Carlos A. Forment's aim in this highly ambitious work is to write the book that Tocqueville would have written had he traveled to Latin America instead of the United States. Forment pores over countless newspapers, partisan pamphlets, tabloids, journals, private letters, and travelogues to show in this study how citizens of Latin America established strong democratic traditions in their countries through the practice of democracy in their everyday lives. This first volume of Democracy in Latin America considers the development of democratic life in Mexico and Peru from independence to the late 1890s. Forment traces the emergence of hundreds of political, economic, and civic associations run by citizens in both nations and shows how these organizations became models of and for democracy in the face of dictatorship and immense economic hardship. His is the first book to show the presence in Latin America of civic democracy, something that gave men and women in that region an alternative to market-and state-centered forms of life.

This volume invokes the "postcolonial contemporary" in order to recognize and reflect upon the postcolonial character of the contemporary conjuncture, as well as to inquire into whether postcolonial criticism can adequately grasp it. Neither simply for nor against postcolonialism, the book seeks to cut across this false alternative and to think with postcolonial theory about political contemporaneity. Many of the most influential frameworks of postcolonial theory were developed from the 1970s to 1990s, during what we may now recognize as the twilight of the postwar period. If forms of capitalist imperialism are entering into new configurations of neoliberal privatization, wars-without-end, xenophobic nationalism, and unsustainable extraction, what aspects of postcolonial inquiry must be reworked or revised in order to grasp our political present? In twelve essays that draw from a number of disciplines-history, anthropology, literature, geography, indigenous studies- and regional locations (the Black Atlantic, South Africa, South Asia, East Asia, Australia, Argentina) The Postcolonial Contemporary seeks to move beyond the habitual oppositions that have often characterized the field: universal vs. particular; Marxism vs. postcolonialism; politics vs. culture. The essays reckon with new and persisting postcolonial predicaments, doing so under four interrelated analytics: postcolonial temporality; deprovincializing the global south; beyond Marxism versus postcolonial studies; and postcolonial spatiality and new political imaginaries. From the book's powerful and substantial Introduction through its dozen compelling chapters, The Postcolonial Contemporary will be a landmark volume for reassessing a crucial critical framework for today's world. Contributors: Sadia Abbas, Anthony C. Alessandrini, Sharad Chari, Carlos A. Forment, Vinay Gidwani, Peter Hitchcock, Laurie Lambert, Stephen Muecke, Anupama Rao, Adam Spanos, Jini Kim Watson, Gary Wilder

The fall of empires and the rise of nation-states was a defining political transition in the making of the modern world. As United States imperialism becomes a popular focus of debate, we must understand how empire, the nineteenth century's dominant form of large-scale political organization, had disappeared by the end of the twentieth century. Here, ten prominent specialists discuss the empire-to-nation transition in comparative perspective. Chapters on Latin America, the Middle East, Eastern Europe, Russia, and China illustrate both the common features and the diversity of the transition. Questioning the sharpness of the break implied by the empire/nation binary, the contributors explore the many ways in which empires were often nation-like and nations behaved imperially. While previous studies have focused on the rise and fall of empires or on nationalism and the process of nation-building, this intriguing volume concentrates on the empire-to-nation transition itself. Understanding this transition allows us to better interpret the contemporary political order and new forms of global hegemony.

Carlos Forment's aim in this highly ambitious work is to write the book that Tocqueville would have written had he traveled to Latin America instead of the United States. Drawing on an astonishing level of research, Forment pored over countless newspapers, partisan pamphlets, tabloids, journals, private letters, and travelogues to show in this study how citizens of Latin America established strong democratic traditions in their countries through the practice of democracy in their everyday lives.
This first volume of "Democracy in Latin America" considers the development of democratic life in Mexico and Peru from independence to the late 1890s. Forment traces the emergence of hundreds of political, economic, and civic associations run by citizens in both nations and shows how these organizations became models of and for democracy in the face of dictatorship and immense economic hardship. His is the first book to show the presence in Latin America of civic democracy, something that gave men and women in that region an alternative to market- and state-centered forms of life.
In looking beneath institutions of government to uncover local and civil organizations in public life, Forment ultimately uncovers a tradition of edification and inculcation that shaped democratic practices in Latin America profoundly. This tradition, he reveals, was stronger in Mexico than in Peru, but its basic outlines were similar in both nations and included a unique form of what Forment calls Civic Catholicism in order to distinguish itself from civic republicanism, the dominant political model throughout the rest of the Western world.

This volume invokes the "postcolonial contemporary" in order to recognize and reflect upon the postcolonial character of the contemporary conjuncture, as well as to inquire into whether postcolonial criticism can adequately grasp it. Neither simply for nor against postcolonialism, the book seeks to cut across this false alternative and to think with postcolonial theory about political contemporaneity. Many of the most influential frameworks of postcolonial theory were developed from the 1970s to 1990s, during what we may now recognize as the twilight of the postwar period. If forms of capitalist imperialism are entering into new configurations of neoliberal privatization, wars-without-end, xenophobic nationalism, and unsustainable extraction, what aspects of postcolonial inquiry must be reworked or revised in order to grasp our political present? In twelve essays that draw from a number of disciplines-history, anthropology, literature, geography, indigenous studies- and regional locations (the Black Atlantic, South Africa, South Asia, East Asia, Australia, Argentina) The Postcolonial Contemporary seeks to move beyond the habitual oppositions that have often characterized the field: universal vs. particular; Marxism vs. postcolonialism; politics vs. culture. The essays reckon with new and persisting postcolonial predicaments, doing so under four interrelated analytics: postcolonial temporality; deprovincializing the global south; beyond Marxism versus postcolonial studies; and postcolonial spatiality and new political imaginaries. From the book's powerful and substantial Introduction through its dozen compelling chapters, The Postcolonial Contemporary will be a landmark volume for reassessing a crucial critical framework for today's world. Contributors: Sadia Abbas, Anthony C. Alessandrini, Sharad Chari, Carlos A. Forment, Vinay Gidwani, Peter Hitchcock, Laurie Lambert, Stephen Muecke, Anupama Rao, Adam Spanos, Jini Kim Watson, Gary Wilder