the shiftings and transformations of selfhood.Nowlan wrote with formal variety, visually shaping his poems with a dexterity that complicates impressions that he was primarily a "plainspoken" poet. His varied uses of the poetic line -- his handling of line-lengths and -breaks, stanzas, and pauses -- show him to be a writer who skilfully uses the page to suggest and embody the rhythms of speech. This long-awaited volume enables readers to experience his poetic genius in its fullness and uniqueness.

In his most personal collection to date, Brian Bartlett meditates upon time and family. We share his son's discovery of newborn spiders and his daughter's first grasp of infinity as a concept. In companion poems on the births of his mother and father, Bartlett makes you feel as if you were alive at those moments in history. The opening poem, "All the Train Trips," displays an uncanny sense of homes and families lost and the casual friendships struck up in conversations in the "bar car." "Pearly Everlasting" expresses a longing to register the world in the body through the naming of flowers. Books and the history of poetry shape time for Bartlett, whether in found poems woven from the words of books inherited from ancestors or in the words of great poets that, despite the distance, convey a shared sense of humanity. Wrestling with time as if he were both Jacob and the angel, Bartlett speaks both for time's dominion and for human mutability.

Bartlett takes his readers on a meditative journey in which he encapsulates the complexity of human experience. Delighting in humour and the play of words, he induces his readers to take a new look at historical events, the natural world, and a full range of emotions.

Bartlett has put together a collection of poems with a strong narrative line which draws upon experiences as diverse as a bus driver's salute, the dreams of a forty-year-old batboy, a bus ride in Jerusalem, or a performance by Canuck fiddlers in Nagasaki.