Theatre designers using 3D software for computer visualisation in the theatre will find this book both a guide to the creative design process as well as an introduction to the use of computers in live performance. Covering the main software packages in use: Strata Studio Base, 3D Studio Max and 3D Studio Viz, the book provides techniques for 3D modelling alongside creative ideas and concepts for working in 3D space. Projects are provided to sharpen your awareness and digital skills as well as suggested further reading to broaden the scope of your theatrical and design knowledge. This book is both a useful day to day reference as well as an inspirational starting point for implementing your own ideas. The authors are experienced trainers in the field and understand the pitfalls to be avoided as well as the possibilities to be explored using computer visualisation for designing theatre space. They provide insightful hands on descriptions of techniques used in the development of performance projects set in the wider context of design considerations. The book is highly informative about the technology of computer visualisation providing examples of working practice applicable to all software.

Theatre designers using 3D software for computer visualisation in the theatre will find this book both a guide to the creative design process as well as an introduction to the use of computers in live performance. Covering the main software packages in use: Strata Studio Base, 3D Studio Max and 3D Studio Viz, the book provides techniques for 3D modelling alongside creative ideas and concepts for working in 3D space. Projects are provided to sharpen your awareness and digital skills as well as suggested further reading to broaden the scope of your theatrical and design knowledge. This book is both a useful day to day reference as well as an inspirational starting point for implementing your own ideas.
The authors are experienced trainers in the field and understand the pitfalls to be avoided as well as the possibilities to be explored using computer visualisation for designing theatre space. They provide insightful hands on descriptions of techniques used in the development of performance projects set in the wider context of design considerations. The book is highly informative about the technology of computer visualisation providing examples of working practice applicable to all software.
*Learn the creative possibilities of using computer visualization for designing theatre space
*Find both practical and inspirational advice for developing successful performance projects
*Examples of working practice are applicable to most software, including Autodesk Viz and 3D Studio Max

"Directors and Designers "explores the practice of scenography--the creation of perspective in the design and painting of stage scenery--and offers new insight into the working relationships of the people responsible for these theatrical transformations. With contributions from leading practitioners and theorists, editor Christine White describes the way in which the roles of director and designer have developed over time. Featuring chapters on theater and site-specific performance, theatrical communication and aesthetics, and the cognitive reception of design by the audience, this volume provides a valuable resource on current approaches to scenography for professionals and students.

Feltmaking is the magical transformation of a loose pile of wool fi bers into a durable, alluring nonwoven fabric. An ancient process that continues to work its wonder on modern artisans and crafters, feltmaking produces a flannel-like fabric with a tactile appeal like nothing else.
How is this fabric alchemy accomplished? The feltmaker adds a little soap and water to the wool, presses the fibers until they tangle together and hold the shape of cloth, and then vigorously works, or fulls, the cloth until it shrinks and strengthens to the desired shape.
In "Uniquely Felt," Christine White, a professional teacher and feltmaker, gathers her considerable knowledge of the craft to write the comprehensive guide to all things felt. She describes the equipment, explores concepts and theories of felting, and thoroughly covers all felting techniques, including traditional, needle, three-dimensional seamless, nuno, cobweb, carved, and Beede ball.
And then there are the projects -- handsome, indestructible bags; nuno shawls that marry soft wool fibers and wispy silks; bright picnic blankets and plush bath mats; lacy curtains made with impossibly sheer cobweb felt. Every project is striking in its fabulous depth of color and purity of form. There are no stitches, no seams, and no signs of woven cloth -- just a wonderful, flowing piece of textile art.
The basic steps of feltmaking are simple enough to learn in an afternoon, but the infinite possibilities in every new pile of fiber keep enthusiasts fascinated for a lifetime. The process always begins the same way, but the fibers make the felting journey unique every time. This book is the ultimate guide to that magical adventure.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The world's first women combat pilots were members of the Soviet Army Air Force, flying fighters and bomber aircraft opposite the Luftwaffe. Thirty women flyers received Hero of the Soviet Union awards, one of that nation's highest honors.

During three visits to Moscow during and after the collapse of the Soviet Union, Anne Noggle interviewed more than seventy of these veteran pilots. Freed by glasnost to speak openly of their experiences, they told of flying flimsy aircraft and watching many of their friends -- as well as foes -- fall to earth in flames.

But equally courageous were the women's efforts to show the Red Army that they were adequate to the great role they sought. The women had to grapple with deep distrust from male pilots and officers, against whom they eventually prevailed. War, Stalin-era politics, and human emotion mix in these gripping, first-person accounts.