The Irish Revival has inspired a richly diverse and illuminating body of scholarship that has enlarged our understanding of the movement and its influence. The general tenor of recent scholarly work has involved an emphasis on inclusion and addition, exploring previously neglected texts, authors, regional variations, and international connections. Such work, while often excellent, tends to see various revivalist figures and projects as part of a unified endeavor, such as political resistance or self-help. In contrast, The Irish Revival: A Complex Vision seeks to reimagine the field by interpreting the Revival through the concept of "complexity," a theory recently developed in the information and biological sciences. Taken as a whole, these essays show that the Revival's various components operated as parts of a network but without any overarching aim or authority. In retrospect, the Revival's elements can be seen to have come together under the heading of a single objective; for example, decolonization broadly construed. But this volume highlights how revivalist thinkers differed significantly on what such an aspiration might mean or lead to: ethnic authenticity, political autonomy, or greater collective prosperity and well-being. Contributors examine how relationships among the Revival's individual parts involved conflict and cooperation, difference and similarity, continuity and disruption. It is this combination of convergence without unifying purpose and divergence within a broad but flexible coherence that Valente and Howes capture by reinterpreting the Revival through complexity theory.

A fully interdisciplinary exploration of Irish Studies' development since the end of the Celtic Tiger (contributors include scholars from literary studies, history, sports studies, performance studies, music studies, language studies, politics, economics, media studies, art and visual culture, gender studies, and more) Includes essays from scholars and practitioners in Ireland, the US, and the UK Includes several essays that consider Irish studies in relation to ecological crisis, including the global pandemic Includes essays from both emerging and well-established scholars Addresses intersections between Irish studies and diverse theoretical frameworks, including queer theory, ecocriticism, critical race studies, feminist theory, disability studies, postcolonial theory, and queer theory.

A fully interdisciplinary exploration of Irish Studies' development since the end of the Celtic Tiger (contributors include scholars from literary studies, history, sports studies, performance studies, music studies, language studies, politics, economics, media studies, art and visual culture, gender studies, and more) Includes essays from scholars and practitioners in Ireland, the US, and the UK Includes several essays that consider Irish studies in relation to ecological crisis, including the global pandemic Includes essays from both emerging and well-established scholars Addresses intersections between Irish studies and diverse theoretical frameworks, including queer theory, ecocriticism, critical race studies, feminist theory, disability studies, postcolonial theory, and queer theory.

Bone and Marrow/Cnamh agus Smior: An Anthology of Irish Poetry from Medieval to Modern is the most inclusive and comprehensive anthology of Irish-language poetry to date. Impressive in its breadth and scholarly in its depth, this collection casts a wide net, and in tracing Irish history since the sixth century to the present day, it makes evident that so much of the bone and marrow of Irish history and culture is poetry. Across the turbulent and often traumatic centuries, poets witnessed and gave witness to a multiplicity of Irish experiences; the rich and multifaceted tradition they created is both a reckoning with Irish, European, and global realities, and an imaginative response to them. Capturing the power and beauty of this diverse tradition, this indispensable volume reveals poetry's centrality to Irish history and culture. Meticulously researched by a team of twenty-two renowned international scholars, it features many new translations, introductory essays, and explanatory headnotes. This bilingual anthology should prove of inestimable value to students, academic, educators, and all those interested in Ireland's ever-evolving poetic traditions and culture.

Banned and beloved in equal measure, The Midnight Court is a canonical eighteenth-century text widely considered to be one of the greatest comic Irish poems. Despite its simple story line, Merriman's poem addresses a wide range of themes from its satirical treatment of sexuality to its biting social commentary. This volume, the first critical edition, offers readers a fluid translation and five essays that contextualize the poem, making it an ideal text for any student of eighteenth-century Irish literature. Written specifically for the nonspecialist reader, O Conchubhair's edition contains notes, a glossary, a map, and explanations of the rhyme, meter, form, and genre that traditionally puzzle those unfamiliar with the Irishlanguage tradition. The essays explore the text's themes and allusions, acquainting readers with the poem's controversies and critics' competing interpretations of Merriman's achievement."

