*With a foreword from Tim Keller* A bold vision for Christians who want to engage the world in a way that is biblically faithful and culturally sensitive. In Biblical Critical Theory, Christopher Watkin shows how the Bible and its unfolding story help us make sense of modern life and culture. Critical theories exist to critique what we think we know about reality and the social, political, and cultural structures in which we live. In doing so, they make visible the values and beliefs of a culture in order to scrutinize and change them. Biblical Critical Theory exposes and evaluates the often-hidden assumptions and concepts that shape late-modern society, examining them through the lens of the biblical story running from Genesis to Revelation, and asking urgent questions like: How does the Bible's storyline help us understand our society, our culture, and ourselves? How do specific doctrines help us engage thoughtfully in the philosophical, political, and social questions of our day? How can we analyze and critique culture and its alternative critical theories through Scripture? Informed by the biblical-theological structure of Saint Augustine's magisterial work The City of God (and with extensive diagrams and practical tools), Biblical Critical Theory shows how the patterns of the Bible's storyline can provide incisive, fresh, and nuanced ways of intervening in today's debates on everything from science, the arts, and politics to dignity, multiculturalism, and equality. You'll learn the moves to make and the tools to use in analyzing and engaging with all sorts of cultural artifacts and events in a way that is both biblically faithful and culturally relevant. It is not enough for Christians to explain the Bible to the culture or cultures in which we live. We must also explain the culture in which we live within the framework and categories of the Bible, revealing how the whole of the Bible sheds light on the whole of life. If Christians want to speak with a fresh, engaging, and dynamic voice in the marketplace of ideas today, we need to mine the unique treasures of the distinctive biblical storyline.

What does 'autonomy' mean today? Is the Enlightenment understanding of autonomy still relevant for contemporary challenges? How have the limits and possibilities of autonomy been transformed by recent developments in artificial intelligence and big data, political pressures, intersecting oppressions and the climate emergency? The challenges to autonomy today reach across society with unprecedented complexity, and in this book leading scholars from philosophy, economics, linguistics, literature and politics examine the role of autonomy in key areas of contemporary life, forcefully defending a range of different views about the nature and extent of resistance to autonomy today. These essays are essential reading for anyone who wants to understand the predicament and prospects of one of modernity's foundational concepts and one of our most widely cherished values.

This title reassesses the term 'atheism' in the context of contemporary French philosophy. Drawing primarily on the work of Alain Badiou and Jean-Luc Nancy, plus Quentin Meillassoux and Slavoj Zizek, Watkin explores the theme of atheism through the ideas of the death of God and nihilism, and probes the limits of any 'atheistic politics'. He argues that rigorous atheism is elusive, and that Continental thought, even in its most stridently atheistic guises, has yet to fully come to terms with the death of God.

Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour: this new generation of French philosophers is laying fresh claim to the human. Across a number of new strains of philosophy, they are rethinking humanity's relationships: to 'nature' and 'culture', to the objects that surround us, to the possibility of social and political change, to ecology and even to our own brains. Christopher Watkin draws out both the promises and perils of these new philosophies. And he shows just how high the stakes are for our technologically advanced but socially atomised and ecologically vulnerable society.

Christopher Watkin provides a true overview of Serres' thinking. Using diagrams to explain Serres' thought, the first half of the book carefully explores Serres' 'global intuition' - how he understands and engages with the world - and his 'figures of thought', the repeated intellectual moves that characterise his unique approach. The second half explores in detail Serres' revolutionary contributions to the areas of language, objects and ecology. All told, Watkin shows that Michel Serres has produced a cross-disciplinary body of work that provides a crucial and as yet under-exploited reference for current debates in post-humanism, object oriented ontology, ecological thought and the environmental humanities.

Phenomenology or Deconstruction? challenges traditional understandings of the relationship between phenomenology and deconstruction through new readings of the work of Maurice Merleau-Ponty, Paul Ricur and Jean-Luc Nancy. A constant dialogue with Jacques Derrida's engagement with phenomenological themes provides the impetus to establishing a new understanding of 'being' and 'presence' that exposes significant blindspots inherent in traditional readings of both phenomenology and deconstruction. In reproducing neither a stock phenomenological reaction to deconstruction nor the routine deconstructive reading of phenomenology, Christopher Watkin provides a fresh assessment of the possibilities for the future of phenomenology, along with a new reading of the deconstructive legacy. Through detailed studies of the philosophy of Merleau-Ponty, Ricur and Nancy, he shows how a phenomenological tradition much wider and richer than Husserlian or Heideggerean thought alone can take account of Derrida's critique of ontology and yet still hold a commitment to the ontological.
This new reading of being and presence fundamentally re-draws our understanding of the relation of deconstruction and phenomenology, and provides the first sustained discussion of the possibilities and problems for any future 'deconstructive phenomenology'.

Alain Badiou, Quentin Meillassoux, Catherine Malabou, Michel Serres and Bruno Latour: this new generation of French philosophers is laying fresh claim to the human. Across a number of new strains of philosophy, they are rethinking humanity's relationships: to 'nature' and 'culture', to the objects that surround us, to the possibility of social and political change, to ecology and even to our own brains. Christopher Watkin draws out both the promises and perils of these new philosophies. And he shows just how high the stakes are for our technologically advanced but socially atomised and ecologically vulnerable society.

Christopher Watkin provides a true overview of Serres' thinking. Using diagrams to explain Serres' thought, the first half of the book carefully explores Serres' 'global intuition' - how he understands and engages with the world - and his 'figures of thought', the repeated intellectual moves that characterise his unique approach. The second half explores in detail Serres' revolutionary contributions to the areas of language, objects and ecology. All told, Watkin shows that Michel Serres has produced a cross-disciplinary body of work that provides a crucial and as yet under-exploited reference for current debates in post-humanism, object oriented ontology, ecological thought and the environmental humanities.

"From Plato to Postmodernism" presents the cultural history of the West in one concise volume. Nearly four thousand years of Western history are woven together into an unfolding story in which we see how movements and individuals contributed to the philosophy, literature and art that have shaped today's world. The story begins with the West's Greco-Roman and Judeo-Christian origins, moving through the Middle Ages, Renaissance, Enlightenment and Romanticism to twenty-first century postmodernity. The author covers key figures such as Moses, Michelangelo, Mozart and Marx, setting them in context and highlighting their main contributions. Illustrations and a comprehensive glossary help explain important terms such as 'gothic', 'baroque', 'stream of consciousness' and 'the death of God', and clarify movements such as Neoplatonism, Renaissance humanism and existentialism.For students, this book bridges the gap between what is taught in schools and the cultural knowledge required at university, providing an indispensible grounding in the story of Western culture. For all readers, it offers an invitation to take an enjoyable tour through the fascinating history of Western thought, literature and art.