Over the past century, South Africa’s military has established itself in several defining battles and operations. Preferring manoeuvre over attrition, and often punching above their weight, they have become known for their tenacity, dash, and ability to defy the odds. Their unique command style also sets them apart from other armies and has helped them excel in challenging circumstances.

In 20 Battles, military historians Evert Kleynhans and David Brock Katz investigate how South Africa’s way of war evolved over a 100-year period. They track the evolution of the doctrine and structure of the South African defence forces, rediscovering historical continuity, if any, and the lessons learned in past battles and operations such as Otavifontein, Delville Wood, Southern Ethiopia, Tobruk, Chiusi, Savannah, Cassinga, Cuito Cuanavale and Boleas.

The book also identifies a number of firsts for the defence force, such as the first ever deployment during the 1914 Industrial Strike; the varied deployments across different theatres during both world wars; the first large scale crossborder deployments during the Border War; the first deployment of the new South African National Defence Force after 1994; and, culminating with the recent, and now infamous, Battle of Bangui.

Jan Smuts grabbed the opportunity to realise his ambition of a Greater South Africa when the First World War ushered in a final scramble for Africa. He set his sights firmly northward upon the German colonies of South West Africa and East Africa.

Smuts’s abilities as a general have been much denigrated by his contemporaries and later historians, but he was no armchair soldier. He first learned his soldier’s craft under General Koos de la Rey and General Louis Botha during the South African War (1899−1902). He emerged from that conflict immersed in Boer manoeuvre doctrine.

After forming the Union Defence Force in 1912, Smuts played an integral part in the German South West African campaign in 1915. Placed in command of the Allied forces in East Africa in 1916, he led a mixed bag of South Africans and imperial troops against the legendary Paul von Lettow-Vorbeck and his Schutztruppen. His penchant for manoeuvre warfare and mounted infantry freed most of the vast German territory from Lettow-Vorbeck’s grip.

General Jan Smuts and his First World War in Africa provides a long-overdue reassessment of Smuts’s generalship and his role in furthering the strategic aims of South Africa and the British Empire during this era.

British action drama starring Saoirse Ronan. Understandably cold and aggressive after being shipped off to Britain from America to stay with her distant relatives, Daisy (Ronan) is initially weary of her new home in the English countryside, but as a relationship develops between Daisy and her cousin Edmond (George MacKay), she starts warming to her new surroundings. Left to their own devices while her Aunt Penn (Anna Chancellor) is abroad involved in peace negotiations, the group enjoy their idyllic surroundings and isolation from parental influence. However, when World War Three breaks out over Europe and Britain is taken over by military forces, the group is split up and detained in prisoner-of-war camps. With nothing left to lose, Daisy begins planning her escape in the hope of reuniting with her lover, but with war taking its toll on everyone throughout the country, she grows fearful of what she may find...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.