Jan Smuts grabbed the opportunity to realise his ambition of a Greater South Africa when the First World War ushered in a final scramble for Africa. He set his sights firmly northward upon the German colonies of South West Africa and East Africa.

Smuts’s abilities as a general have been much denigrated by his contemporaries and later historians, but he was no armchair soldier. He first learned his soldier’s craft under General Koos de la Rey and General Louis Botha during the South African War (1899−1902). He emerged from that conflict immersed in Boer manoeuvre doctrine.

After forming the Union Defence Force in 1912, Smuts played an integral part in the German South West African campaign in 1915. Placed in command of the Allied forces in East Africa in 1916, he led a mixed bag of South Africans and imperial troops against the legendary Paul von Lettow-Vorbeck and his Schutztruppen. His penchant for manoeuvre warfare and mounted infantry freed most of the vast German territory from Lettow-Vorbeck’s grip.

General Jan Smuts and his First World War in Africa provides a long-overdue reassessment of Smuts’s generalship and his role in furthering the strategic aims of South Africa and the British Empire during this era.

Over the past century, South Africa’s military has established itself in several defining battles and operations. Preferring manoeuvre over attrition, and often punching above their weight, they have become known for their tenacity, dash, and ability to defy the odds. Their unique command style also sets them apart from other armies and has helped them excel in challenging circumstances.

In 20 Battles, military historians Evert Kleynhans and David Brock Katz investigate how South Africa’s way of war evolved over a 100-year period. They track the evolution of the doctrine and structure of the South African defence forces, rediscovering historical continuity, if any, and the lessons learned in past battles and operations such as Otavifontein, Delville Wood, Southern Ethiopia, Tobruk, Chiusi, Savannah, Cassinga, Cuito Cuanavale and Boleas.

The book also identifies a number of firsts for the defence force, such as the first ever deployment during the 1914 Industrial Strike; the varied deployments across different theatres during both world wars; the first large scale crossborder deployments during the Border War; the first deployment of the new South African National Defence Force after 1994; and, culminating with the recent, and now infamous, Battle of Bangui.

Treasure Island is the seminal pirates and buried treasure novel, which is so brilliantly concocted that it appeals to readers both young and old. The story is told in the first person by young Jim Hawkins, whose mother keeps the Admiral Benbow Inn. An old seadog, a resident at the inn, hires Jim to keep a watch out for other sailors whom he fears but, despite all precautions, the old man is served with the black spot which means death. Among the dead man's belongings Jim discovers a map showing the location of the buried treasure of the notorious pirate Captain Flint. It is not long before he, along with Doctor Livesey and Squire Trelawney, sets sail to find the treasure. However, amongst the hired hands is the one-legged Long John Silver who has designs on the treasure for himself. The continuing fascination with this tale of high drama, buried treasure and treachery bears out what Stevenson wrote about the book to his friend W. E. Henley: 'if this don't fetch the kids, why, they have gone rotten since my day.' The book not only continues to 'fetch the kids' but the grown-ups too - in fact all those with the spirit of adventure in their hearts.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.