Seven lucid and entertaining essays on masters of science fiction and fantasy literature, including Bob Shaw, M.P. Shiel, Douglas Adams, Stephen R. Donaldson, and more.

Pierre-Alexis Ponson du Terrail was one of the two leading exponents of the roman feuilleton--serial fiction published in newspapers--active during the French Second Empire, along with Paul Feval. At his peak Ponson was writing five daily serials simultaneously, making them up as he went along--and he really did write them, unlike many feuilletonists, including Feval, who dictated to an amanuensis. The Chambrion and Other Stories collects four of his shorter tales, including a Christmas fantasy; a deal-with-the-devil story; one of his earliest serials, which illustrates his willingness to change the direction of his stories repeatedly; and the title short novel, a fast-paced and convoluted tale of vengeance revolving around the belated revelation of the truth behind a scandalous double murder. Ponson was one of the writers who pioneered the narrative techniques of popular fiction, and these stories illustrate his zestful discovery and primary exploitation of those techniques.

Well-known critic Brian Stableford, a former professor at the University of Reading, contributes "a fascinating and valuable attempt to grapple with the questions of why SF authors write what they write, and why SF readers like what they like"-Interzone. Contents: Introduction; Approaches to the Sociology of Literature; The Analysis of Communicative Functions; The Evolution of Science Fiction as a Publishing Category; The Expectations of the Science Fiction Reader; Themes and Trends in Science Fiction; and Conclusion: The Communicative Functions of Science Fiction. Complete with Notes and References, Bibliography, and Index.

Although Gaston Danville was one of the earliest contributors to the French magazine, Mercure de France, considered a voice for the symbolist movement, he regarded himself as one of a new generation of Naturalists, interested in applying the relatively new insights of contemporary psychology to the analysis of human behavior. Danville's short fiction was unique, obsessed with the supposed psychologies of psychology and murder, and the analogies between them. He called his stories "Tales of Beyond," but the beyond to which he referred was that of the Unconscious, to which he believe that all phenomena considered supernatural should now be attributed. The result was some of the most peculiar weird fiction ever produced, which still warrants the interest of connoisseurs of the bizarre. Here are his best eighteen stories (plus an essay), edited, translated, and with notes by Brian Stableford.

This new collection of critical essays on science fiction and fantasy literature features the following pieces: "Setting Ideas in Space, Time, and Infinity," "The Necessity of Science Fiction," "The British and American Traditions of Speculative Fiction," "The Biology and Sociology of Alien Worlds," "Cosmic Perspectives in Nineteenth-Century Literature," "An Introduction to Alternate Worlds," "Adolf Hilter: His Part in Our Struggle: (A Brief Economic History of British SF Magazines)," "The Battle of Dorking and Its Aftermath," "The Science in Science Fiction," "The Siren Song of Sexuality: The Mythology of Femmes Fatales," "What We Know About Vampires," "A Brief History of Vampires," and "A Brief History of Werewolves." Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England.

This new collection of critical essays on science fiction and fantasy literature and media features the following pieces: "Slaves of the Death Spiders: Colin Wilson and Existential Science Fiction," "Is There No Balm in Gilead? The Woeful Prophecies of Margaret Atwood's The Handmaid's Tale," "A Few More Crocodile Tears?" "The Adventures of Lord Horror Across the Media Landscape," "Filling in the Middle: Robert Silverberg's The Queen of Springtime," "Rice's Relapse: Memnoch the Devil," "Field of Broken Dreams: Michael Bishop's Brittle Innings," "The Magic of the Movies," "H. G. Wells and the Discovery of the Future," "The Many Returns of Dracula," "Tarzan's Divided Self," "Sympathy for the Devil: Jacques Cazotte's The Devil in Love," "The Two Thousand Year Odyssey: George Viereck's Erotic Odyssey," and "The Profession of Science Fiction" (an autobiography).

Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England.

ISBN 0-8095-0910-5 (cloth) ISBN 0-8095-1910-0 (paper)

A study of the decadent literary movements in England and France, focusing upon such poets and authors as Baudelaire and Oscar Wilde.

This new collection of critical essays on science fiction and fantasy literature and media features the following pieces: "The Last Chocolate Bar and the Majesty of Truth: Reflections on the Concept of 'Hardness' in Science Fiction," "How Should a Science Fiction Story End?," "The Third Generation of Genre Science Fiction," "Deus ex Machina; or, How to Achieve a Perfect Science-Fictional Climax," "Biotechnology and Utopia," "Far Futures," "How Should a Science Fiction Story Begin?," and "The Discovery of Secondary Worlds: Notes on the Aesthetics and Methodology of Heterocosmic Creativity." Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England.

A study of the popluar fiction of the past.

This collection of critical essays explores the philosophy, theory, and history of science fiction and fantasy, from its earliest beginnings in the mid-nineteenth century through more recent times.

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. "Science Fact and Science" "Fiction" examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the "Encyclopedia "is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow andcounterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

Science Fiction literature, also known as sci fi and sf, is one of the more recent genres, and also one of the more popular. It only truly emerged during the 20th century, and has not stopped growing in terms of authors, titles and readers. It has also evolved into a variety of subgenres, ranging from hard sf to soft sf, from Utopias to dystopias, with more than a smattering of horror, detective, war and feminist titles. Stableford covers all these aspects and more, taking a close look at what has become a booming industry, with its specialized writers, publishers, and fan magazines. The compendium includes not only sf from the United States and United Kingdom, but also France, Russia, and many others. While the chronology charts the genre's dazzling growth, and the dictionary section looks at writers, books, themes, and other specifics, the introduction provides exceptional insight into what Science Fiction Literature is all about.

A mysterious criminal mastermind shoots Engineer Pierre Saint-Clair and steals his plans for a revolutionary invention. His son, Leo, and a band of young adventurers, pursue the villains, a gang of international anarchists, to Switzerland, where he is captured and murdered. But like a phoenix, he rises from the dead, having gained the power to see in the dark, and sporting a heart made of metal and rubber, powered by electro-magnets. 20-year-old Leo Saint-Clair has now become-the superheroic Nyctalope Enter the Nyctalope, written in 1933, is the origin story of the greatest of all French pulp heroes, created in 1911 by prolific writer Jean de La Hire. It is presented here with three additional short stories also featuring the Nyctalope.