Modern Conspiracy attempts to sketch a new conception of conspiracy theory. Where many commentators have sought to characterize conspiracy theory in terms of the collapse of objectivity and Enlightenment reason, Fleming and Jane trace the important role of conspiracy in the formation of the modern world: the scientific revolution, social contract theory, political sovereignty, religious paranoia and mass communication media. Rather than see in conspiratorial thinking the imminent death of Enlightenment reason, and a regression to a new Dark Age, Modern Conspiracy contends that many characteristic features of conspiracies tap very deeply into the history of the Enlightenment itself: among other things, its vociferous critique of established authorities, and a conception of political sovereignty fuelled by fear of counter-plots. Drawing out the roots of modern conspiratorial thinking leads us to truths less salacious and scandalous than the claims of conspiracy theorists themselves yet ultimately far more salutary: about mass communication; about individual and crowd psychology; and about our conception of and relation to knowledge.Perhaps, ultimately, what conspiracy theory affords us is a renewed opportunity to reflect on our very relationship to the truth itself.

This collection builds on the growing recognition and critical acclaim of Volumes 1 and 2 of "Violence, Desire, and the Sacred "with a distinct focus on media, film and television. It showcases the work of outstanding scholars in mimetic theory and how they are applying and developing Rene Girard's insights. Consistent with the previous volumes, "Mimesis, Movies, and Media" presents the most up-to-date interdisciplinary work being developed with the ground-breaking insights of Girard. This volume has a more popular focus with the contributors analyzing well-known films and television series. It brings together major Australian and international scholars working in this area.

The brilliant and ground-breaking mimetic theory of the French-American theorist Rene Girard (1923-2015)has gained wide-ranging recognition, yet its development has received less attention. This volume presents the important correspondence-conducted in French and as yet unpublished, let alone translated into English-between Girard and his major theological interlocutor Raymund Schwager SJ (1935-2004). It presents the personal relationship between two great thinkers that led to the development of a significant break-through in the humanities. In particular it reveals the theological development of Girard's thought in dialogue with Schwager, who was concerned to assist Girard in areas where he had little expertise and had encountered major criticism, such as the theological application of sacrifice. These issues in particular had placed major barriers to Girard's acceptance in theological circles. These letters reveal how Girard, with Schwager's help, entered the mainstream of theological debate.

This collection of state of the art interpretations of the thought of Rene Girard follows on from the volume Violence, Desire, and the Sacred: Girard's Mimetic Theory Across the Disciplines (2012). The previous collection has been acclaimed for demonstrating and showcasing Girard's mimetic theory at its inter-disciplinary best by bringing together scholars who apply Girard's insights in different fields. This new volume builds on and extends the work of that earlier collection by moving into new areas such as psychology, politics, classical literature, national literature, and practical applications of Girard's theory in pastoral/spiritual care, peace-making and religious thought and practice.

Violence, Desire and the Sacred presents the most up-to-date inter-disciplinary work being developed with the ground-breaking insights of Rene Girard's mimetic theory. The collection showcases the work of outstanding scholars in mimetic theory and how they are applying and developing Girard's insights in a variety of fields. Girard's mimetic insight has provided a fruitful way for different disciplines, such as literature, anthropology, theology, religion studies, cultural studies, and philosophy, to engage on common anthropological ground, with a shared understanding of the human person. The aim of this edited collection is to present this interdisciplinary work and to illustrate how Girard's insights provide fertile ground for bringing together disparate disciplines in a shared purpose. As academic work on Girard's insights is growing, this collection would meet the need to show the critical, interdisciplinary applications of these insights.

The interdisciplinary French-American thinker Rene Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of Rene Girard's first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et verite romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l'art, Girard asserted that the novel may be an "outmoded" form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of verite filmique? In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable "Girardian aesthetics." One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a "Girardian aesthetic"? Each of the contributors addresses these questions through the analysis of a film.

One of the most pressing issues of our time is the outbreak of extremist violence and terrorism, done in the name of religion. This volume critically analyses the link made between religion and violence in contemporary theory and proposes that 'religion' does not have a special relation to violence in opposition to culture, ideology or nationalism. Rather, religion and violence must be understood with relation to fundamental anthropological and philosophical categories such as culture, desire, disaster and rivalry. Does Religion Cause Violence? explores contemporary instances of religious violence, such as Islamist terrorism and radicalization in its various political, economic, religious, military and technological dimensions, as well as the legitimacy and efficacy of modern cultural mechanisms to contain violence, such as nuclear deterrence. Including perspectives from experts in theology, philosophy, terrorism studies, and Islamic studies, this volume brings together the insights of Rene Girard, the premier theorist of violence in the 20th century, with the latest scholarship on religion and violence, particularly exploring the nature of extremist violence.

