In Russian Idea-Jewish Presence, Professor Brian Horowitz follows the career tracks of Jewish intellectuals who, having fallen in love with Russian culture, were unceremoniously repulsed. Horowitz relays the paradoxes of a synthetic Jewish and Russian self-consciousness in order to correct critics who have always considered Russians and Jews as polar opposites, enemies, and incompatible. In fact, the best Russian-Jewish intellectuals-Semyon Dubnov, Maxim Vinaver, Mikhail Gershenzon, and a number of Zionist writers and thinkers-were actually inspired by Russian culture and attempted to develop a sui generis Jewish creativity in three languages on Russian soil.

The book argues that Jews were not a people apart but were culturally integrated in Russian society. In their diasporic cultural creations Russia's Jews employed the general themes of artists under tsars and Soviets, but they modified these themes to fit their own needs. The result was a hybrid, Russian-Jewish culture, unique and dynamic. Few today consider that Jewish Eastern Europe, the "old world", was in fact a power incubator of modern Jewish consciousness. Brian Horowitz, a well-known scholar of Russian Jewry, presents essays on Jewish education (the heder), historiography, literature and Jewish philosophy that intersect with contemporary interests on the big questions of Jewish life. The book lets us grasp the meaning of secular Judaism and gives models from the past in order to stimulate ideas for the present.

In Russian Idea-Jewish Presence, Professor Brian Horowitz follows the career tracks of Jewish intellectuals who, having fallen in love with Russian culture, were unceremoniously repulsed. Horowitz relays the paradoxes of a synthetic Jewish and Russian self-consciousness in order to correct critics who have always considered Russians and Jews as polar opposites, enemies, and incompatible. In fact, the best Russian-Jewish intellectuals-Semyon Dubnov, Maxim Vinaver, Mikhail Gershenzon, and a number of Zionist writers and thinkers-were actually inspired by Russian culture and attempted to develop a sui generis Jewish creativity in three languages on Russian soil.

Vladimir Jabotinsky is well remembered as a militant leader and father of the right-wing Revisionist Zionist movement, but he was also a Russian-Jewish intellectual, talented fiction writer, journalist, playwright, and translator of poetry into Russian and Hebrew. His autobiography, Sippur yamai, Story of My Life-written in Hebrew and published in Tel Aviv in 1936-gives a more nuanced picture of Jabotinsky than his popular image, but it was never published in English. In Vladimir Jabotinsky's Story of My Life, editors Brian Horowitz and Leonid Katsis present this much-needed translation for the first time, based on a rough draft of an English version that was discovered in Jabotinsky's archive at the Jabotinsky Institute in Tel Aviv. Jabotinsky's volume mixes true events with myth as he offers a portrait of himself from his birth in 1880 until just after the outbreak of World War I. He describes his personal development during childhood and early adult years in Odessa, Rome, St. Petersburg, Vienna, and Istanbul, during Russia's Silver Age, a period known for spiritual searching, but also political violence, radicalism, and pogroms. He tells of his escape to Rome as a youth, his return to Odessa, and his eventual adoption of Zionism. He also depicts struggles with rivals and colleagues in both politics and journalism. The editors introduce the full text of the autobiography by discussing Jabotinsky's life, legacy, and writings in depth. As Jabotinsky is gaining a reputation for the quality of his fictional and semi-fictional writing in the field of Israel studies, this autobiography will help reading groups and students of Zionism, Jewish history, and political studies to gain a more complete picture of this famous leader.