Published in its entirety, Frida Kahlo's amazing illustrated journal documents the last ten years of her turbulent life. These passionate, often surprising, intimate records, kept under lock and key for some 40 years in Mexico, reveal many new dimensions in the complex personal life of this remarkable Mexican artist. The 170-page journal contains the artist's thoughts, poems, and dreams-many reflecting her stormy relationship with her husband, artist Diego Rivera-along with 70 mesmerizing watercolor illustrations. The text entries, written in Frida's round, full script in brightly colored inks, make the journal as captivating to look at as it is to read. Her writing reveals the artist's political sensibilities, recollections of her childhood, and her enormous courage in the face of more than 35 operations to correct injuries she had sustained in an accident at the age of 18. This intimate portal into her life is sure to fascinate fans of the artist, art historians, and women's culturalists alike.

One of Carlos Fuentes's greatest works, "The Old Gringo" tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa's soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.

As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz's heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes's masterpiece, "The Death of Artemio Cruz "is a haunting voyage into the soul of modern Mexico.

Carlos Fuentes, born in Panama in 1928, has received many awards for his accomplishments as a novelist, essayist, and commentator, among them the Cervantes Prize. He is the author of more than twenty books, including "The Old Gringo "and "The Eagle's Throne. "He divides his time between Mexico City and London. Hailed as a masterpiece upon its original publication in 1962, "The Death of Artemio Cruz" is Carlos Fuentes's haunting voyage into the soul of modern Mexico. Its acknowledged place in Latin American fiction and its appeal to a fresh generation of readers have warranted this new translation by Alfred MacAdam.
As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz's heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. As in all his fiction, but perhaps most powerfully in this book, Fuentes is a passionate guide to the ironies of Mexican history, the burden of its past, and the anguish of its present. "This is more than a retranslation of a masterpiece. It amounts to a restoration: here is the magnificent book that Fuentes wrote originally, superbly rendered by Alfred Mac Adam into an English version that precisely meshes with Fuentes's Spanish."--Douglas Day "This is more than a retranslation of a masterpiece. It amounts to a restoration: here is the magnificent book that Fuentes wrote originally, superbly rendered by Alfred Mac Adam into an English version that precisely meshes with Fuentes's Spanish."--Douglas Day
"Remarkable, in the scope of the human drama it pictures, the corrosive satire and sharp dialogue."--Mildred Adams, "The New York Times Book Review
""Carlos Fuentes is perhaps the only living Latin-American writer who has it in him to do for his country what Euclides da Cunha did for Brazil in "Os Sertoes," and to make the passion of the land's rebirth and repossession comprehensible to the outsider."--Anthony West, "The New Yorker
""First translated into English more than a quarter-century ago, Fuentes's acclaimed novel about modern Mexico has since gone through nearly 30 printings. Despite its popularity, the original English version often was unclear, obscuring Fuentes's language and intent. MacAdam's meticulous new rendering gives the English-reading public a fresh slant on the fictional Cruz, a newspaper owner and land baron. The novel opens with Cruz on his deathbed, and plunges us into his thoughts as he segues from the past to his increasingly disoriented present. Drawn as a tragic figure, Cruz fights bravely during the Mexican Revolution but in the process loses his idealism--and the only woman who ever loved him. He marries the daughter of a hacienda owner and, in the opportunistic, postwar climate, he uses her family connections and money to amass an ever-larger fortune. Cocky, audacious, corrupt, Cruz, on another level, represents the paradoxes of recent Mexican history. Written before Fuentes's masterpieces "A Change of Skin" and "Terra Nostra," this novel, with its freewheeling experimental prose and psychological exploration, anticipates many of the author's later themes."--"Publishers Weekly"

Novela de gran intensidad tematica, esta centrada en la reflexion sobre el Mexico surgido de la Revolucion, pero tambien analiza, con amargura, cuestiones tan universales y permanentes como la soledad, el poder o el desamor.

Felipe Montero is employed in the house of an aged widow to edit her deceased husband's memoirs. There Felipe meets her beautiful green-eyed niece, Aura. his passion for Aura and his gradual discovery of the true relationship between the young woman and her aunt propel the story to its extraordinary conclusion.