The interdisciplinary French-American thinker Rene Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of Rene Girard's first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et verite romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l'art, Girard asserted that the novel may be an "outmoded" form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of verite filmique? In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable "Girardian aesthetics." One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a "Girardian aesthetic"? Each of the contributors addresses these questions through the analysis of a film.

The brilliant and ground-breaking mimetic theory of the French-American theorist Rene Girard (1923-2015)has gained wide-ranging recognition, yet its development has received less attention. This volume presents the important correspondence-conducted in French and as yet unpublished, let alone translated into English-between Girard and his major theological interlocutor Raymund Schwager SJ (1935-2004). It presents the personal relationship between two great thinkers that led to the development of a significant break-through in the humanities. In particular it reveals the theological development of Girard's thought in dialogue with Schwager, who was concerned to assist Girard in areas where he had little expertise and had encountered major criticism, such as the theological application of sacrifice. These issues in particular had placed major barriers to Girard's acceptance in theological circles. These letters reveal how Girard, with Schwager's help, entered the mainstream of theological debate.

Building on the growing recognition and critical acclaim of volumes 1 and 2 of Violence, Desire, and the Sacred, this third volume in the series showcases the most groundbreaking, interdisciplinary research in mimetic theory, with a focus on well-known films, television series, and other media. Mimesis, Movies, and Media reaches beyond the traditional boundaries of continental theory to demonstrate how scholars apply and develop Rene Girard's insights in light of contemporary media. It brings together major Australian and international scholars working at the intersection of popular culture and philosophy.

This collection of state of the art interpretations of the thought of Rene Girard follows on from the volume Violence, Desire, and the Sacred: Girard's Mimetic Theory Across the Disciplines (2012). The previous collection has been acclaimed for demonstrating and showcasing Girard's mimetic theory at its inter-disciplinary best by bringing together scholars who apply Girard's insights in different fields. This new volume builds on and extends the work of that earlier collection by moving into new areas such as psychology, politics, classical literature, national literature, and practical applications of Girard's theory in pastoral/spiritual care, peace-making and religious thought and practice.

One of the most pressing issues of our time is the outbreak of extremist violence and terrorism, done in the name of religion. This volume critically analyses the link made between religion and violence in contemporary theory and proposes that 'religion' does not have a special relation to violence in opposition to culture, ideology or nationalism. Rather, religion and violence must be understood with relation to fundamental anthropological and philosophical categories such as culture, desire, disaster and rivalry. Does Religion Cause Violence? explores contemporary instances of religious violence, such as Islamist terrorism and radicalization in its various political, economic, religious, military and technological dimensions, as well as the legitimacy and efficacy of modern cultural mechanisms to contain violence, such as nuclear deterrence. Including perspectives from experts in theology, philosophy, terrorism studies, and Islamic studies, this volume brings together the insights of Rene Girard, the premier theorist of violence in the 20th century, with the latest scholarship on religion and violence, particularly exploring the nature of extremist violence.

Modern Conspiracy attempts to sketch a new conception of conspiracy theory. Where many commentators have sought to characterize conspiracy theory in terms of the collapse of objectivity and Enlightenment reason, Fleming and Jane trace the important role of conspiracy in the formation of the modern world: the scientific revolution, social contract theory, political sovereignty, religious paranoia and mass communication media. Rather than see in conspiratorial thinking the imminent death of Enlightenment reason, and a regression to a new Dark Age, Modern Conspiracy contends that many characteristic features of conspiracies tap very deeply into the history of the Enlightenment itself: among other things, its vociferous critique of established authorities, and a conception of political sovereignty fuelled by fear of counter-plots. Drawing out the roots of modern conspiratorial thinking leads us to truths less salacious and scandalous than the claims of conspiracy theorists themselves yet ultimately far more salutary: about mass communication; about individual and crowd psychology; and about our conception of and relation to knowledge. Perhaps, ultimately, what conspiracy theory affords us is a renewed opportunity to reflect on our very relationship to the truth itself.

Violence, Desire and the Sacred presents the most up-to-date inter-disciplinary work being developed with the ground-breaking insights of Rene Girard's mimetic theory. The collection showcases the work of outstanding scholars in mimetic theory and how they are applying and developing Girard's insights in a variety of fields. Girard's mimetic insight has provided a fruitful way for different disciplines, such as literature, anthropology, theology, religion studies, cultural studies, and philosophy, to engage on common anthropological ground, with a shared understanding of the human person. The aim of this edited collection is to present this interdisciplinary work and to illustrate how Girard's insights provide fertile ground for bringing together disparate disciplines in a shared purpose. As academic work on Girard's insights is growing, this collection would meet the need to show the critical, interdisciplinary applications of these insights.