This is the illustrated story of New York artist Chris Daze Ellis's successful transition from the subways to international studios and galleries. Follow his 30+ year career from his days as a teenage graffiti writer to his current life as a professional painter, mentor, and family man. This book, with more than 250 photographs, is a journey tracking the seminal moments in Daze's life that shaped his art. View his aesthetic evolution, from "Graffiti High" (New York's High School of Art and Design) and an "unsanctioned" street art phase to exhibitions with Keith Haring and Jean-Michel Basquiat. Train photos from the 1970s and '80s, a broad representation of Daze's studio and mural works, and personal photos guide the reader through an artistic portfolio spanning five decades. Contributions by graffiti writer Jay "J.SON" Edlin and essayist Claire Schwartz, and a foreword by graffiti historian and chronicler Sacha Jenkins, complete this volume.

A woman has to deal with feelings of grief and guilt after her husband and son die in a terrorist attack. A young London mother (Michelle Williams) waves her husband and son goodbye as they head off to see a local football match. As soon as they're gone, she entertains local news reporter Jasper Black (Ewan MacGregor), with whom she's been having an affair. As the two begin making love, a news flash on the television informs them that a suicide bomber has attacked the stadium which her husband and child were attending. In a blind panic, the woman heads for the football ground, where she runs into her late husband's boss, police officer Terence Butcher (Matthew Macfadyen). In the following weeks, as she attempts to put her life back in order, she's introduced to, and befriends, a young boy (Sidney Johnston) whose father was involved in the attack.

Our daughter experienced a sudden and very dramatic onset of the mental disorder known as anorexia nervosa: She became like another person almost overnight, and then lost 30% of her body weight in three months. Shocked and horrified, we responded just as feverishly -- scouring the Internet for resources, reading every book and article we could find, attending parent support groups, and seeking advice from experts. Unfortunately, our desperate efforts couldn't keep pace with her illness, and many decisions had to be made before we fully understood or knew how to deal with it. Those decisions included: Do we allow her to return to college (the week following what we experienced as perhaps a psychotic break)? If so, how do we make sure she?ll be safe? What kind of treatment team do we assemble? What level of treatment, and which facilities should we have her attend? We were under siege before we even knew war had been declared. We repeatedly found ourselves reeling from its effects before we could gather and assimilate enough information -- i.e., the right information -- and certainly before we grasped the complexity of this new and terrifying terrain. Unfortunately, the myriad decisions forced upon us became intractable. We ended up with teams that didn't act as aggressively as we wanted them to, and when we pressed them for information about their treatment rationale, we were treated as if we had caused her illness or were at least perpetuating it. We ended up with many caregivers who promised to not let our daughter fall through the proverbial crack, but then did exactly that, repeatedly. Knowing that anorexia is an illness in which swift and aggressive treatment ensures a better chance of recovery, we now wonder if choices made by those early caregivers caused her unnecessarily prolonged agony. Did their decisions -- made in part because we didn't know enough to ask the right questions -- cause her anorexia to take hold in a way from which she may never fully recover? For parents who find themselves in a similar situation, this book provides (1) the most important things to know about the illness, (2) a historical context regarding the way anorexia has been viewed, (3) an explanation of the enormous (and dangerous) divide that exists between current research and many treatment strategies, and (4) practical information to help avoid or mitigate the inevitable pitfalls.

A woman has to deal with feelings of grief and guilt after her husband and son die in a terrorist attack. A young London mother (Michelle Williams) waves her husband and son goodbye as they head off to see a local football match. As soon as they're gone, she entertains local news reporter Jasper Black (Ewan MacGregor), with whom she's been having an affair. As the two begin making love, a news flash on the television informs them that a suicide bomber has attacked the stadium which her husband and child were attending. In a blind panic, the woman heads for the football ground, where she runs into her late husband's boss, police officer Terence Butcher (Matthew Macfadyen). In the following weeks, as she attempts to put her life back in order, she's introduced to, and befriends, a young boy (Sidney Johnston) whose father was involved in the attack.

This title is filled with useful and practical language learning strategies designed to help doctors, nurses and other healthcare workers (who do not speak an indigenous language) to learn an African language through their daily contact with patients. More than this, it gives advice on ways to reach some understanding of the culture, health beliefs and world views of the patient in a medical consultation. Although English/Zulu and the Zulu medical culture are used as the examples, the underlying themes are applicable to any culture. The book has retained the humour and wit of its predecessor, Learning Language and Culture in the Medical Consultation, but it has been considerable revised and expanded to include more material on the cross-cultural consultation, the Aids pandemic, as well as appendices of vocabulary and 'survival phrases' designed to facilitate communication and understanding in a medical context.