Fuentes' bold and timely study discusses the origins and nature of the tumultuous events that have recently transformed Mexican politics and society. The rebellion in Chiapas, a rash of assassinations, the break between Presidents Salinas and Zedillo, the continual struggle for democratic self-rule: These and other developments are addressed by one of Mexico's wisest, most influential commentators.

In this comic novel of political intrigue, Adam Gorozpe, a respected businessman in Mexico, has a life so perfect that he might as well be his namesake in the Garden of Eden -- but there are snakes in this Eden too. For one thing, Adam's wife Priscila has fallen in love with the brash director of national security -- also named Adam -- who uses violence against token victims to hide the fact that he's letting drug runners, murderers, and kidnappers go free. Another unlikely snake is the little Boy-God who's started preaching in the street wearing a white tunic and stick-on wings, inspiring Adam's brother-in-law to give up his job writing soap operas to follow this junior deity and implore Adam to do the same. Even Elle, Adam's mistress, thinks the boy is important to their salvation -- especially now that it seems the other Adam has put out a contract on Adam Gorozpe. To save his relationship, his marriage, his life, and the soul of his country, perhaps Adam will indeed have to call upon the wrath of the angels to expel all these snakes from his Mexican Eden.

Two narratives twine through this superb novel: one introduces Gabriel Atlan-Ferrara, a fabled orchestral conductor, and his great passion, Inez Prada, a red-haired Mexican diva; the other is a mysterious telling of the first encounter in human history between a man and a woman. Berlioz's music for"The Damnation of Faust"brings Gabriel and Inez together, while the emerging love of neh-el and ah-nel--the original lovers--echoes the Faustian pact of love and death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an enigma that obsesses him. And like the light refracted through the seal, these stories begin in prehistory and spiral out into infinity.
In"Inez," we find Carlos Fuentes at the height of his magical and realist powers. This profound and beautiful work confirms his standing as one of the world's pre-eminent novelist.

A radiant family saga set in a century of Mexican history, by one of the world's greatest writers.
Carlos Fuentes's hope-filled new novel sees the twentieth century through the eyes of Laura D'az, a woman who becomes as much a part of our history as of the Mexican history she observes and helps to create. Born in 1898, this extraordinary woman grows into a wife and mother, becomes the lover of great men, and, before her death in 1972, is celebrated as a politically committed artist. A complicated and alluring heroine, she lives a happy life despite the tragedies and losses she experiences, for she has borne witness to great changes in her country's life, and she has loved and understood with unflinching honesty.
In his most important novel in decades, Carlos Fuentes has created a world filled with brilliantly colored scenes and heartbreaking dramas. The result is a novel of subtle, penetrating insight and immense power.

Carlos Fuentes's new novel concerns people, rich and poor, who all have something to do with the family of one Leonardo Barroso, a powerful business tycoon of Northern Mexico who successfully exploits his connections to the United States. Barroso controls the fate of strangers as well as family members, and his decisions -- whether to marry his son to his goddaughter and future mistress, whether to sponsor a young gay medical student for his studies at Cornell, or whether to fly weekend janitors to New York City to avoid American labor costs -- carry long-term effects for anyone within his web. Fuentes mingles generations and classes in this memorable novel, vividly illuminating the cultural conflict that rages between Mexico and America. In extraordinary prose, in the experience of love, of loneliness, of heartbreak and redemption, the dramas that ensue epitomize the strange, invisible, dangerous frontier that divides us.

In Myself with Others, Fuentes has assembled essays reflecting three of the great elements of his work: autobiography, love of literature, and politics. They include his reflections on his beginning as a writer, his celebrated Harvard University commencement address, and his trenchant examinations of Cervantes, Gabriel Garcia Marquez, and Borges.

