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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
The Arkansas Regulators is a rousing tale of frontier adventure,
first published in German in 1846, but virtually lost to English
readers for well over a century. Written in the tradition of James
Fenimore Cooper, but offering a much darker and more violent image
of the American frontier, this was the first novel produced by
Friedrich Gerstacker, who would go on to become one of Germany's
most famous and prolific authors. A crucial piece of a
nineteenth-century transatlantic literary tradition, this
long-awaited translation and scholarly edition of the novel offers
a startling revision of the frontier myth from a European
perspective.
Ash is an important and yet understudied aspect of ritual
deposition in the archaeological record of North America. Ash has
been found in a wide variety of contexts across many regions and
often it is associated with rare or unusual objects or in contexts
that suggest its use in the transition or transformation of houses
and ritual features. Drawn from across the U.S. and Mesoamerica,
the chapters in this volume explore the use, meanings, and
cross-cultural patterns present in the use of ash. and highlight
the importance of ash in ritual closure, social memory, and
cultural transformation.
First published in London in 1816, The Narrative of Robert Adams is
an account of the adventures of Robert Adams, an African American
seaman who survives shipwreck, slavery, and brutal efforts to
convert him to Islam, before being ransomed to the British consul.
In London, Adams is discovered by the Company of Merchants Trading
which publishes his story, into which Adams inserts a fantastical
account of a trip to Timbuctoo. Adams's story is accompanied by
contemporary essays and notes that place his experience in the
context of European exploration of Africa at the time, and weigh
his credibility against other contemporary accounts. Professor
Adams's introduction examines Adams's credibility in light of
modern knowledge of Africa and discusses the significance of his
story in relation to the early nineteenth century interest in
Timbuctoo, and to the literary genres of the slave narrative and
the Barbary Captivity narrative.
Religion was as central in the day-to-day lives of prehistoric
southwestern people, just as it is in the lives of their
descendants today. Examining the role of religion can help to
explain architecture, pottery, agriculture, even commerce. But
archaeologists have only recently developed the theoretical and
methodological tools with which to study this topic. Religion in
the Prehispanic Southwest marks the first book-length study of
prehistoric religion in the region. Drawing on a rich array of
empirical approaches, the contributors show the importance of
understanding beliefs and ritual for a range of time periods and
southwestern societies. For professional and avocational
archaeologists, for religion scholars and students, Religion in the
Prehispanic Southwest represents an important contribution.
Religion was as central in the day-to-day lives of prehistoric
southwestern people, just as it is in the lives of their
descendants today. Examining the role of religion can help to
explain architecture, pottery, agriculture, even commerce. But
archaeologists have only recently developed the theoretical and
methodological tools with which to study this topic. Religion in
the Prehispanic Southwest marks the first book-length study of
prehistoric religion in the region. Drawing on a rich array of
empirical approaches, the contributors show the importance of
understanding beliefs and ritual for a range of time periods and
southwestern societies. For professional and avocational
archaeologists, for religion scholars and students, Religion in the
Prehispanic Southwest represents an important contribution.
Noted historian Charles Adams has assembled an extraordinary
collection of articles never before collected and made available
for easy study written by foreign journalists at the time of the
U.S. Civil War. These journals are a fount of insights about the
war, and readers will be rewarded with a new appreciation for the
views of contemporary foreign observers of America's war. Readers
will realize that the Europeans seemed to know more about America's
"quarrel," as they liked to call the war, than previously thought
possible. Foreign observers wrote in an atmosphere of freedom,
without the dangers that crippled and destroyed journalism in
America. Foreign writers were not arrested and locked up; nor were
foreign journals silenced by armed soldiers, mobs, or by censorship
of the mails, nor were their editors hauled off to prison. Also,
the American Civil War was not their struggle, and, as the reader
will discover, by looking at the quarrel from a distance the
foreign correspondents could see what Americans at the scene could
not. A broad sweep of views running from pro-North to pro-South,
with foreign writers marshalling their arguments with facts and
information that had come to their attention, is presented. Among
the many distinguished British journals represented are Blackwood's
Magazine, The Saturday Review, Macmillan's Magazine, The Athenaeum,
The Cornhill Magazine, The Economist, The Times and two periodicals
edited by Charles Dickens Household Words and All the Year Round.
From the continent there are translated articles from the French La
Presse and Revue des Deux Monde, the Italian La Civilta Cattolica
and Scritti Editie Inediti, and the Spanish Pensamiento Espanol and
La Iberia. Civil War historians and students will certainly benefit
from the fascinating observations afforded by the golden age of
periodical literature presented in Slavery, Secession, and Civil
War."
The Arkansas Regulators is a rousing tale of frontier adventure,
first published in German in 1846, but virtually lost to English
readers for well over a century. Written in the tradition of James
Fenimore Cooper, but offering a much darker and more violent image
of the American frontier, this was the first novel produced by
Friedrich Gerstacker, who would go on to become one of Germany's
most famous and prolific authors. A crucial piece of a
nineteenth-century transatlantic literary tradition, this
long-awaited translation and scholarly edition of the novel offers
a startling revision of the frontier myth from a European
perspective.
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