The Sussex landscape is here celebrated by writers and poets, both famous and lesser-known, as we trace their search for rural peace and beauty in the tumultuous years 1850 to 1939. For the first time we trace the corpus of Sussex writing which was connected to those wider events but was equally a hymn of praise to rural Sussex, seen as nourishing, sympathetic and, for some, a retreat from the stresses of burgeoning city life or the horrors of mechanised warfare. We meet Wilfred Blunt and learn of his love for his Wealden countryside; we encounter the complex Hilaire Belloc; the acute observations of Richard Jefferies and Rudyard Kipling; and the modernity of Virginia Woolf. Lesser-known writers are included too, such as Charles Dalmon or Dr Habberton Lulham, who loved spending time with the downland shepherds or with travelling folk among the byways of the county.

A volume dealing with the regional and local history of South East England, this covers the landcape and society of the modern counties of Surrey, Kent, East and West Sussex and Greater London, south of the Thames from late Anglo-Saxon times to the present. The authors have tried to show the diversity that can be found within the region as well as common characteristics which illustrate the local peculiarities of the area. The works in the series offer a synthesis of both historical and archaeological work in local areas. Each region is covered in two linked but independent volumes, the first covering the period up to AD 1000 and necessarily relying on archaeological data, and the second bringing the story up to modern times. It aims to portray life as it was experienced by the majority of people of South Britain or England as it was to become. The authors look at the major historical events which have an impact on the reagion - wars, plagues, technological changes and socio-cultural trends amongst them - but they also stress the underlying continuity of rural and urban life.

A richly detailed history of Ashdown Forest -- home of Winnie-the-Pooh. The seeming tranquility of many rural landscapes can hide a combative history. This biography of one such landscape, Ashdown Forest in the Weald of Sussex, exemplifies the evolving conflicts that have taken place over many centuries. Wealth and poverty, power and exclusion, have all characterised this landscape through the ages. When a thirteenth-century boundary was erected to form a hunting park it was imposed upon a landscape which for centuries had provided sustenance for peasant families, for swine herds, for itinerant groups, all of whom had developed grazing and collecting rights and customary ties with the area. Conflict between manorial lords and commoners, "turbulent foresters", was born, and the evolution of this conflict over succeeding centuries is the recurring motif of this book. We move through the exploitation of iron ore and timber during the Tudor period, learn of the real threats of enclosure, of military occupation, to be followed by a landscape aesthetic bringing wealthy incomers, attracted by scenery easily reachable from London by train. All sides felt that the Forest was theirs by right. Victorian law-suits, twentieth-century protective legislation and a growing environmental consciousness have all left their mark. And the struggle for Ashdown continues amid ongoing development pressures. This book demonstrates that multi-layered conflict has been a characteristic feature of what still miraculously remains the largest area of internationally recognised heath in the South-East of England.

This revealing 1997 book in the Cambridge Studies in Historical Geography series presents some of the first researches into a trove of hitherto inaccessible primary source material. A controversial component of Lloyd George's People's Budget of 1909-10 was the 'New Domesday' of landownership and land values. This rich documentation, for long locked away in the Inland Revenue's offices, became available to the public in the late 1970s. For the growing number of scholars of early twentieth century urban and rural Britain, Dr Short offers both a coherent overview and a standard source of reference to this valuable archive. Part I is concerned with the processes of assembling the material and its style of representation; Part II with suggested themes and locality studies. A final chapter places this new material in the context of discourses of state intervention in landed society prior to the Great War.

After ten years in a Zen monastery, Proteus knows it's time to leave. A troubled, solitary man, he knows what he seeks is not to be found sitting in meditation. His problem is that, during his time at the monastery, he's discovered something strange inside his mind: the ability to connect with a mysterious, silent, metallic spherical object he calls Mosquito. His connection to this possibly extraterrestrial object, which seems to dwell on an existential plane of its own, gives Proteus a flimsy sense of purpose. So when Mosquito abruptly disappears one day, Proteus can't bear the loss, and he sets off in pursuit of answers. Thus starts a surreal, philosophically maddening quest for meaning. Chasing the elusive Mosquito leads Proteus to in-between worlds where things do not quite hold together, and where the living and the dead must learn to live in and out of the boundaries of time. The further he gets from sanity, the closer he comes to something that may turn out to be wisdom. Playful but unapologetically challenging, New People of the Flat Earth is a breathtakingly original novel that defies categorisation or summary.

