The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T135482<Notes>With an additional titlepage engraved, omitting R. Gosling from the imprint, and an engraved dedication leaf. 'An explanation of such terms in architecture as occur in the preceding treatise' has separate pagination and register.<imprintFull>London: printed for J. Senex, and R. Gosling; W. Taylor; W. and J. Innys; and J. Osborn, 1722. <collation> 10], xxi, 1],131, 1];xiip., VIplates: ill.; 2

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ L'Architettura Generale Di Vitruvio Ridotta In Compendio. Tr., E Col Commento Di Monsig. Barbaro Claude Perrault Daniello Barbaro

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T114390<Notes>The titlepage is engraved. With an additional titlepage, engraved, an engraved dedication leaf, and two engraved leaves bearing a list of subscribers. With two final leaves of errata and advertisements.<imprintFull>London: printed by Benj. Motte, MDCCVIII. Sold by John Sturt, 1708]. <collation> 6], XXI, 1],131, 5]p., plates: ill.; 2

In Two Volumes. Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text, possible missing pages, missing text and other issues beyond our control.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Harvard University Houghton Library<ESTCID>N013971<Notes>The titlepage is engraved. With an engraved dedication leaf. Plate I is included in the pagination.<imprintFull>London: printed for John Senex, Willm. Taylor, Willm. and John Innys, and John Osborn, 1722?]. <collation> 8], xxi, 1],131, 1], xiip., VI i.e.5] plates: ill.; 2

This Book Is In Spanish. Due To The Very Old Age And Scarcity Of This Book, Many Of The Pages May Be Hard To Read Due To The Blurring Of The Original Text, Possible Missing Pages, Missing Text And Other Issues Beyond Our Control.