"Learned ignorance," the recognition that God is beyond us and our knowing capacities is the theological concept for which Nicholas of Cusa is most famous. Despite God's apparent absence Nicholas offers original ways to think about God that would unite his presence with his absence. He called these proposals "conjectures" (coniecturae). Conjecture and conjecturing are central to the methodology of Nicholas's philosophical theology and to his thinking about human knowledge. By using concrete examples from the everyday life of his times as symbolic imagery Nicholas makes what we say about God imaginatively available and theoretically plausible. He called such conjectural symbols "aenigmata" (= "symbolic or 'enigmatic' conjectures") because they partially clarify and likewise point to an exact truth that is beyond us. Novel and imaginative, Nicholas's conjectural examples break with the traditional medieval Aristotelian examples and provide further evidence of his role as a figure bridging medieval and Renaissance thought. Following his earlier book, Reading Cusanus (The Catholic University of America Press, 2003), Clyde Lee Miller here examines and comments on the meaning of "conjecture" in Nicholas of Cusa. The Art of Conjecture: Nicholas of Cusa on Knowledge explores what Nicholas meant by conjecture and its import as demonstrated in his treatises and sermons. Beginning with Nicholas' On Conjectures, Miller analyzes a series of conjectural symbols and proposals across Nicholas's less frequently discussed texts and recently published sermons. This early Renaissance thinker offers an original and ground-breaking way of framing speculation in philosophical theology and more generally in philosophy itself.

This book presents careful readings of six of the most important theoretical works of Nicholas of Cusa (1401-1463). Though Nicholas' writings have long been studied as either scholastic Aristotelian or proto-Kantian, Clyde Lee Miller locates Cusanus squarely in the Christian Neoplatonic tradition. He demonstrates how Nicholas worked out his own original synthesis of that tradition by fashioning a conjectural view of main categories of Christian thought: God, the universe, Jesus Christ, and human beings. Each of the readings reveals how Nicholas' project of ""learned ignorance"" is played out in striking metaphors for God and the relation of God to creation. The six works read span the last quarter century of Nicholas' life (1440-1463) and include On Learned Ignorance, Conjectures, The Layman: About Mind, The Vision of God, The Not Other, and The Hunt for Wisdom. These readings are explications of the text; they interpret each work as a whole and focus in particular on the themes that order the work and how these get played out in its details. The Introduction uses a brief early dialogue, On the Hidden God, to orient the reader by locating Nicholas' work in relation to Plato's famous image of the divided line. The book's conclusion presents a reprise of the main ideas in each work and an appraisal of their import.