What does it mean to be naked in public? Approaching this question from across the disciplines, this book examines the evolution of female exhibitionism from criminal taboo to prime-time entertainment. Taking an interdisciplinary approach which brings together all fields of popular culture, including literature, media, film and linguistics, Claire Nally and Angela Smith offer an examination of gendered exhibitionism from the mid-twentieth century to the present day. They ask whether bodily exposure provides the liberation it professes to or restricts our most secret selves to the sanitised realm of socially-sanctioned gender roles. From the art of burlesque as a riotous kingdom of the imagination to reality TV which helps women to unearth their 'true' and buried feminine selves, Nally and Smith explore how the critical history and theory of exhibitionism intersects with the wider movement towards gender equality. Examining effects of second-wave feminism to problematise the naked female form, female and gender-transgressive performers from Bette Davis to Dita von Teese are placed in their cultural context. In order to demonstrate that female exhibitionism reamins at the heart of popular culture, this book also examines the works of Peter Ackroyd and the controversial playwright Sarah Kane, uncovering the contradictions behind evolving representations of public exposure. Within a post-feminist framework, the cultural constructions behind the repackaging of female exhibitionism are explored and the prominence of bodily exposure in popular culture examined, along with the implications of those artists who perform gender as a public masquerade. Finally, hit TV shows 'Ladette to Lady' and 'How to Look Good Naked' are interrogated to expose the buried contradictions behind this public unveiling: are women seizing control of their own identity, or is this revelation an illusion? Innovative, unflinching and pertinent, 'Naked Exhibitionism' explores naked bodies in the public gaze and critically reformulates the feminist and cultural debate around the performance of gender.

What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?

What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?

On the 200th anniversary of the first edition of Mary Shelley’s Frankenstein, Transmedia Creatures presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities. These innovative contributions investigate the afterlives of a novel taught in a disparate array of courses - Frankenstein disturbs and transcends boundaries, be they political, ethical, theological, aesthetic, and not least of media, ensuring its vibrant presence in contemporary popular culture. Transmedia Creatures highlights how cultural content is redistributed through multiple media, forms and modes of production (including user-generated ones from “below�) that often appear synchronously and dismantle and renew established readings of the text, while at the same time incorporating and revitalizing aspects that have always been central to it. The authors engage with concepts, value systems and aesthetic-moral categories—among them the family, horror, monstrosity, diversity, education, risk, technology, the body—from a variety of contemporary approaches and highly original perspectives, which yields new connections. Ultimately, Frankenstein, as evidenced by this collection, is paradoxically enriched by the heteroglossia of preconceptions, misreadings, and overreadings that attend it, and that reveal the complex interweaving of perceptions and responses it generates. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.