The African superhero universe is set to widen in South Africa. Kwezi, which means "star" in Xhosa and Zulu, is the brainchild of Loyiso Mkize a designer and fine artist who got his start in comics as an illustrator for the long-running Supa Strikas soccer series. Mkize describes Kwezi as "a coming of age story about finding one's heritage." The comic follows a narcissistic teenage boy named Kwezi as he discovers his superhuman abilities amid the daily hustle of the fictional Gold City- a bustling metropolis modelled after Johannesburg. Portrayed as a cocky anti-hero obsessed with selfies and Twitter, Kwezi is initially fueled by the attention from his adoring online fans, but he soon finds out that his powers come with a cultural responsibility. To accurately reflect Kwezi's world and that of potential readers, the comic's dialogue is peppered with street slang and pop culture references that place the story in a familiar context for young South Africans. The first three issues were self-published and took three years to develop after local publishers balked at the idea that a South African superhero could be a successful endeavour.

The African superhero universe is set to widen in South Africa. Kwezi, which means "star" in Xhosa and Zulu, is the brainchild of Loyiso Mkize a designer and fine artist who got his start in comics as an illustrator for the long-running Supa Strikas soccer series. Mkize describes Kwezi as "a coming of age story about finding one's heritage." The comic follows a narcissistic teenage boy named Kwezi as he discovers his superhuman abilities amid the daily hustle of the fictional Gold City- a bustling metropolis modelled after Johannesburg. Portrayed as a cocky anti-hero obsessed with selfies and Twitter, Kwezi is initially fueled by the attention from his adoring online fans, but he soon finds out that his powers come with a cultural responsibility. To accurately reflect Kwezi's world and that of potential readers, the comic's dialogue is peppered with street slang and pop culture references that place the story in a familiar context for young South Africans. The first three issues were self-published and took three years to develop after local publishers balked at the idea that a South African superhero could be a successful endeavour.

The African superhero universe is set to widen in South Africa. Kwezi, which means "star" in Xhosa and Zulu, is the brainchild of Loyiso Mkize a designer and fine artist who got his start in comics as an illustrator for the long-running Supa Strikas soccer series. Mkize describes Kwezi as "a coming of age story about finding one's heritage." The comic follows a narcissistic teenage boy named Kwezi as he discovers his superhuman abilities amid the daily hustle of the fictional Gold City- a bustling metropolis modelled after Johannesburg. Portrayed as a cocky anti-hero obsessed with selfies and Twitter, Kwezi is initially fueled by the attention from his adoring online fans, but he soon finds out that his powers come with a cultural responsibility. To accurately reflect Kwezi's world and that of potential readers, the comic's dialogue is peppered with street slang and pop culture references that place the story in a familiar context for young South Africans. The first three issues were self-published and took three years to develop after local publishers balked at the idea that a South African superhero could be a successful endeavour.

Return to the Wild is an inspirational story of a rescued otter who was raised in captivity and a family's dedication to setting him free. His release is met with many challenges and when it is discovered that Lazarus, a Cape Clawless Otter is afraid of water they must find a way to help him overcome this. Conservationist couple Brendan and Danelle assuredly tackle their task, despite the doom-laden prophecies of critics, and succeed to teach Lazzy to swim, hunt and survive on his own. The authors take the reader on this personal and heart-warming journey of discovery that leads to his freedom.