Lyric essayists draw on memoir, poetry, and prose to push against the arbitrary genre restrictions in creative nonfiction, opening up space not only for new forms of writing, but also new voices and a new literary canon. This anthology features some of the best lyric essays published in the last several years by prominent and emerging writers. Editors Zoe Bossiere and Erica Trabold situate this anthology within the ongoing work of resistance-to genre convention, literary tradition, and the confines of dominant-culture spaces. As sites of resistance, these essays are diverse and include investigations into deeply personal and political topics such as queer and trans identity, the American BIPOC experience, reproductive justice, belonging, grief, and more. The lyric essay is always surprising; it is bold, unbound, and free. This collection highlights the lyric essay's natural capacity for representation and resistance and celebrates the form as a subversive genre that offers a mode of expression for marginalized voices. The Lyric Essay as Resistance features contemporary work by essayists including Melissa Febos, Wendy S. Walters, Torrey Peters, Jenny Boully, Crystal Wilkinson, Elissa Washuta, Lillian-Yvonne Bertram, and many more. Their work demonstrates the power of the lyric essay to bring about change, both on the page and in our communities.

A New York Times Best Children's Book of 2021 "In this gloriously unruly feminist fable, The True Story of a Mouse Who Never Asked for It explores the power of art-making, the tedium of the domestic, and the dangers of heteronormativity, all within beautiful pictures and tender words. I was enchanted by the pairing of graphic illustration and tight prose on every page. It is luminous and evocative from start to finish." -Alisson Woods, author of Being Lolita Folklorist Ana Cristina Herreros and visionary illustrator Violeta Lopiz spin a deeply feminist retelling of an old Spanish folktale in The True Story of a Mouse Who Never Asked for It. Through rhythmic text, highly conceptual illustrations, and a final visual narrative that is silent but revelatory, this YA picture book builds from deceptive simplicity to an explosive end. The story begins with a mouse, very neat and hard-working, who makes herself a home. In disbelief that she has a house but isn't a wife, suitors show up uninvited, each asking for her hand. She turns everyone down... until a pack of tiny kittens arrive, and she agrees to marry the smallest and most defenseless of the bunch. But it does every mouse well to remember that a kitten always grows up to be a cat. Today, the most commonly told version of this popular folktale serves as a warning, scaring girls to choose good men to marry by reminding them that the cat will always devour the mouse. But this story is rooted in the non-normative, non-performative original version, before it became a cautionary tale. Here, by contrast, the story tells of the pain and harm that come from falling prey to situations beyond one's control. It is also a powerful story of reclaiming one's selfhood.

A New York Times Best Children's Book of 2020 Gold Medalist in the 2021 Society of Illustrators Original Art Exhibition A 2021 Eisner Award Nominee for Best U.S. Edition of International Material A 2021 Eisner Award Nominee for Best Painter/Multimedia Artist (interior art) Visually stunning, tactile, and mesmerizing, this graphic novel is a debut at the summit from a self-taught Argentinian visionary. Lorenzo isn't happy about moving. But in his new room, he finds an old desk with what seems likes hundreds of drawers. Each even has its own smell! Deep inside the desk, he finds a book and begins to read. When he looks up, he sees all kinds of curious things. Has the book come to life? Or is it something else? This is a graphic novel about observation, imagination, and the many incredible lenses through which everyday experience might be perceived if you read. Guillermo Decurgez, "Decur," was born in Rosario, Argentina in 1981. He is a self-taught cartoonist and illustrator, and the author of Merci!, Pipi cucu, Semillas 1, and Mi cajon favorito. His work has been published in the newspapers La Nacion and La Posta Hoy, and in the magazines Orsai, Fierro, free lyrics, Ineditadas, and N. He has also illustrated "Cents del globe 3," the board game "The Switcher," the "Mrs. Holle" stories, "El poroto magico," "The almost perfect crime," and "Ivan, the Fool." His paintings have been exhibited in France, Spain, Chile, Bolivia, Colombia, La Rioja, Buenos Aires, and Rosario. Decur's English-language graphic novel debut, When You Look Up, will published in 2020 from Enchanted Lion Books.

Visually stunning, tactile, and mesmerizing, this graphic novel is a debut at the summit from a self-taught Argentinian visionary. Lorenzo isn't happy about moving. But in his new room, he finds an old desk with what seems likes hundreds of drawers. Each even has its own smell! Deep inside the desk, he finds a book and begins to read. When he looks up, he sees all kinds of curious things. Has the book come to life? Or is it something else? This is a graphic novel about observation, imagination, and the many incredible lenses through which everyday experience might be perceived if you read. Guillermo Decurgez, "Decur," was born in Rosario, Argentina in 1981. He is a self-taught cartoonist and illustrator, and the author of Merci!, Pipi cucu, Semillas 1, and Mi cajon favorito. His work has been published in the newspapers La Nacion and La Posta Hoy, and in the magazines Orsai, Fierro, free lyrics, Ineditadas, and N. He has also illustrated "Cents del globe 3," the board game "The Switcher," the "Mrs. Holle" stories, "El poroto magico," "The almost perfect crime," and "Ivan, the Fool." His paintings have been exhibited in France, Spain, Chile, Bolivia, Colombia, La Rioja, Buenos Aires, and Rosario. Decur's English-language graphic novel debut, When You Look Up, will published in 2020 from Enchanted Lion Books.