Tumi Letsatsi is a 15-year old melanin kween living in Rondebosch, Cape Town. Her favourite colour is yellow, she's still trying to figure out how not to dent her afro on the bus, and how one goes about (ahem!) “french kissing”. She’s a little awkward and a lot uncertain about her future, friendships and how to put together a cool outfit! But then she stumbles across the magic of coding and creates an app called “Project Prep” that goes viral and rockets her and her friends to fame. Then everything starts to fall apart, as she deals with a catfish who befriends her and steals her code, nasty rumours at school and the newfound attention of a crush.

The New Girl Code (by Niki Smit, locally edited by Buhle Ngaba) is about the wonders of working in tech, aimed at girls and young women aged 9-15. The project is an initiative of Inspiring Fifty and based on an idea by Janneke Niessen.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Madison, Wisconsin has long been known as a dynamic cultural center and focus of political-intellectual ferment in the middle of America. This collection of essays and interviews traces the rise of an intellectual New Left from 1950 to 1970 as experienced by activists and scholars with ties to the University of Wisconsin. Its thirty-two contributors, including prominent historians, journalist-scholars, and veteran political activists, re-examine their own personal histories in different eras and draw fresh, often surprising conclusions. The city and campus of Madison provide a veritable laboratory for the study of deep continuities in American dissenting thought. Photographs and cultural documents accompany these poignant, candid oral histories. The volume explores a crucial period of Madison's intellectual life as a crossroad of history and culture. Interviews with the scholars and former students who politicized historical analysis in light of the Cold War, McCarthyism, nuclear and environmental holocaust, civil rights, and the Vietnam War, recall the debates and alliances that kept Madison in a state of ferment. Author note: Paul Buhle is Director of the Oral History of the American Left Project at the Tamiment Library of New York University and teachers U.S. History at the Rhode Island School of Design.

For the two-semester U.S. history survey course. Offers students insight into how diverse communities and different regions have shaped America's past. Out of Many reveals the ethnic, geographical and economic diversity of the United States by examining the individual, the community and the state and placing a special focus on the country's regions, particularly the West. Each chapter helps students understand the textured and varied history that has produced the increasing complexity of America.

For the two-semester U.S. history survey course. Offers students insight into how diverse communities and different regions have shaped America's past. Out of Many reveals the ethnic, geographical and economic diversity of the United States by examining the individual, the community and the state and placing a special focus on the country's regions, particularly the West. Each chapter helps students understand the textured and varied history that has produced the increasing complexity of America.

For the two-semester U.S. history survey course. Offers students insight into how diverse communities and different regions have shaped America's past. Out of Many reveals the ethnic, geographical and economic diversity of the United States by examining the individual, the community and the state and placing a special focus on the country's regions, particularly the West. Each chapter helps students understand the textured and varied history that has produced the increasing complexity of America.

Der Einsatz von Informations- und (Tele-)Kommunikationssystemen fA1/4r die Wirtschaft ist durch den rapiden technologischen Fortschritt zu Beginn des 3. Jahrtausends zur allgegenwArtigen Erscheinung geworden. Unter Schlagworten wie e(lectronic)-, m(obile)-, u(biquitious)-Computing/Commerce werden heute Zukunftsvisionen diskutiert, die den Informations- und Kommunikationssystemen weit A1/4ber ihre derzeitigen Einsatzzwecke hinaus eine zentrale Rolle auf dem Weg zur Elektronischen Dienstleistungswirtschaft einrAumen. Dieses Buch betrachtet diese Entwicklung in all ihren Facetten und stellt richtungsweisende Forschungs- und Praxisarbeiten an der Schnittstelle von moderner Betriebswirtschaftslehre, Wirtschaftsinformatik und angewandter Informatik vor. Es schlAgt die BrA1/4cke zwischen Wissenschaft und Praxis, indem es die wesentlichen Gestaltungsoptionen- und Empfehlungen aufzeigt, die den Unternehmungen den erfolgreichen Weg in die "Information Age Economy" ebnen.

Series Information:
American Radicals

A graphic history featuring the true story of three friends from Brooklyn who join in the global fight against fascism In this exhilarating graphic novel about the Spanish Civil War, three American friends set off from Brooklyn to join in the fight--determined to make Spain "the tomb of fascism" for the sake of us all. Together they defy the U.S. government and join the legendary Abraham Lincoln Brigade, throw themselves into battle, and conduct sabotage missions behind enemy lines. As Spain is shattered by the savagery of combat during the Spanish Civil War (1936-1939), readers see the darkening clouds of the World War to come. Artist Anne Timmons has created a thrilling graphic novel in the spirit of the "war comic" genre that appeared after the attack on Pearl Harbor and the United States' entry into World War II. Drawing upon the real-life experiences of Lincoln Brigade veteran Abe Osheroff, writer Miguel Ferguson offers a lively, accessible resource based on actual events during the Great Depression and the Spanish Civil War. ¡Brigadistas! will stir the memories of older audiences who remember the Spanish Civil War as a time of unparalleled international solidarity and heartbreak, and it will expose young audiences to the passions, politics, and conflicts of a bygone era with striking contemporary relevance.

