In these tales Gogol guides us through the elegant streets of St Petersburg, the city erected by force and ingenuity on the marshes of the Neva estuary. Something of the deception and violence of the city's creation seems to lurk beneath its harmonious facade, however, and it confounds its inhabitants with false dreams and absurd visions - `nothing is what it seems!' warns Gogol. St Petersburg is also the setting for Marriage, Gogol's satire on courtship and cowardice. Finally, for The Government Inspector, indisputably Russia's greatest comedy, we move to the provinces although even here St Petersburg's preoccupation with status and appearances makes its presence felt. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Rus! Russ!...Everything within you is open, desolate, and flat; your squat towns barely protrude above the level of your wide plains, marking them like little dots, like specks; here is nothing to entice and fascinate the onlooker's gaze. Yet whence this unfathomable, uncanny force that draws me to you?' Although Dead Souls (1842) was largely composed by Gogol during self-imposed exile in Italy in the late 1830s, his last work remains to this day the most essentially Russian of all the great novels in Russian literature. As we follow its hero Chichikov, a dismissed civil servant turned unscrupulous confidence man, about the Russian countryside in pursuit of his shady enterprise, there unfolds before us a gallery of characters worthy in comic range of Chaucer, Rabelais, Fielding and Sterne. With its rich and ebullient language, ironic twists and startling juxtapositions, Dead Souls stands as one of the most dazzling and poetic masterpieces of the nineteenth century. This brilliant new translation by Christopher English is complemented by a superb introductory essay by the pre-eminent Gogol scholar, Robert Maguire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The study of Canadian legal history has seen a remarkable growth in the past decade, nowhere more so than in Atlantic Canada. Given its early settlement and some of the liberties taken with legal procedure there - as well as some creative interpretations of English law - the region is ripe for close study in the legal history field. This new collection examines that history on 'two islands: ' Newfoundland and Prince Edward Island. The essays examine legal themes, developments, and disputes, and offer a framework for comparing ways of administering justice through the courts in the eighteenth and nineteenth centuries. The cases examined are particularly interesting for the light they throw on legal process and, especially, on the motives of the parties. Unlike in contemporary England and Upper Canada, the English precedents gave way to local needs as equitable regimes emerged that put family and community interests first, and treated all members of the family in ways tailored to their personal needs and circumstances. This volume, which includes a number of essays examining women's legal status and access to the courts, is a comprehensive and fascinating examination of legal history in two Canadian provinces.