This book clarifies and verifies the role sport has as an alternative marker in understanding and mapping memory in Japan, by applying the concept of lieux de memoire (realms of memory) to sport in Japan. Japanese history and national construction have not been short of sports landmarks since the end of the nineteenth century. Western-style sports were introduced into Japan in order to modernize the country and develop a culture of consciousness about bodies resembling that of the Western world. Japan's modernization has been a process of embracing Western thought and culture while at the same time attempting to establish what distinguishes Japan from the West. In this context, sports functioned as sites of contested identities and memories. The Olympics, baseball and soccer have produced memories in Japan, but so too have martial arts, which by their very name signify an attempt to create traditions beyond Western sports. Because modern sports form bodies of modern citizens and, at the same time, offer countless opportunities for competition with other nations, they provide an excellent ground for testing and contesting national identifications. By revealing some of the key realms of memory in the Japanese field of sports, this book shows how memories and counter-memories of (sport) moments, places, and heroes constitute an inventory for identity. This book was originally published as a special issue of Sport in Society.

Xi Jinping's "Soccer Revolution" is unique: the most extensive politicization and geo-politicization of the Global Game. His purpose is to extend the global softpower projection of "the Middle Kingdom": an ancient Western imperial mantra ("bread and circuses") has been replaced by a modern Eastern "imperial" mantra ("rice and pitches"). The Asian Football Federation shares this "allopathic" vision of East Asian soccer: the future is Asia and it starts in China! Soccer is a talisman for a New Asia in a New Era. For China soccer is a hubristic instrument of softpower projection. Softpower, Soccer, Supremacy: The Chinese Dream makes this point forcefully. In East Asia soccer in now "much more than a game"!

One may visit famous gardens in Tokyo, Kyoto, or Osaka—or one may visit Japanese-styled gardens in New York, San Francisco, Philadelphia, Berlin, London, Paris, São Paulo, or Singapore. We often view these gardens as representative of the essence of Japanese culture. Christian Tagsold argues, however, that the idea of the Japanese garden has less do to with Japan's history and traditions, and more to do with its interactions with the West. The first Japanese gardens in the West appeared at the world's fairs in Vienna in 1873 and Philadelphia in 1876 and others soon appeared in museums, garden expositions, the estates of the wealthy, and public parks. By the end of the nineteenth century, the Japanese garden, described as mystical and attuned to nature, had usurped the popularity of the Chinese garden, so prevalent in the eighteenth century. While Japan sponsored the creation of some gardens in a series of acts of cultural diplomacy, the Japanese style was interpreted and promulgated by Europeans and Americans as well. But the fashion for Japanese gardens would decline in inverse relation to the rise of Japanese militarism in the 1930s, their rehabilitation coming in the years following World War II, with the rise of the Zen meditation garden style that has come to dominate the Japanese garden in the West. Tagsold has visited over eighty gardens in ten countries with an eye to questioning how these places signify Japan in non-Japanese geographical and cultural contexts. He ponders their history, the reasons for their popularity, and their connections to geopolitical events, explores their shifting aesthetic, and analyzes those elements which convince visitors that these gardens are "authentic." He concludes that a constant process of cultural translation between Japanese and Western experts and commentators marked these spaces as expressions of otherness, creating an idea of the Orient and its distinction from the West.

This book clarifies and verifies the role sport has as an alternative marker in understanding and mapping memory in Japan, by applying the concept of lieux de memoire (realms of memory) to sport in Japan. Japanese history and national construction have not been short of sports landmarks since the end of the nineteenth century. Western-style sports were introduced into Japan in order to modernize the country and develop a culture of consciousness about bodies resembling that of the Western world. Japan's modernization has been a process of embracing Western thought and culture while at the same time attempting to establish what distinguishes Japan from the West. In this context, sports functioned as sites of contested identities and memories. The Olympics, baseball and soccer have produced memories in Japan, but so too have martial arts, which by their very name signify an attempt to create traditions beyond Western sports. Because modern sports form bodies of modern citizens and, at the same time, offer countless opportunities for competition with other nations, they provide an excellent ground for testing and contesting national identifications. By revealing some of the key realms of memory in the Japanese field of sports, this book shows how memories and counter-memories of (sport) moments, places, and heroes constitute an inventory for identity. This book was originally published as a special issue of Sport in Society.

Durch eine semiotische Analyse und drei Fallstudien wird das Verhaltnis von fotografischem Vorbild und Abbild und der historisch, sozial und kulturell gepragten Wirklichkeitsauffassung naher bestimmt.
"