In "The Beats: A Graphic History," those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the "Mad" magazine artist Peter Kuper, "The Beats" takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation. What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations--from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo's disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago's College of Complexes to San Francisco's famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats' most recognizable faces. What emerges is a brilliant collage of--and tribute to--a generation, in a form and style that is as original as its subject. Harvey Pekar is best known for his graphic autobiography, "American Splendor," based on his long-running comic-book series that was turned into a 2003 film of the same name.
Paul Buhle is a senior lecturer at Brown University. In "The Beats: A Graphic History," those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the "Mad" magazine artist Peter Kuper, "The Beats" takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation. What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations--from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo's disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago's College of Complexes to San Francisco's famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats' most recognizable faces. What emerges is a brilliant collage of--and tribute to--a generation, in a form and style that is as original as its subject. "This revelatory and exhilarating and funny book not only tells us of the Beat generation, but of a time when we as individuals felt truly free. It is as fresh and pertinent as the latest scholarly history only far more entertaining."--Studs Terkel "This revelatory and exhilarating and funny book not only tells us of the Beat generation, but of a time when we as individuals felt truly free. It is as fresh and pertinent as the latest scholarly history only far more entertaining."--Studs Terkel
"History with a deeper perspective is the province of "The Beats," a multifaceted effort led by writer Harvey Pekar, his frequent collaborator Paul Buhle and artist Ed Piskor. It delivers the texture of a movement easy to underestimate in brief biographies of touchstones like poet Lawrence Ferlinghetti, novelists William S. Burroughs and Jack Kerouac and lesser-known lights like poet d.a. levy (an underground Cleveland icon) and mythopoeic poetess Diane di Prima . . . This fearless, substantial history entertains as it uncovers."--Carlo Wolff, "The Boston Globe
"

"Pekar's history of the post-war literary, cultural and spiritual awakening is well researched and intended . . . Piskor is joined by such stellar artists as Kuper, Tooks, Gary Dumm and Fleener . . . More writers pitch in, too, and the diversity of images and narrative voices add texture and resonance to the proceedings . . . The absorbing graphic presentation may elicit interest from unexpected quarters."--Richard Pachter, "The Miami Herald"

"Jack Kerouac, Allen Ginsberg, and William Burroughs need no introduction, but here they are introducing "The Beats: A Graphic History"--in the section written by Harvey Pekar and illustrated by Ed Piskor. It's warts and all: the alcohol-fueled writings, the drug-fueled globe-trotting, not to mention the rampant sexuality and jaw-dropping misogyny . . . But there's humor here too by Joyce Brabner and Summer McClinton on a topic ripe for latter-day ridicule: 'Beatnik Chicks.' Good thing too that Pekar et al. salute some lesser lights in this primer on the birth of the cool: City Lights bookstore founder and poet Lawrence Ferlinghetti, in addition to poets Philip Whalen, Kenneth Patchen, and D.A. Levy, plus former hobo Slim Brundage."--Leonard Gill, "The Memphis Flyer "
"Graphic novels don't just have to be about dystopian alternative universes, no matter if "Watchmen" might indicate otherwise. Just peruse the eye-catching "The Beats: A Graphic History" (in stores as of Tuesday), from Harvey Pekar, Ed Piskor and Paul Buhle, which takes an illustrated look back at a very real part of American pop-culture history, when beat culture of the '40s and '50s--sandwiched between the improvisational nature of jazz and the recklessness of rock 'n' roll--began to speak to a part of a generation at odds with mainstream society. One word sums it up: Cool."--Cary Darling, "Star-Telegram
"

"Do we really need another bio on the lives of Kerouac, Ginsberg, et. al.? Yes, especially should it be one like "The Beats." I expected "The Beats" to be dry, regurgitated history presented in graphic novel form simply because graphic novels are so 2009. So much for first impressions. "American Splendor"'s Pekar leads a troop of writers who bring these influential--and often seriously flawed--writers to life . . . "The Beats" is strong, dramatic storytelling that is executed and illustrated by major leaguers."--Randy Myers, "Contra Costa Times"
"Written by Harvey Pekar and four other authors, with art by eleven cartoonists and illustrators, "The Beats" covers all the major writers of the generation--Kerouac, William S. Burroughs, Allen Ginsberg, Philip Whalen, Robert Duncan, Lawrence Ferlinghetti, Charles Olson, Diane DiPrima, and many more. 'No one claims this treatment to be definitive, ' Buhle and Pekar write in their introduction to the book. 'But it is new and it is vital.' And, perhaps more important, it's fun."--"Poets & Writers"

"If you're a fan of Harvey Pekar, author of the successful graphic novel-turned-film "American Splendor," then you can imagine how his voice sounds on a weekday morning, discussing topics including homophobia, Yiddish, and moves about Joseph McCarthy. In his latest project, "The Beats: A Graphic History," Pekar conjures an imagined, often hilarious d

Originally published in 2004. Thanks to computer simulations science is beginning to understand complex natural processes such as the weather, earthquakes and the evolution of life. The Significance of Complexity deals with the importance of the sciences of complexity - for the humanities and theology. First, three scientists explain the science of complexity and illustrate it with concrete examples. Second, two scholars consider the concept of complexity and possible applications of complexity theory within the humanities, e.g. as a tool to understand the interplay between the artist, the work of art and the user in interactive art. Finally, three theologians ask what can be learned from the science of complexity for a religious understanding of humankind and the world. The Significance of Complexity is a pioneering work exploring the import of a fascinating new branch of science for human self-understanding. It caters for all those who are interested in relating science to the quest for the meaning of life.

"The American Radical" tells the story of American democracy from the late 18th century to the present, through the lives of the women and men who have fought to advance it. The original biographical portraits presented in this collection show how, in every period of history, Americans from various backgrounds have stood as activists, authors and artists to challenge the powerful. The editors have assembled a group of writers on the radical tradition, who introduce the movements, ideas and struggles of the revolutionaries, rebels and reformers important to the American national experience; they include independence fighters, Labourists, suffragists, socialists, feminists, pacifists, environmentalists, and campaigners for social justice and the civil rights of the oppressed.