"Khaw's got a sterling premise, enduring lore, and the fresh talent to voice it." -Josh Malerman, New York Times bestselling author of Bird Box. A gorgeously creepy classic haunted house story based on Japanese folklore, combining The Haunting of Hill House with The Ring. Cat joins her old friends, who are in search of the perfect wedding venue, to spend the night in a Heian-era manor in Japan. Trapped in webs of love, responsibility and yesterdays, they walk into a haunted house with their hearts full of ghosts. This mansion is long abandoned, but it is hungry for new guests, and welcomes them all - welcomes the demons inside them - because it is built on foundations of sacrifice and bone. Their night of food, drinks, and games quickly spirals into a nightmare as the house draws them into its embrace. For lurking in the shadows is the ghost bride with a black smile and a hungry heart. And she gets lonely down there in the dirt.

A gritty, explosive and bloody cosmic horror, Buffy meets American Psycho, about a roguish magical fixer, who is the only thing stopping the finance industry from summoning the eldritch beings they worship and serve. Julie Crews is a coked-up, burnt-out thirty-something who packs a lot of magic into her small body. She’s trying to establish herself as a major Psychic Operative in the NYC magic scene, and she’ll work the most gruesome gigs to claw her way to the top. Desperate to break the dead-end grind, Julie summons a guardian angel for a quick career boost. But when her power grab accidentally releases an elder god hellbent on the annihilation of our galaxy, the body count rises rapidly. The Dead Take the A Train is a high-octane cocktail of Khaw’s cosmic horror and Kadrey’s gritty fantasy—shaken, not stirred.

"Khaw's got a sterling premise, enduring lore, and the fresh talent to voice it." Josh Malerman, New York Times bestselling author of Bird Box A gorgeously creepy classic haunted house story based on Japanese folklore, combining The Haunting of Hill House with The Ring. Cat joins her old friends, who are in search of the perfect wedding venue, to spend the night in a Heian-era manor in Japan. Trapped in webs of love, responsibility and yesterdays, they walk into a haunted house with their hearts full of ghosts. This mansion is long abandoned, but it is hungry for new guests, and welcomes them all - welcomes the demons inside them - because it is built on foundations of sacrifice and bone. Their night of food, drinks, and games quickly spirals into a nightmare as the house draws them into its embrace. For lurking in the shadows is the ghost bride with a black smile and a hungry heart. And she gets lonely down there in the dirt.

Not the Tales You Were Told Once upon a time, Rudyard Kipling's Just So Stories-fantastical yarns of wondrous creatures in faraway places-bewitched children across the world. But times change. Today, Kipling's writing tells us a different tale; of a love of Empire, and the troubling legacy of British colonialism. In Not So Stories, writers of colour from around the world reclaim these stories and remake them into something new. Something different. Something that belongs to us all. Including stories by Adiwijaya Iskandar, Joseph Elliott-Coleman, Raymond Gates, Stewart Hotston, Zina Hutton, Georgina Kamsika, Cassandra Khaw, Paul Krueger, Tauriq Moosa, Jeannette Ng, Ali Nouraei, Wayne Santos, Zedeck Siew and Achala Upendran, with illustrations by Woodrow Phoenix and a foreword by Nikesh Shukla.

Deacon James is a rambling bluesman straight from Georgia, a black man with troubles that he can't escape, and music that won't let him go. On a train to Arkham, he meets trouble - visions of nightmares, gaping mouths and grasping tendrils, and a madman who calls himself John Persons. According to the stranger, Deacon is carrying a seed in his head, a thing that will destroy the world if he lets it hatch. The mad ravings chase Deacon to his next gig. His saxophone doesn't call up his audience from their seats, it calls up monstrosities from across dimensions. As Deacon flees, chased by horrors and cultists, he stumbles upon a runaway girl, who is trying to escape the destiny awaiting her. Like Deacon, she carries something deep inside her, something twisted and dangerous. Together, they seek to leave Arkham, only to find the Thousand Young lurking in the woods. The song in Deacon's head is growing stronger, and soon he won't be able to ignore it any more.