After turning over tens of thousands of leaves in Latin, French, Italian, German, English, Spanish and Dutch print, one is left with an accumulation of observed phenomena - religious, cultural, literary, psychological - which the mind is forced to coordinate into some sort of general conclusions. As the author has stated in some of the pages which follow this preface, The author was profoundly averse to formulating 'philosophies of history', and though he felt impelled to put in order the impression whihc much reading and pondering have left with him, the author did not pretend to link these impressions into any theory of evolution. There are as many 'ifs' in history as 'therefores'. The phenomena are always interesting, often contradictory, like the strands of thought and behaviour in an individual human being. The author sets down his conclusions for what they are worth - though perhaps, as the Preacher remarks, 'of making many books there is no end, and much study is a weariness of the flesh'. But the sixteenth century was a wonderful time.

In England, as in France and Germany, the main characteristics of the last fifty years, from the point of view of the student of history, has been that new material has been accumulating much faster than it can be assimilated or absorbed. When the first edition of this volume was sent to the press in 1910, I had the privilege of finding three good friends, who each revised one section of its content. The first was T. Rice Holmes, who looked over the prehistoric and early Celtic chapters. The second is Francis Haverfield, the greatest specialist in his day for all that concerned Roman Britain. The third, H. Carless Davis, then a fellow of All Souls and afterwards Regius Professor of Modern History.

Originally published in 1920, Children's Dreams offers a rough classification of the type of dream peculiar to children of different ages, showing the variation from year to year and the influence of the environment. Considering children's dreams according to different age brackets ranging from five to eighteen years of age, and also considering the dreams of deaf and blind children, this book understands the important part played by the unconscious in the child's normal behaviour and recognises its educational value.

In England, as in France and Germany, the main characteristics of the last fifty years, from the point of view of the student of history, has been that new material has been accumulating much faster than it can be assimilated or absorbed. When the first edition of this volume was sent to the press in 1910, I had the privilege of finding three good friends, who each revised one section of its content. The first was T. Rice Holmes, who looked over the prehistoric and early Celtic chapters. The second is Francis Haverfield, the greatest specialist in his day for all that concerned Roman Britain. The third, H. Carless Davis, then a fellow of All Souls and afterwards Regius Professor of Modern History.

This book explores cities and the intra-regional relational dynamics often overlooked by urban scholars, and it challenges common representations of urban development successes and failures. Gathering leading international scholars from Europe, Australia and North America, it explores the secondary city concept in urban development theory and practice and advances a research agenda that highlights uneven development concerns. By emphasising the subordinate status of secondary cities relative to their dominant neighbours the book raises new questions about regional development in the Global North. It considers alternative relations and development strategies that innovatively reimagine the subordinate status of secondary cities and showcase their full potential.

Hegel and Speculative Realism has two main objectives. Firstly, to assess the speculative realist formulations of the real regarding the ‘withdrawn’ object, radical contingency, the absolute register of extinction, and the current interest in ‘powers philosophy’, with special attention to their possible relation to the absolute scope of Hegelian philosophy. Secondly, to invite the reader to reconsider Hegel in a new way; uncovering rare insights into his thoughts on astronomy, actuality, the concrete and non-being. Johns’ inclination is to not mistake the necessary path to the absolute as the only path. Johns argues that Hegel describes the unique trajectory of the dialectical relationship between Nature and Idea as a Spirit oriented by both logical and physical (spatio-temporal) dimensions. Johns reads this as a theory of singularity and makes the bold claim that there may be other paths not taken by the Hegelian spatio-temporal path synonymous with the dialectic; synthesis, sublation and unfolding. In-fact, speculative philosophy should not be satisfied to study only  “what exists� but also what “could exist� or what it means to “inexist� and should entertain multiple modes of potential becoming between Hegel’s initial triad of logical categories; Being, Non-Being and Becoming.       

