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In 1940 the Second World War continued to rage, and atrocities
wreaked around the globe made international waves. Wells, a
socialist and prominent political thinker as well as a first-rate
novelist, set down in The Rights of Man a stirring manifesto,
designed to instruct the international community on how best to
safeguard human rights. The work gained traction, and was soon
under discussion for becoming actual legislation. Although Wells
didn't live to see it enacted, his words laid the groundwork for
the Universal Declaration of Human Rights, which enshrined human
rights in law for the first time, and was adopted by the United
Nations in 1948, changing the course of history for ever and
granting fundamental rights to billions.
Winner of the EBRD Literature Prize 2018. Istanbul is a city of a
million cells, and every cell is an Istanbul unto itself.After a
military coup, four prisoners - the doctor, Demirtay the student,
Kamo the barber and Uncle Kuheylan - sit below the ancient streets
of Istanbul awaiting their turn at the hands of their wardens.
Between violent interrogations, the condemned share parables and
riddles about their beloved city to pass the time. From their
retelling of stories, both real and imagined, emerges a picture of
a city that is many things to many different people. Their fears
and laughter show us that there is as much hope and suffering in
the city above as there is in the cells below. Istanbul, Istanbul
is a poignant and uplifting novel about the power of human
imagination in the face of adversity.
Two young people from foreign lands meet in a shop in Cambridge:
Brani Tawo, a Kurdish political refugee from Turkey, and Feruzeh,
who had fled to the UK from revolutionary Iran. Slowly, their love
begins to grow, fed by stories, a shared love of literature and a
subtle recognition of their mutual displacement. Brani Tawo
narrates vignettes from his family history, vivid tales that evoke
old legends: shepherds struck by lightning, soldiers returning home
with war trauma, blood feuds that destroy families, bears mauling
villagers in search of stolen cubs and a photographer who carries
news to the villages in the form of the portraits he takes. These
dark, inherited memories, combined with his own melancholy nature
and chronic insomnia, weigh on Brani Tawo, who often seeks
contemplative solace in graveyards. Over time, however, drawn by
Feruzeh's quiet radiance, he begins to reach a freer place within
himself. Feruzeh also harbours grim family secrets, and when she
suddenly returns to Iran to attend to an emergency, Brani Tawo
knows what he must do - Sins and Innocents is a warm, intimate love
story redolent with the (often harsh) music of Central Anatolian
village society as well as the Cambridge sophistication of
Wittgenstein, Brooke, Grantchester Meadows, colleges, churches and
cafes.
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