Reconsidering Longfellow is the first collection of scholarly essays in several decades devoted entirely to the work and afterlife of the most popular and widely read writer in American literature. The essays, written by a new generation of Longfellow scholars, cover the entire range of Longfellow s work, from the early poetry to the wildly successful epics of his middle period (Evangeline, The Song of Hiawatha) to his Chaucerian collection of stories published after the Civil War, Tales of a Wayside Inn. Separate contributions discuss Longfellow s financial dealings, his preoccupation with his children, and his interest in the visual arts, as well as the tremendous role his poetry did and will once again play in American literature classrooms in the U.S. All essays were written specifically for the volume. Many of them rely on unpublished archival sources from the Longfellow collections at the Longfellow House-George Washington National Historic Site and at Houghton Library in Cambridge, Massachusetts."

The nineteenth-century roots of environmental writing in American literature are often mentioned in passing and sometimes studied piece by piece. Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature brings together numerous explorations of environmentally-aware writing across the genres of nineteenth-century literature. Like Lawrence Buell, the authors of this collection find Thoreau's writing a touchstone of nineteenth-century environmental writing, particularly focusing on Thoreau's claim that humans may function as "scribes of nature." However, these studies of Thoreau's antecedents, contemporaries, and successors also reveal a range of other writers in the nineteenth century whose literary treatments of nature are often more environmentally attuned than most readers have noticed. The writers whose works are studied in this collection include canonical and forgotten writers, men and women, early nineteenth-century and late nineteenth-century authors, pioneers and conservationists. They drew attention to the conflicted relationships between humans and the American continent, as experienced by Native Americans and European Americans. Taken together, these essays offer a fresh perspective on the roots of environmental literature in nineteenth-century American nonfiction, fiction, and poetry as well as in multi-genre compositions such as the travel writings of Margaret Fuller. Bringing largely forgotten voices such as John Godman alongside canonical voices such as Nathaniel Hawthorne, Herman Melville, Walt Whitman, and Emily Dickinson, the authors whose writings are studied in this collection produced a diverse tapestry of nascent American environmental writing in the nineteenth-century. From early nineteenth-century writers such as poet Philip Freneau and novelist Charles Brockden Brown to later nineteenth-century conservationists such as John James Audubon and John Muir, Scribes of Nature shows the development of an environmental consciousness and a growing conservationist ethos in American literature. Given their often surprisingly healthy respect for the natural environment, these nineteenth-century writers offer us much to consider in an age of environmental crisis. The complexities of the supposed nature/culture divide still work into our lives today as economic and environmental issues are often seen at loggerheads when they ought to be seen as part of the same conversation of what it means to live healthy lives, and to pass on a healthy world to those who follow us in a world where human activity is becoming increasingly threatening to the health of our planet.

The Arkansas Regulators is a rousing tale of frontier adventure, first published in German in 1846, but virtually lost to English readers for well over a century. Written in the tradition of James Fenimore Cooper, but offering a much darker and more violent image of the American frontier, this was the first novel produced by Friedrich Gerstacker, who would go on to become one of Germany's most famous and prolific authors. A crucial piece of a nineteenth-century transatlantic literary tradition, this long-awaited translation and scholarly edition of the novel offers a startling revision of the frontier myth from a European perspective.

The Arkansas Regulators is a rousing tale of frontier adventure, first published in German in 1846, but virtually lost to English readers for well over a century. Written in the tradition of James Fenimore Cooper, but offering a much darker and more violent image of the American frontier, this was the first novel produced by Friedrich Gerstacker, who would go on to become one of Germany's most famous and prolific authors. A crucial piece of a nineteenth-century transatlantic literary tradition, this long-awaited translation and scholarly edition of the novel offers a startling revision of the frontier myth from a European perspective.

In 1919, Florence Deshon—tall, radical, and charismatic—was well on her way to becoming one of Hollywood's brightest stars. Embroiled in a clandestine affair with Charlie Chaplin, she continued to remain romantically involved with the well-known writer and socialist Max Eastman. By 1922, she was found dead in a New York apartment, rumored to have committed suicide. Love and Loss in Hollywood: Florence Deshon, Max Eastman, and Charlie Chaplin uses previously unpublished letters between Deshon and Eastman to reconstruct their relationship against the backdrop of the "golden age" of Hollywood. Deshon's tragic life and her abuse at the hands of powerful men—including Chaplin, Eastman, and Samuel Goldwyn—resonate with the concerns of today's MeToo movement. Above all, though, this is a book about an extraordinary woman unjustly forgotten: a brilliant writer and campaigner for women's rights, driven both by her ambition to succeed and a boundless desire for life. Rich in tantalizing detail, Love and Loss in Hollywood chronicles crucial years of American film history, overshadowed by the pervasive fear of Bolshevism after World War I, the Red Riots, and the emergence of the big studios in Hollywood. This beautiful edition features dozens of unpublished photographs, among them six mesmerizing full-length portraits of Deshon by Adolph de Meyer, Vogue's first fashion photographer.

