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Illustrations remain one of the fundamental tools of archaeology, a
means by which we share information and build ideas. Often treated
as if they were neutral representations, archaeological
illustrations are the convergence of science and the imagination.
This volume, a collection of fourteen essays addressing the visual
presentation of the Pre-Columbian past from the fifteenth century
to the present day, explores and contextualizes the visual culture
of archaeological illustration, addressing the intellectual history
of the field and the relationship of archaeological illustration to
other scientific disciplines and the fine arts.
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