The Good Conscience is Carlos Fuentes's second novel. The scene is Guanajuato, a provincial capital in Central Mexico, once one of the world's richest mining centers. The Ceballos family has been reinstated to power, and adolescent Jaime Ceballos, its only heir, is torn between the practical reality of his family's life and the idealism of his youth and his Catholic education. His father is a good man but weak; his uncle is powerful, yet his actions are inconsistent with his professed beliefs. Jaime's struggle to emerge as a man with a "good conscience" forms the theme of the book: can a rebel correct the evils of an established system and at the same time retain the integrity of his principles?

After collapsing from an illness while attending a business meeting, a dying Artemio Cruz, a rich and powerful land owner in modern Mexico, is driven by conscience to recall his corrupt life.

In The Vintage Book of Latin American Stories, Julio Ortega and Carlos Fuentes present the most compelling short fiction from Mexico to Chile. Surreal, poetic, naturalistic, urbane, peasant-born: All styles intersect and play, often within a single piece. There is "The Handsomest Drown Man in the World," the García Márquez fable of a village overcome by the power of human beauty; "The Aleph," Borges' classic tale of a man who discovers, in a colleague's cellar, the Universe. Here is the haunting shades of Juan Rulfo, the astonishing anxiety puzzles of Julio Cortázar, the disquieted domesticity of Clarice Lispector. Provocative, powerful, immensely engaging, The Vintage Book of Latin American Stories showcases the ingenuity, diversity, and continuing excellence of a vast and vivid literary tradition.

In these spectacular vignettes, the internationally acclaimed author Carlos Fuentes explores Tolstoy's classic observation that "happy families are all alike; every unhappy family is unhappy in its own way." In "A Family Like Any Other," each member of the Pagan family lives in isolation, despite sharing a tiny house. In "The Mariachi's Mother," the limitless devotion of a woman is revealed as she secretly tends to her estranged son's wounds. "Sweethearts" reunites old lovers unexpectedly and opens up the possibilities for other lives and other loves. These are just a few of the remarkable stories in Happy Families, but they all inhabit Fuentes's trademark Mexico, where modern obsessions bump up against those of the mythic past-and the result is a triumphant display of the many ways we reach out to one another and find salvation through irrepressible acts of love.

Here is a true literary event-the long-awaited new novel by Carlos Fuentes, one of the world's great writers. By turns a tragedy and a farce, an acidic black comedy and an indictment of modern politics, The Eagle's Throne is a seriously entertaining and perceptive story of international intrigue, sexual deception, naked ambition, and treacherous betrayal.
In the near future, at a meeting of the United Nations Security Council, Mexico's idealistic president has dared to vote against the U.S. occupation of Colombia and Washington's refusal to pay OPEC prices for oil. Retaliation is swift. Concocting a "glitch" in a Florida satellite, America's president cuts Mexico's communications systems-no phones, faxes, or e-mails-and plunges the country into an administrative nightmare of colossal proportions.
Now, despite the motto that "a Mexican politician never puts anything in writing," people have no choice but to communicate through letters, which Fuentes crafts with a keen understanding of man's motives and desires. As the blizzard of activity grows more and more complex, political adversaries come out to prey. The ineffectual president, his scheming cabinet secretary, a thuggish and ruthless police chief, and an unscrupulous, sensual kingmaker are just a few of the fascinating characters maneuvering and jockeying for position to achieve the power they all so desperately crave.

"From the Hardcover edition."

_______________________ A DRAMATIC FICTIONAL PORTRAIT OF THE US-MEXICO BORDER, MIGRATION, AND ITS IMPACT ON PEOPLE'S LIVES _______________________ Through this network of nine personal stories, Carlos Fuentes sets out to explain Mexico and America to each other - and to the rest of the world. He presents a dramatic fictional portrait of the relationship between the United States and Mexico, as played out in a Mexican dynasty led by a powerful Mexican oligarch with complex ties north of the border. It is the story of Mexican families who send their sons north to provide for whole villages with dollars and of Mexican tycoons who exploit their own people. Young Jose Francisco grows up in Texas, determined to write about the border world - the immigrants and illegals, Mexican poverty and Yankee prosperity - stories to break the stand-off silence with a victory shout, to shatter at last the crystal frontier.