Writing Australian History on Screen reveals the depths in Australian history from convict times to the present day. The essays in this book are thematically driven and take a rounded historical-cultural-sociological-psychological approach in analyzing the various selected productions. In their analyses and interpretations of the topic, the contributors interrogate the intricacies in Australian history as represented in Australian filmic period drama, taken from an Australian perspective. Individually, and together as a body of authors, they highlight past issues that, despite the society's changing attitudes over time, still have relevance for the Australia of today. In speaking to the subject, the contributing writers show a keen awareness that addressing new areas arising from the humanities is key to learning; and hence to developing an understanding of the Australian culture, the society, and sense of the ever-unfurling flag of an Australian something that is not yet a national identity.

Set against the shifting social and political backdrop of a nation throwing off the shackles of one war yet faced with the instability of the new world order, Reel Men probes the concept of 1950s masculinity itself, asking what it meant to be an Australian man at this time. Offering a compelling exploration of the Australian fifties, the book challenges the common belief that the fifties was a 'dead' era for Australian filmmaking. Reel Men engages with fourteen Australian feature films made and released between 1949 and 1962, and examines the multiple masculinities in circulation at this time. Dealing with beloved Australian films like Jedda (1955), Smiley (1956), and The Shiralee (1957), and national icons of the silver screen including Chips Rafferty, Charles 'Bud' Tingwell, and Peter Finch, Reel Men delves into our cultural past to dismantle powerful assumptions about film, the fifties, and masculinity in Australia.