Christopher Mulvey has entered the world of travellers writing about their journeys abroad - Americans in their travels through England, and the English in their forays to the United States - during the eighty years following the end of the 1812-15 War. The writings of travellers from one country about the other dispel the myth that good manners were a universal value, and any variations were to be explained in terms of moral or political corruptions of one or the other nation. The impact of different yet somehow familiar cultures is highlighted in chapters which explore the contemporary issues of the nineteenth-century American woman, slavery, and the English poor. Mulvey also examines the American traveller's view of such English institutions as those of the gentleman, the aristocracy, and the servant and, in comparison, the English opinion of American merchant society, planter society and the American West.

Christopher Mulvey has entered the world of travellers writing about their journeys abroad - Americans in their travels through England, and the English in their forays to the United States - during the eighty years following the end of the 1812-15 War. The writings of travellers from one country about the other dispel the myth that good manners were a universal value, and any variations were to be explained in terms of moral or political corruptions of one or the other nation. The impact of different yet somehow familiar cultures is highlighted in chapters which explore the contemporary issues of the nineteenth-century American woman, slavery, and the English poor. Mulvey also examines the American traveller's view of such English institutions as those of the gentleman, the aristocracy, and the servant and, in comparison, the English opinion of American merchant society, planter society and the American West.

During the nineteenth century some hundreds of Englishmen and Americans visited each other's country and then published account of their journeys in the form of travel books. In his examination of the aesthetic values inherent in such books and the national prejudices and preconceptions betrayed by their authors, Christopher Mulvey has written a fascinating and entertaining chapter in nineteenth-century cultural history. The apprehensive Englishmen went to America as to a laboratory in which democracy was under investigation - as if to an England of the future. The sentimental American went to England above all to savour the past: to return to his roots. Their successes and failures in these aims, the extent to which reality matched preconception and the extent to which preconception shaped reality are the subject of this study. In all, the books, letters and journals of some ninety travellers are examined in Anglo-American Landscapes.

The recognition that Africans in the Americas have also been subjects of their destiny rather than merely passive objects of European oppression represents one of the major shifts in twentieth-century mainstream historiography. Yet even in the eighteenth and nineteenth centuries, slave narratives and abolitionist tracts offered testimony to various ways in which Africans struggled against slavery, from outright revolt to day-to-day resistance. In the first decades of the twentieth century, African American historians like Carter G. Woodson and W.E.B. Du Bois started to articulate a vision of African American history that emphasized survival and resistance rather than victimization and oppression. This volume seeks to address these and other issues in black liberation from interdisciplinary and comparative perspectives, focusing on such issues as slave revolts, day-to-day resistance, abolitionist movements, maroon societies, the historiography of resistance, the literature of resistance, black liberation movements in the twentieth century, and black liberation and post colonial theory. The chapters span the disciplines of history, literature, anthropology, folklore, film, music, architecture, and art, drawing on the black experience of liberation in the United States, the Caribbean, and Latin America.

Charles Ball published An Historical Account of Winchester, with Descriptive Walks in 1818. In the twenty-first century, if we allow Ball to guide us, we move through time as well as space. His Winchester speaks richly of history, religion, and monument, and it is the firm belief in the city that John Keats had his own copy of Winchester, With Descriptive Walks. His favourite walk was south along the River Itchen. In September 1819, the walk and the river inspired Keats to compose Ode to Autumn. Ball's Historical Account is the finest guide to past and present Winchester.