Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Gogol has made brilliantly colored pictures of his Zaporogues, which please by their very grotesqueness; but sometimes it is too evident that he has not drawn them from nature. Moreover, these character-pictures are framed in such a trivial and romantic setting that one regrets to see them so ill-placed. The most prosaic story would have suited them better than these melodramatic scenes in which are accumulated tragic incidents of famine, torture, etc. In short, one feels that the author is not at ease on the ground which he has chosen; his gait is awkward, and the invariable irony of his style makes the perusal of these melancholy incidents more painful. This style which, in my opinion, is quite out of place in some parts of "Taras Bulba," is much more appropriate in the "Viy," or "King of the Gnomes," a tale of witchcraft, which amuses and alarms at the same time. The grotesque easily blends with the marvelous. Recognizing to the full the poetic side of his subject, the author, while describing the savage and strange customs of the old-time Cossacks with his usual precision and exactitude, has easily prepared the way for the introduction of an element of uncanniness. -- From Prosper Merimee's Preface to this volume.

One of the great works of mystical religious literature, the Kimiya-i-Sa'adaat strove to bring man closer to understanding God by helping him understand himself. These excerpts from that work, by a strikingly original thinker on Islam who lived and wrote in the 11th century, were first published in 1910, and serve as a potent reminder of how powerful an influence Al-Ghazzali had upon religious philosophers of the Middle Ages, both Christian and Islamic. With its wise and warmly humanistic outlook, this little book may well foster a new measure of understanding in the current philosophical battle between the religious traditions of East and West. Also available from Cosimo Classics: Field's Shadows Cast Before and Jewish Legends of the Middle Ages. Iranian theologian AL-GHAZALI (1058-1111) was medieval Islam's most prominent scholar and philosopher. CLAUD FIELD is also author of Mystics and Saints of Islam, Heroes of Missionary Enterprise, and Persian Literature.

One of the great works of mystical religious literature, the Kimiya-i-Sa'adaat strove to bring man closer to understanding God by helping him understand himself. These excerpts from that work, by a strikingly original thinker on Islam who lived and wrote in the 11th century, were first published in 1910. They serve as a potent reminder of how powerful an influence Al-Ghazzali had upon religious philosophers of the Middle Ages, both Christian and Islamic. With its wise and warmly humanistic outlook, this little book may well foster a new measure of understanding in the current philosophical battle between the religious traditions of East and West.Also available from Cosimo Classics: Field's Shadows Cast Before and Jewish Legends of the Middle Ages.ABU HAMED MUHAMMAD IBN MUHAMMAD AL-GHAZZALI (1058-1111)was a Persian Islamic philosopher, theologian, psychologist, and mystic, known today as one of the most famous Sunni scholars in history, sometimes cited as next-in-importance only to Muhammad. Born in Tus, Al-Ghazzali was a pioneer of methodic doubt; his work The Incoherence of Philosophers shifted early Islamic philosophy from metaphysics to the theory of occasionalism, an Islamic doctrine that states cause-and-effect is controlled by God. He also succeeded in bringing orthodox Islam in contact with Sufism. The author of more than 70 books on various subjects, his influence continues to stretch far and wide even today.

Abu Hamid Muhammad al-Ghazzali (1058-1111) is one of the most important religious figures in Islamic history. He is particularly noted for his brilliant synthesis of mysticism and traditional Sunni Islam. Ghazzali's "The Alchemy of Happiness", written toward the end of his life, provides a succinct introduction to both the theory and practice of Sufism (Islamic mysticism). It thus offers many insights into traditional Muslim society. This translation is fully annotated for readers unfamiliar with Ghazzali and includes an introduction to his life and historical milieu.

Abu Hamid Muhammad al-Ghazzali (1058-1111) is one of the most important religious figures in Islamic history. He is particularly noted for his brilliant synthesis of mysticism and traditional Sunni Islam. Ghazzali's "The Alchemy of Happiness", written toward the end of his life, provides a succinct introduction to both the theory and practice of Sufism (Islamic mysticism). It thus offers many insights into traditional Muslim society. This translation is fully annotated for readers unfamiliar with Ghazzali and includes an introduction to his life and historical milieu.