The Irish Revival has inspired a richly diverse and illuminating body of scholarship that has enlarged our understanding of the movement and its influence. The general tenor of recent scholarly work has involved an emphasis on inclusion and addition, exploring previously neglected texts, authors, regional variations, and international connections. Such work, while often excellent, tends to see various revivalist figures and projects as part of a unified endeavor, such as political resistance or self-help. In contrast, The Irish Revival: A Complex Vision seeks to reimagine the field by interpreting the Revival through the concept of "complexity," a theory recently developed in the information and biological sciences. Taken as a whole, these essays show that the Revival's various components operated as parts of a network but without any overarching aim or authority. In retrospect, the Revival's elements can be seen to have come together under the heading of a single objective; for example, decolonization broadly construed. But this volume highlights how revivalist thinkers differed significantly on what such an aspiration might mean or lead to: ethnic authenticity, political autonomy, or greater collective prosperity and well-being. Contributors examine how relationships among the Revival's individual parts involved conflict and cooperation, difference and similarity, continuity and disruption. It is this combination of convergence without unifying purpose and divergence within a broad but flexible coherence that Valente and Howes capture by reinterpreting the Revival through complexity theory.

First published in Irish in 1937, this collection of journal and diary entries is a compelling first-hand account of Douglas Hyde's eight-month fundraising odyssey through the United States from 1905 to 1906. Published for the first time in a bilingual edition, complete with newly discovered archival material and extensive illustrations, this book navigates Hyde's thoughts on his journey in their original Irish, accompanied by a faithful English translation Hyde's work on this tour, undertaken on behalf of the Gaelic League, was both culturally and politically vital. The finance he raised contributed to the hiring and training of Irish-language teachers and organisers who travelled across Ireland spreading the Gaelic League message. These funds sustained the cultural revolution, which, in turn, gave rise to the political uprising from which Irish sovereignty would ultimately flow. This collection is beautifully designed and colour illustrated with a wide selection of original images and hand-written postcards. With an introduction by President Michael D. Higgins, and punctuated with entertaining pen pictures of prominent figures in US history (including President Theodore Roosevelt), this study recounts an important part in the life of one of Ireland's most under-appreciated leaders and captures an Ireland on the very brink of seismic change.

Major Haig ordered them to 'prepare to fire', whereupon they the fired indiscriminately, point blank, at the people in the street. Four people were killed and thirty-seven wounded. All Ireland seethed with indignation . . . ' This new edition of Dublin's Fighting Story with an introduction by Diarmaid Ferriter features stories and reports from every aspect of the War of Independence, from the formation of the Fianna Eireann and the Volunteers, through the Great Dublin Strike and Lock-out in 1913 and the 1916 Rising to the death of Sean Treacy in a bloody street shoot-out, the triumph and tragedy of Bloody Sunday and the burning of the Customs House. Dublin's Fighting Story offers the perspective of the eye witnesses and fighting men themselves to the struggle for independence in Dublin.

Almost a century ago a small body of men engaged in combat with the armed forces of an Empire. Militarily they were weak. Their strength lay in their faith in their cause and in the unflinching support of a civilian population which refused to be cowed by threats or by violence.This new edition of Kerry's Fighting Stories features stories and reports from every aspect of the conflict, from the formation of the Volunteers in Kerry early in the twentieth century, through the first casualties as the Easter Rising took its toll and on to the campaigns in the East and West of the county during the war of Independence itself. With barracks attacks, ambushes, shootings and even engagements with warships, it brings to life a conflict that is fading from the collective memory of the county and country.Kerry's Fighting Stories offers a fascinating perspective on the struggle for independence in Kerry directly from the men who took part in the actions themselves.

Limerick's Fighting Story offers eye witness and first hand accounts of the struggle for independence in Limerick city and county.When the Truce was declared in the War of Independence in July 1921, each of Limerick's brigade areas, west, mid and east had flying columns in the field. While the challenge of city fighting and urban guerrilla tactics were high on the list of concerns for the mid brigade, the east and west flying columns were active raiders and ambush artists.This new edition of the classic Limerick's Fighting Story features stories and reports from every aspect of the conflict in Limerick from the Limerick Heroes of 1916, through the nights of terror and violence in Limerick city as Tans killed residents, to the exploits of the women of Cumman na mBan.