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As poets continue to use digital media technology, functionalities
of computing extend aesthetic possibilities in documents focusing
attention on crafting verbal content. Utility of these machines and
tools enables multiple types of compounded articulation
(combinations of verbal, visual, animated, and interactive
elements). Building larger public awareness of the mechanics of
digital poetry, New Directions in Digital Poetry aspires to
influence the formation of writing with media in literary society
of the future, specifically as a record of a particular
technological era. Emerging from these studies is that digital
poetry as a WWW-based, networked form happens 'in stages', 'on
stages'. Few works require singular responses from viewers - both
composition of works and viewing them are processes involving
multiple steps and visual scenarios. For anyone interested in the
interplay of poetry and technology, this book provides an informed
look at digital poetry in its contemporary state. In the process of
performing close readings, Funkhouser makes suggestions and
provides methods for viewing works, for audiences perhaps
unfamiliar with mechanical and semiotic conventions being used.
As poets continue to use digital media technology, functionalities
of computing extend aesthetic possibilities in documents focusing
attention on crafting verbal content. Utility of these machines and
tools enables multiple types of compounded articulation
(combinations of verbal, visual, animated, and interactive
elements). Building larger public awareness of the mechanics of
digital poetry, New Directions in Digital Poetry aspires to
influence the formation of writing with media in literary society
of the future, specifically as a record of a particular
technological era. Emerging from these studies is that digital
poetry as a WWW-based, networked form happens 'in stages', 'on
stages'. Few works require singular responses from viewers - both
composition of works and viewing them are processes involving
multiple steps and visual scenarios. For anyone interested in the
interplay of poetry and technology, this book provides an informed
look at digital poetry in its contemporary state. In the process of
performing close readings, Funkhouser makes suggestions and
provides methods for viewing works, for audiences perhaps
unfamiliar with mechanical and semiotic conventions being used.
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