A full colour map showing London in about 1520 - its many churches, monasteries, legal inns, guild halls, and a large number of substantial private houses, in the context of the streets and alleyways that survived the Great Fire and can still be discovered. Dominating the city are the Tower of London in the east, the old St Paul's Cathedral in the west and London Bridge in the south. The city was largely contained within its medieval walls and ditches but shows signs of spilling out into the great metropolis it was destined to be. This is a second edition of a map first published in 2018, incorporating changes to the map as new information has become available. The map has been the Historic Towns Trust's number one best seller since publication and has been very well received. The new edition has a revised cover and illustrations.

Medieval London Widows, 1300-1500 shows that it is possible to expand the repertoire of examples of medieval women with personalities and individuality beyond the well-known triad of Margaret Paston, Margery Kempe and the Wife of Bath. The rich documentation of London records allows these women to speak for themselves. They do so largely through their wills, which themselves exemplify the ability of widows to make choices and to order their lives.

A full colour map showing London about 1270 to 1300 - its walls and gates, parish churches, early monasteries and hospitals, and a growing number of private houses. The city's streets and alleyways had been established. Dominating London are the Tower of London in the east, the old St Paul's Cathedral in the west and London Bridge in the south. Up-river in Westminster, the abbey and the royal palace had been well established, and the great Westminster Hall is very evident. London's playground in Southwark was beginning to grow.

This book brings together recent developments in modern migration theory, a wide range of sources, new and old tools revisited (from GIS to epigraphic studies, from stable isotope analysis to the study of literary sources) and case studies from the ancient eastern Mediterranean that illustrate how new theories and techniques are helping to give a better understanding of migratory flows and diaspora communities in the ancient Near East. A geographical gap has emerged in studies of historical migration as recent works have focused on migration and mobility in the western part of the Roman Empire and thus fail to bring a significant contribution to the study of diaspora communities in the eastern Mediterranean. Bridging this gap represents a major scholarly desideratum, and, by drawing upon the experiences of previously neglected migrant and diaspora communities in the eastern Mediterranean from the Hellenistic period to the early mediaeval world, this collection of essays approaches migration studies with new perspectives and methodologies, shedding light not only on the study of migrants in the ancient world, but also on broader issues concerning the rationale for mobility and the creation and features of diaspora identities.

This monograph is based on a symposium held in the National Gallery, London which showed how Richard II's beliefs may have been expressed in the highly religious work, the Wilton Diptych, and how he aspired to equal in magnificence the royal figures of Europe, in particular Bohemia and France. Richard's love of material splendour from the rebuilding of Westminster Hall to his lavish expenditure on dress and gifts is argued in these essays. All the facets of the regal image are underpinned by experts in the history, sociology and artefacts of the period, who in their studies aim to bring out the political difficulties under which Richard was operating.