Originally published in 1920, Children's Dreams offers a rough classification of the type of dream peculiar to children of different ages, showing the variation from year to year and the influence of the environment. Considering children's dreams according to different age brackets ranging from five to eighteen years of age, and also considering the dreams of deaf and blind children, this book understands the important part played by the unconscious in the child's normal behaviour and recognises its educational value.

Often some one precious detail of war lurks in the middle of a book of the most unlikely description. After turning over tens of thousands of leaves in Latin, French, Italian, German, English, Spanish and Dutch print, one is left with an accumulation of observed phenomena - religious, cultural, literary, psychological - which the mind is forced to coordinate into some sort of general conclusions. As the author has stated in some of the pages which follow this preface, the author is profoundly averse to formulating 'philosophies of history', and though the author feels impelled to put in order the impression which much reading and pondering have left with me, the author does not pretend to link these impressions into any theory of evolution. There are as many 'ifs' in history as 'therefores'.

When Lothair Coningsby is bequeathed an antique pack of Tarot cards, he doesn't bargain for the trouble they will cause. The terms of his inheritance mean that Lothair cannot part with the cards in life, and they are to go to the British Museum after his death. But his daughter's fiance, Henry Lee, a descendant of the Romany people, realises that Coningsby has inherited the original Greater Trumps, or Major Arcana, the most important cards in the Tarot. These cards - including the Juggler, the Hanged Man, the Falling Tower and the mysterious, unmoving Fool - were designed to represent the dance of life itself, along with a set of golden images in Henry's possession. If the two are brought together they will unleash an unknown power upon the world - and Henry is determined to gain possession of the pack. First published in 1932, The Greater Trumps is the fifth of Charles Williams's supernatural novels.

Those who have read Williams's earlier novels will not want to be told anything about Descent into Hell except that it is one of his best. Those who do not know the author's work will find that when they have read this novel, they will want to read all the others. Highly acclaimed writer of the thriller with a supernatural element, Williams's novels can be read for pure excitement. However, there is also a comedy of manners and acute analysis of human relationships, and finally, exploration of abysses of beauty and horror beyond the borders of the material world. This book, as the title may suggest, is not recommended reading for hyper-sensitive people alone at night in an empty house.

If ideas are more dangerous than material things, what happens when ideas become matter?

Near a crossroad in the country town of Smetham, a retired philosopher is felled by what appears to be a huge lion. The lion vanishes, leaving the seemingly untouched man in a coma. But over the next few days, more creatures start to appear - Platonic archetypes stalk the English countryside, and the inhabitants of Smetham begin to display unsettlingly animalistic traits. The worlds of matter and ideas are colliding. It is down to two unlikely heroes to banish the ideas back to the spiritual realm and save the world.

First published in 1933, "The Place of the Lion" is the third supernatural thriller by Charles Williams, a member of the Inklings whose theological interests embraced Rosicrucianism as well as mainstream Christianity.

First published in 1931, this fascinating story is one of Charles Williams' early 'metaphysical' novels. Set in London, Sir Giles, the nefarious cousin of The Chief Justice of England, Lord Arglay, has obtained by not entirely fair means the ancient gold Crown of King Solomon the Wise. The White Stone of the Tetragrammaton, embedded in the crown, was the key to his wisdom and riches and fame. Sir Giles means to research it and unlock its powers, but lacking the courage to take all the risks himself, he must include others in his plans. Made of the First Matter from the Garden of Eden, the Stone's power grows with the experience of the user and can heal all sicknesses, allow the user to travel in time, in addition to seeing the minds of others. This provoking supernatural thriller shows Williams at his very best.