The Royal Marines are renowned for their military skill and also for having one of the finest military bands in the world. These highly trained and talented musicians are equally at home parading at Buckingham Palace, playing at the Royal Albert Hall, or on the flight deck of an aircraft carrier in a foreign port. Why then when the Argentines invaded the Falklands in April 1982 did these superb musicians get involved in what became a serious and deadly military campaign? The answer is that, in addition to their musical expertise, the RM Band Service members are trained for military service and fully qualified in a multitude of military and medical skills, providing support to their comrades, the fighting commandos. The Band That Went to War is a graphic first-hand account of the Falklands War as it has never been told before. It describes the roles played by Royal Marine musicians in the conflict; unloading the wounded from helicopters, moving tons of stores and ammunition, burying their dead at sea and guarding and repatriating Argentine prisoners of war. These and other unseen tasks were achieved while still ready to provide morale boosting music to their commando brethren and other frontline troops. These men are not just musicians; they are Royal Marines.

This revealing 1997 book in the Cambridge Studies in Historical Geography series presents some of the first researches into a trove of hitherto inaccessible primary source material. A controversial component of Lloyd George's People's Budget of 1909-10 was the 'New Domesday' of landownership and land values. This rich documentation, for long locked away in the Inland Revenue's offices, became available to the public in the late 1970s. For the growing number of scholars of early twentieth century urban and rural Britain, Dr Short offers both a coherent overview and a standard source of reference to this valuable archive. Part I is concerned with the processes of assembling the material and its style of representation; Part II with suggested themes and locality studies. A final chapter places this new material in the context of discourses of state intervention in landed society prior to the Great War.

This book examines the English rural community, past and present, in its variety and dynamism. The distinguished team of contributors brings a variety of disciplinary perspectives to bear upon the central issues of movement and migration; the farm family and rural labour force; the development of contrasting rural communities; the portrayal of rural labour in both 'high' and popular culture; the changing nature of religious practice in the English countryside; the rural/urban fringe, and the spread of notions of a rural English arcadia within a predominantly urban society. Fully illustrated with accompanying maps, paintings and photographs, The English Rural Community provides an important and innovative overview of a subject where history, myth and debate are inseparably entwined. A full bibliography will assist a broad range of general readers and students of social history, historical geography and development studies approaching the subject for the first time, and the whole should establish itself as the central analytical account in an area where image and reality are notoriously hard to unravel.

This book will appeal not only to historians and geographers, but to many who maintain a deep interest in the British countryside and its past, and to those who continue to share a fascination for the Second World War, in particular the 'home front'. The Battle of the Fields tells the story of rural community and authority in Britain during the Second World War by looking at the County War Agricultural Executive Committees. From 1939 they were imbued with powers to transform British farming to combat the loss of food imports caused by German naval activity and initial European mainland successes. Their powers were sweeping and draconian. When fully exercised against recalcitrant farmers, dispossession in part or whole could and did result. This book includes the most detailed analysis of these dispossessions including the tragic case of Ray Walden, the Hampshire farmer who was killed by police after refusing to leave hisfarmhouse in 1940. The committees were deemed successful by Whitehall as harbingers of modernity: mechanization, draining, artificial fertilizers, reclamation of heaths, marshes and woodlands. We now deplore some of these changes but Britain did not starve, in large part thanks to their efforts. This book will appeal not only to historians and geographers, but to many who maintain a deep interest in the British countryside and its past, and tothose who continue to share a fascination for the Second World War, in particular the "home front". It will also demonstrate to all who are anxious about food security in the modern age how this question was dealt with 70 years ago. BRIAN SHORT is Emeritus Professor of Historical Geography at the University of Sussex, and formerly Dean of School and Head of the Department of Geography.