Justin and Chloe are spending their summer vacation with their grandparent's in Wattling Lock. They aim to get involved with the animals and help their grandmother run the market stall. While exploring old wrecks in the river backwater, Chloe hears a soft voice radiating from the wheelhouse of an old tugboat. Always inquisitive, she looks inside and feebly calls, "Is anyone there?" but there is no reply. This spooked her as she stood alone in the dimly lit cabin and sent shivers running up and down her spine. Was it her imagination or was the Nene Queen enchanted? She persuades her father and grandpa to salvage the boat and gets the whole family involved in the rebuilding project. With their help, Sam turns an old tugboat into a magical pleasure boat in time for Chloe's birthday. Barnaby has a special surprise for her that is the start of a thrilling new adventure. A family outing to the local steam rally with their friends Annabelle and Toby was an awesome occasion. Justin is beaten in two of the games by Annabelle and has to perform a forfeit, but did he let her win? A cruise down the river for a picnic turned into a pleasant surprise as the village cricket team was playing the Lords Taveners. The men revive old memories with their school pals while the youngsters are introduced to some famous stars.

The importance of Immanuel Kant's Critique of Pure Reason in the history of philosophy is matched only by its difficulty. In particular, readers are often frustrated by how difficult it is to extract Kant's arguments from his dense prose. This book reconstructs, using the tools of propositional logic, the central arguments of the Critique. In all, the book reconstructs thirty-six of Kant's arguments spanning the Transcendental Aesthetic, Transcendental Analytic, and Transcendental Dialectic. For each argument, they begin with a quote from Kant's text followed by a synopsis that explains the argument informally. Finally, each synopsis is followed by a formal reconstruction of the argument. The synopses offer examples, metaphors, historical background, and objections/responses to aid the reader in appreciating Kant's arguments. Even though many readers who approach Kant for the first time have a good philosophical vocabulary, few will understand Kant's unique lexicon. In addition to formally reconstructing Kant's arguments, the book also includes a glossary that defines the technical terms that Kant uses in his arguments. Finally, since this book is directed largely at students, Bryan Hall enlisted two of his own students to ensure that the book is maximally student friendly. In contrast to most pedagogical philosophical literature, the content of this book has been tailored by students for students.

In this book, Bryan Wesley Hall breaks new ground in Kant scholarship, exploring the gap in Kant's Critical philosophy in relation to his post-Critical work by turning to Kant's final, unpublished work, the so-called Opus Postumum. Although Kant considered this project to be the "keystone" of his philosophical efforts, it has been largely neglected by scholars. Hall argues that only by understanding the Opus Postumum can we fully comprehend both Kant's mature view as well as his Critical project. In letters from 1798, Kant claims to have discovered a "gap" in the Critical philosophy that requires effecting a "transition from the metaphysical foundations of natural science to physics"; unfortunately, Kant does not make clear exactly what this gap is or how the transition is supposed to fill the gap. To resolve these issues, Hall draws on the Opus Postumum, arguing that Kant's transition project can solve certain perennial problems with the Critical philosophy. This volume provides a powerful alternative to all current interpretations of the Opus Postumum, arguing that Kant's transition project is best seen as the post-Critical culmination of his Critical philosophy. Hall carefully examines the deep connections between the Opus Postumum and the view Kant develops in the Critique of Pure Reason, to suggest that properly understanding the post-Critical Kant will significantly revise our view of Kant's Critical period.

The importance of Immanuel Kant's Critique of Pure Reason in the history of philosophy is matched only by its difficulty. In particular, readers are often frustrated by how difficult it is to extract Kant's arguments from his dense prose. This book reconstructs, using the tools of propositional logic, the central arguments of the Critique. In all, the book reconstructs thirty-six of Kant's arguments spanning the Transcendental Aesthetic, Transcendental Analytic, and Transcendental Dialectic. For each argument, they begin with a quote from Kant's text followed by a synopsis that explains the argument informally. Finally, each synopsis is followed by a formal reconstruction of the argument. The synopses offer examples, metaphors, historical background, and objections/responses to aid the reader in appreciating Kant's arguments. Even though many readers who approach Kant for the first time have a good philosophical vocabulary, few will understand Kant's unique lexicon. In addition to formally reconstructing Kant's arguments, the book also includes a glossary that defines the technical terms that Kant uses in his arguments. Finally, since this book is directed largely at students, Bryan Hall enlisted two of his own students to ensure that the book is maximally student friendly. In contrast to most pedagogical philosophical literature, the content of this book has been tailored by students for students.