'There are no novels anywhere quite like them . . . He really believes in what he is talking about.' That was T. S. Eliot writing about the seven novels of Charles Williams. How to describe them? Again, probably in T. S. Eliot's words, 'They may be described as supernatural thrillers; ''popular'' novels in the best sense, by a man who had something important and quite individual to say. When we say ''thrillers'' we mean that their plots are adventurous and breathless, their scenes sometimes entrancing and sometime horrifying; and when we say ''supernatural'' we mean that Williams had a real experience of the supernatural world to communicate. He had a kind of extended spiritual sense: he was like a man who can perceive shades of colour, or hear tones beyond the ordinary range. The theme of all his novels is the struggle between good and evil; and as an interpreter of the mystical experience he was unique in his generation. He excels in descriptions of strange experiences such as many people have had once or twice in their lives and have been unable to put into words. There are pages also which describe, with a frightful clarity, the deterioration and damnation of a human soul; and pages which describe the triumphant struggle towards salvation. War in Heaven was the first in the sequence, published in 1930, and the most conventional of them. It relates the discovery of The Holy Grail in a country church and of the struggle between good and evil forces to possess it. There are detailed and convincing accounts of black magic. The author belonged to A. E. Waite's Christian Rosicrucian order, The Fellowship of the Rosy Cross and was therefore conversant with esoteric rites. All seven novels are being reissued in Faber Finds: War in Heaven, Many Dimensions, The Place of the Lion, The Greater Trumps, Shadows of Ecstasy, Descent into Hell and All Hallows' Eve.

Critical acclaim for The Last Great Frenchman

"This is a splendid popular biography . . . recounted with verve and anecdotal warmth, along with fresh appraisals of de Gaulle's career as soldier, politician, and head of state." —Publishers Weekly.

"Highly readable. . . . It is to Williams' credit that he is able to get so close to such a prickly personality." —San Francisco Chronicle

"Charles Williams has matched a great subject by something near to a great book." —Daily Telegraph (London)

"Marvelous vignettes. . . . Williams tells his story with pace and skill." —Martin Gilbert

This book deals with the possibility of an ontological and epistemological account of the psychological category 'neurosis'. Intertwining thoughts from German idealism, Continental philosophy and psychology, the book shows how neurosis precedes and exists independently from human experience and lays the foundations for a non-essentialist, non-rational theory of neurosis; in cognition, in perception, in linguistics and in theories of object-relations and vitalism. The personal essays collected in this volume examine such issues as assimilation, the philosophy of neurosis, aneurysmal philosophy, and the connection between Hegel and Neurosis, among others. The volume establishes the connection between a now redundant psycho-analytic term and an extremely progressive discipline of Continental philosophy and Speculative realism.

Developments in numerical initial value ode methods were the focal topic of the meeting at L'Aquila which explord the connections between the classical background and new research areas such as differental-algebraic equations, delay integral and integro-differential equations, stability properties, continuous extensions (interpolants for Runge-Kutta methods and their applications, effective stepsize control, parallel algorithms for small- and large-scale parallel architectures). The resulting proceedings address many of these topics in both research and survey papers.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1912 edition. Excerpt: ... showing the interplay of life, there were increased demands for drama and more need of the poet or dramatist, even in embryo. Masques and pageants, the joy of her father's courtt though not at once discarded, rapidly diminished. During the first two years, masques were predominant.1 Thereafter, interludes and plays were requisitioned in increasing number. Herein, too, consonant with her love for dialogue, her well-known parsimony figured not a little, tending to eliminate expensive shows and to cultivate instead the less expensive and more delectable entertainment of dramatic performances. Her passion for drama was supplied at first by laureating Edwards, Farrant, and Hunnis with special privileges of presenting plays before her by the Court children, and by drawing upon the dramatic resources of Sebastian Westcott with the children of Paul's. Year by year these companies appeared before her. Still not even their increased numbers fully supplied the demands. Occasionally, even in her early years, she invited a company of men actors under patronage of some favorite lord. In 1564 were added the children of Westminster who appeared 1 See Table, infra, 199--200. occasionally thereafter, then in 1572--73 the Merchant Taylor's and the boys of Eton.1 The children of the Court were still the centre of dramatic activity and set the fashion on the basis of Court taste which all the other companies consequently followed. During the first fifteen years, up to 1573, the plays at Court were almost wholly by them and the other children companies who bent their old school drama out of recognition in deference to the demands of the royal audience for mere entertainment. Only eight times in that period did companies of men appear.2 Then, simultaneously...