Health obsessed the Victorians. The quest for health guided Victorian living habits, shaped educational goals, and sanctioned a mania for athletic sports. As both metaphor and ideal, it influenced psychology, religion, moral philosophy; it affected the writing of history as well as the criticism of literature. Here is a wide-ranging and ably written exploration of this fascinating aspect of Victorian ideas.

Bruce Haley looks at developments in personal and public health, and at theories about the relation between medical and psychological disorders. He examines influential conceptions of the healthy man: Carlyle's healthy hero, Spencer's biologically perfect man, Newman's gentleman-Christian, Kingsley's muscular Christian. He describes the development of sports and physical training in nineteenth-century England and their importance in schools and universities. He traces the concept of healthy body and healthy mind in boy's fiction (such as Torn Brown's School Days), self-help literature, and the widely read novels of George Eliot, Wilkie Collins, George Meredith, and Charles Kingsley. All these strands of social history, literature, and philosophy are woven together into a seamless whole.

This title offers a stark, yet stunning photographic journey through the collapse of communism in former USSR and Iron Curtain countries by world renowned photographer Bruce Haley. Best known for his coverage of Burma's bloody civil war - for which he was awarded the prestigious Robert Capa Gold Medal, Bruce Haley is one of the most acclaimed photographers of the 20th-century. Produced between 1994 and 2002, the images in "Sunder" sweep the viewer along on a far-reaching journey through numerous former USSR and Iron Curtain countries, stopping at landscapes of ruin and moments of grace in equal measure, presenting a stark perspective of the collapse of the communist empire. Bleak and brimming with the realism that only a photographer as seasoned as Haley could achieve, and in contrast with his conflict-based coverage, which was dominated by lush colour imagery depicting the most horrific acts of violence imaginable, it seems as though this project is as much a portrait of the photographer himself as it is an invaluable historical archive.

The photographs in Home Fires, Volume I: The Past were taken during the height of a crippling drought in the state of California. Bruce Haley, known for his hard-hitting war and documentary work, turns his camera homeward, to the agriculture-rich San Joaquin Valley where he spent his childhood. The resulting images, haunting and melancholy, play out against the larger framework of contentious water politics and land use issues. The writer Kirsten Rian provides the accompanying text.

Winter gives a glimpse into the earliest traces of winter, the height of the snow season, and the melt time within the western Great Basin region. Devoid of people and interiors, Winter provides seemingly calm and quiet photographs of the reality of winter on a modern day frontier.