Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In August, 1959, an anxious William Rueckert wrote Kenneth Burke to ask, "When on earth is that perpetually 'forthcoming' A Symbolic of Motives forthcoming? Will it be soon enough so that I can wait for it before I complete my book Kenneth Burke and the Drama of Human Relations]? If the Symbolic is not forthcoming soon, would it be too much trouble for you to send me a list of exactly what will be included in the book, and some idea of the structure of the book?" Burke replied, "Holla If you're uncomfortable, think how uncomfortable I am. But I'll do the best I can. . . ." In the course of their long correspondence, the nature of the Symbolic-Burke's much-anticipated third volume in his Motivorum trilogy-vexed both men, and they discussed its contents often. Ultimately, Burke left the job of pulling it all together to Rueckert. Forty-eight years after they first discussed the Symbolic, Rueckert has fulfilled his end of the bargain with this book, Essays Toward a Symbolic of Motives, 1950-1955. ESSAYS TOWARD A SYMBOLIC OF MOTIVES, 1950--1955 contains the work Burke planned to include in the third book in his Motivorum trilogy, which began with A Grammar of Motives (1945) and A Rhetoric of Motives (1950). In these essays-some of which appear here in print for the first time-Burke offers his most precise and elaborated account of his dramatistic poetics, providing readers with representative analyses of such writers as Aeschylus, Goethe, Hawthorne, Roethke, Shakespeare, and Whitman. Following Rueckert's Introduction, Burke lays out his approach in essays that theorize and illustrate the method, which he considered essential for understanding language as symbolic action and human relations generally. Burke concludes with a focused account of humans as symbol-using and misusing animals and then offers his tour de force reading of Goethe's Faust. About the Author KENNETH BURKE (1897-1993) is the author of many books, including the landmark predecessors in the Motivorum trilogy: A Grammar of Motives (1945) and A Rhetoric of Motives (1950). He has been hailed as one of the most original thinkers of the twentieth century and possibly the greatest rhetorician since Cicero. Paul Jay refers to him as "the most theoretically challenging, unorthodox, and sophisticated of twentieth-century speculators on literature and culture." Geoffrey Hartman praises him as "the wild man of American criticism." According to Scott McLemee, Burke may have "accidentally create d] cultural studies." About the Editor William H. Rueckert, the "Dean of Burke Studies," has authored or edited numerous groundbreaking books and articles on Kenneth Burke, including the landmark study, Kenneth Burke and the Drama of Human Relations (1963, 1982). His correspondence with Burke was collected in Letters from Kenneth Burke to William H. Rueckert, 1959-1987 (Parlor, 2003). His most recent book is Faulkner From Within-Destructive and Generative Being in the Novels of William Faulkner (Parlor, 2004).

Poets of labouring class origin were published in Britain in the 18th and 19th centuries. Some were popular and important in their day but few are available today. This is a collection of some of those poems from the 18th century.

Poets of labouring class origin were published in Britain in the 18th and 19th centuries. Some were popular and important in their day but few are available today. This is a collection of some of those poems from the 18th century.

Poets of labouring class origin were published in Britain in the 18th and 19th centuries. Some were popular and important in their day but few are available today. This is a collection of some of those poems from the 18th century.

Over the past 10-20 years there has been an explosion of work on the disturbance of motor control that is manifested as "spasticity." This work has been based on new insights from animal experiments into the basis of normal motor control and the development of experimental techniques that could be used in patients with neurological disturbances. For this reason, on the initiative of Alfred Thilmann, the editors of this volume organized a workshop on spasticity, held in Essen, Germany, in November, 1992. The intention of the meeting was to bring together leading scientists in an atmosphere that would generate discussion and hopefully consensus and ideas for future work. The attendance was restricted and deliberately selective, with a mix of basic scientists, clinical scientists and practicing clinicians. The product of their presentations and deliberations is this volume. The book is organized in the same sequence as the workshop, so that the discussion sessions could be summarized by the appropriate chairman.

British explorers Robert O'Hara Burke and William John Wills set out in 1860 to explore the Australian outback -- they never returned, but their journals tell their story. One year later, a search party led by Frederick Walker left to find them. Though unsuccessful, they discovered what had happened to the intrepid explorers.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.