The nineteenth-century roots of environmental writing in American literature are often mentioned in passing and sometimes studied piece by piece. Scribes of Nature: Writing the Environment in Nineteenth-Century American Literature brings together numerous explorations of environmentally-aware writing across the genres of nineteenth-century literature. Like Lawrence Buell, the authors of this collection find Thoreau's writing a touchstone of nineteenth-century environmental writing, particularly focusing on Thoreau's claim that humans may function as "scribes of nature." However, these studies of Thoreau's antecedents, contemporaries, and successors also reveal a range of other writers in the nineteenth century whose literary treatments of nature are often more environmentally attuned than most readers have noticed. The writers whose works are studied in this collection include canonical and forgotten writers, men and women, early nineteenth-century and late nineteenth-century authors, pioneers and conservationists. They drew attention to the conflicted relationships between humans and the American continent, as experienced by Native Americans and European Americans. Taken together, these essays offer a fresh perspective on the roots of environmental literature in nineteenth-century American nonfiction, fiction, and poetry as well as in multi-genre compositions such as the travel writings of Margaret Fuller. Bringing largely forgotten voices such as John Godman alongside canonical voices such as Nathaniel Hawthorne, Herman Melville, Walt Whitman, and Emily Dickinson, the authors whose writings are studied in this collection produced a diverse tapestry of nascent American environmental writing in the nineteenth-century. From early nineteenth-century writers such as poet Philip Freneau and novelist Charles Brockden Brown to later nineteenth-century conservationists such as John James Audubon and John Muir, Scribes of Nature shows the development of an environmental consciousness and a growing conservationist ethos in American literature. Given their often surprisingly healthy respect for the natural environment, these nineteenth-century writers offer us much to consider in an age of environmental crisis. The complexities of the supposed nature/culture divide still work into our lives today as economic and environmental issues are often seen at loggerheads when they ought to be seen as part of the same conversation of what it means to live healthy lives, and to pass on a healthy world to those who follow us in a world where human activity is becoming increasingly threatening to the health of our planet.

Reconsidering Longfellow is the first collection of scholarly essays in several decades devoted entirely to the work and afterlife of the most popular and widely read writer in American literature. The essays, written by a new generation of Longfellow scholars, cover the entire range of Longfellow's work, from the early poetry to the wildly successful epics of his middle period (Evangeline, The Song of Hiawatha) to his Chaucerian collection of stories published after the Civil War, Tales of a Wayside Inn. Separate contributions discuss Longfellow's financial dealings, his preoccupation with his children, and his interest in the visual arts, as well as the tremendous role his poetry did and will once again play in American literature classrooms in the U.S. All essays were written specifically for the volume. Many of them rely on unpublished archival sources from the Longfellow collections at the Longfellow House-George Washington National Historic Site and at Houghton Library in Cambridge, Massachusetts.

"Lucy was, in DeLatte's words, 'extraordinarily independent'. She was no feminist.... Yet Lucy Bakewell Audubon had one advantage over many other women of her time: she knew precisely what she wanted. As often happens to good biographers, DeLatte herself seems to take on some of her subject's characteristics as her biography progresses. Modestly but firmly, she turns her book into a plea for Lucy Audubon, an entirely unapologetic one, though." -- Christopher Irmscher, from his Foreword

Wife of the great naturalist John James Audubon, Lucy Bakewell Audubon (1788--1874) was a powerful and extraordinary woman who coped resourcefully with the demands of a difficult situation and worked tirelessly to aid her husband in his landmark work. In Lucy Audubon: A Biography, Carolyn E. DeLatte focuses on the early life of Lucy Audubon: her birth in England and youth in eastern Pennsylvania, her courtship and marriage to the eccentric young Audubon, their wanderings along the western fringe of the country, the birth of their children, and the preparation and publication of The Birds of America. Throughout, DeLatte emphasizes Lucy Audubon's own experiences, concerns, and point of view. She tells of Lucy's often stormy relationship with her brilliant but unreliable husband, her place at the head of their small family, and her crucial role in the creation and publication of her husband's magnum opus. Intelligent, adaptable, and strong-willed, Lucy was, DeLatte shows, the partner Audubon needed for his life and for his work. As noted Audubon expert Christoph Irmscher says in his foreword, "When DeLatte] slips into her character's skin, she does so unobtrusively and to great effect -- thus, we are right there with Lucy."