In this book, Bryan Wesley Hall breaks new ground in Kant scholarship, exploring the gap in Kant's Critical philosophy in relation to his post-Critical work by turning to Kant's final, unpublished work, the so-called Opus Postumum. Although Kant considered this project to be the "keystone" of his philosophical efforts, it has been largely neglected by scholars. Hall argues that only by understanding the Opus Postumum can we fully comprehend both Kant's mature view as well as his Critical project. In letters from 1798, Kant claims to have discovered a "gap" in the Critical philosophy that requires effecting a "transition from the metaphysical foundations of natural science to physics"; unfortunately, Kant does not make clear exactly what this gap is or how the transition is supposed to fill the gap. To resolve these issues, Hall draws on the Opus Postumum, arguing that Kant's transition project can solve certain perennial problems with the Critical philosophy. This volume provides a powerful alternative to all current interpretations of the Opus Postumum, arguing that Kant's transition project is best seen as the post-Critical culmination of his Critical philosophy. Hall carefully examines the deep connections between the Opus Postumum and the view Kant develops in the Critique of Pure Reason, to suggest that properly understanding the post-Critical Kant will significantly revise our view of Kant's Critical period.

When your base camp is overrun by zombies, whom do you save if you cannot save everyone? Is it permissible to sacrifice one survivor to an undead horde in order to save a greater number of the living? Do you have obligations to loved ones who have turned? These are some of the troubling ethical questions you might face in a zombie apocalypse. Bryan Hall uses situations like these to creatively introduce the foundational theories of moral philosophy. Covering major thinkers such as Aristotle, Immanuel Kant, and John Stuart Mill, this is an introduction to Ethics like no other: a practical guidebook for surviving a zombie outbreak with your humanity intact. It shows you why moral reasoning matters as long as you still walk among the living. The book is written entirely from the perspective of someone struggling to survive in a world overrun by the undead. Each chapter begins with graphic art and a "field exercise" that uses a story from this world to illustrate an ethical problem. By considering moral controversies through the unfamiliar context of a zombie apocalypse, the morally irrelevant factors that get in the way of resolving these controversies are removed and you can better answer questions such as: * Do we have a moral obligation to help those less fortunate than ourselves? * Is it ever morally permissible to intentionally kill an innocent person? * Are non-rational but sentient beings morally considerable? Equipped with further reading sections and overviews of the theories that you would usually cover in an introductory Ethics course, this one-of-a-kind primer critically evaluates different procedures for moral action that you can use not only to survive but flourish in an undead world.

When your base camp is overrun by zombies, whom do you save if you cannot save everyone? Is it permissible to sacrifice one survivor to an undead horde in order to save a greater number of the living? Do you have obligations to loved ones who have turned? These are some of the troubling ethical questions you might face in a zombie apocalypse. Bryan Hall uses situations like these to creatively introduce the foundational theories of moral philosophy. Covering major thinkers such as Aristotle, Immanuel Kant, and John Stuart Mill, this is an introduction to Ethics like no other: a practical guidebook for surviving a zombie outbreak with your humanity intact. It shows you why moral reasoning matters as long as you still walk among the living. The book is written entirely from the perspective of someone struggling to survive in a world overrun by the undead. Each chapter begins with graphic art and a "field exercise" that uses a story from this world to illustrate an ethical problem. By considering moral controversies through the unfamiliar context of a zombie apocalypse, the morally irrelevant factors that get in the way of resolving these controversies are removed and you can better answer questions such as: * Do we have a moral obligation to help those less fortunate than ourselves? * Is it ever morally permissible to intentionally kill an innocent person? * Are non-rational but sentient beings morally considerable? Equipped with further reading sections and overviews of the theories that you would usually cover in an introductory Ethics course, this one-of-a-kind primer critically evaluates different procedures for moral action that you can use not only to survive but flourish in an undead world.

Justin and Chloe are spending their summer vacation with their grandparent's in Wattling Lock. They aim to get involved with the animals and help their grandmother run the market stall. While exploring old wrecks in the river backwater, Chloe hears a soft voice radiating from the wheelhouse of an old tugboat. Always inquisitive, she looks inside and feebly calls, "Is anyone there?" but there is no reply. This spooked her as she stood alone in the dimly lit cabin and sent shivers running up and down her spine. Was it her imagination or was the Nene Queen enchanted? She persuades her father and grandpa to salvage the boat and gets the whole family involved in the rebuilding project. With their help, Sam turns an old tugboat into a magical pleasure boat in time for Chloe's birthday. Barnaby has a special surprise for her that is the start of a thrilling new adventure. A family outing to the local steam rally with their friends Annabelle and Toby was an awesome occasion. Justin is beaten in two of the games by Annabelle and has to perform a forfeit, but did he let her win? A cruise down the river for a picnic turned into a pleasant surprise as the village cricket team was playing the Lords Taveners. The men revive old memories with their school pals while the youngsters are introduced to some famous stars.