This book tells the story of producer, actor, and author Oscar Asche, one of the most commercially successful actor/managers in the first half of the 20th century. Though virtually written out of theatre history because of his triumph on the musical comedy stage, he is most frequently remembered today as having had a successful career as an actor and producer of Shakespeare. Asche was an innovator in stage lighting and one of the first to use it as a language of the stage rather than as mere illumination. During World War I, he captured the public imagination and provided audiences with escapist musicals set in fictional orients.

Oscar Asche excelled in many theatre genres, including musical comedy, pantomime, music hall, melodrama, and Shakespeare. He provided exotic erotica in orientalist musicals from "Kismet" to "Mecca" and brought unprecedented numbers of spectators to the theatre at its most difficult time. He was responsible for extending the life of musical comedy and orientalism in the theatre before cinemas would appropriate both genre and style.

This book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as 'The Monto Cycle'. Set within a quarter square mile of Dublin's north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, 'affect', and the self as agent of action.