Ten classic short novels appear in this collection by noted editor Neider. The contents include: Benito Cereno by Herman Melville, Notes from Underground by F. M. Dostoyevsky, A Simple Heart by Gustave Flaubert, The Death of Ivan Ilych by L. N. Tolstoy, The Aspern Papers by Henry James, Ward No. 6 by A. P. Chekhov, Death in Venice by Thomas Mann, The Dead by James Joyce (recently made into a musical), The Metamorphosis by Franz Kafka, and The Fox by D. H. Lawrence. In the introduction, Neider discusses the themes that arise in several of the novels, grouping them by more than just their greatness.

This unorthodox but delightful anthology of 42 essays focuses on the masters of world literature writers best known for novels, plays, and poems and how they put the essay to their personal use. Contributors include Auden, Balzac, Conrad, Dickens, Dostoevski, Eliot, Faulkner, Flaubert, Gide, Goethe, Hardy, Hawthorne, Heine, Hemingway, Kafka, Kipling, Lawrence, Melville, Pirandello, Poe, Proust, Sartre, Tolstoy, Twain, Whitman, Wilde, Woolf, and Yeats."

Writer and Antarctic explorer Neider tells of his third trip to the frozen continent, describing the international stations there and the goals they are working toward. Neider also tours the Antarctic landscape, observing the geography and wildlife and evoking it in detail. Devoting scrutiny to the international treaties that protect the continent politically and environmentally, Neider reveals how important those treaties are. Also included in this work are interviews with Antarctic pioneers Sir Charles Wright, Sir Vivian Fuchs, and Laurence Gould.

Mark Twain's hilarity and irreverence shine through in this impeccably chosen collection.

First published in 1949, Kafka: His Mind and Art begins with an extended analysis of the Kafka literature, with emphasis on its shortcomings and their effect on Kafka’s vogue. Chapter two presents in broad terms a new aspect of Kafka which after the biographical chapter, chapter three, is studied in detail for the next two chapters. Up to this point the treatment does not presuppose a special key, but in chapters six and seven the secret key is discussed. To avoid confusion and unnecessary complications, the discussion of the key and its implications is delayed until more traditional ground has been covered. The author argues that it is appropriate to indicate only that the expressionist movement was not solely religious, that it arose from a dissatisfaction with a stagnant, spiritless society as well as with current modes in art and literature, and that Kafka avoided identifying himself- at least in his work- with any of the three or four factions of the movement. This is an important historical document for students of literature.

Forty-nine short stories, selected for their richness of detail, accurate depictions of human passion, and international scope, fill this collection. The authors include Americans such as Hemingway, Faulkner, Saul Bellow, and Flannery O'Connor, 19th and 20th century Western European giants such as Proust, Sartre, Flaubert, Kafka, Mann, Pirandello, Rilke, and Balzac, Russian icons Tolstoy, Dostoyevsky, Pushkin, Turgenev, and Chekhov, and Asian writers Rabindranath Tagore and Lu Hsun. While many of the names are recognizable (though some, such as Bunin, Lagerlof, Nexo, and Svevo rank among the lesser-known), Neider has favored gems less familiar to the average reader.

Washington Irving (1783-1859) was the first American literary artist to earn his living solely through his writings and the first to enjoy international acclaim. In addition to his long public service as a diplomat, Irving was amazingly prolific: His collected works fill forty volumes that encompass essays, history, travel writings, and multi-volume biographies of Columbus and Washington. But it is Irving's mastery of suspense, characterization, tempo, and irony that transforms his fiction into virtuoso performances, earning him his reputation as the father of the American short story. Charles Neider has gathered all sixty-one of Irving's tales, originally scattered throughout his many collections of nonfiction essays and sketches, into one magnificent volume. Together, they reveal his wide range: besides the expected classics like "Rip Van Winkle," "The Spectre Bridegroom," "The Legend of Sleepy Hollow," and "The Devil and Tom Walker," his fiction embraces realistic tales, ghost stories, parodies, legends, fables, and satires. For those familiar only with secondhand retellings of Irving's most famous tales, this collection offers the opportunity to step inside Washington Irving's imagination and partake of its innumerable and timeless pleasures.

Mark Twain is best known as one of this country's finest humorists and novelists. As this collection confirms, he was one of our finest essayists as well. Gathered here in a single volume, these pieces reveal the complete range of this esteemed American writer and contain some of his best, funniest, and most caustic work. "English as She Is Taught," "What Is Man?," and "Letters to Satan" are among the seventy-seven essays, each featuring Twain's witty, vital, colorful style--and reminding us why, nearly one hundred years after his death, he continues to be one of the most widely read and beloved of all American authors.

Scottish novelist, poet, and essayist Robert Louis Stevenson (1850-1894) was a writer of power and originality, who penned such classics as "Treasure Island, Kidnapped," and "The Weir of Hermiston," The editor has collected in convenient form Stevenson's short fiction, including the complete "New Arabian Nights" and "The Strange Case of Dr. Jekyll and Mr. Hyde," as well as ghost stories, medieval romances, farces, horror stories, and the "South Sea Tales." This volume amply illustrates Stephenson's wide range and enduring appeal.