In this book, Conrad Rudolph studies and reconstructs Hugh of St. Victor's forty-two-page written work, The Mystic Ark, which describes the medieval painting of the same name. In medieval written sources, works of art are not often referred to, let alone described in any detail. Almost completely ignored by art historians because of the immense difficulty of its text, Hugh of Saint Victor's Mystic Ark (c. 1125 1130) is among the most unusual sources we have for an understanding of medieval artistic culture. Depicting all time, all space, all matter, all human history, and all spiritual striving, this highly polemical painting deals with a series of cultural issues crucial in the education of society's elite during one of the great periods of intellectual change in Western history."

The "Things of Greater Importance" provides a close look into the social and cultural context of medieval art, primarily as expressed in Bernard of Clairvaux's Apologia, the central document in the greatest artistic controversy to occur in the West prior to the Reformation and the most important source we have for understanding medieval attitudes toward art. Bernard wrote the Apologia during the medieval efflorescence of monumental sculpture and stained glass, of advanced architecture, of pilgrimage art, of high Romanesque, and of the origins of Gothic art. Rudolph places the Apologia, traditionally seen as a condemnation either of all religious art or of all monastic art, in a broader context, using it to explore the role of art in medieval society. He shows that Bernard was interested in the impact of art on contemporary monasticism in a more complex way than previously believed. The book offers the most thorough study available of the theoretical basis of medieval art as it functioned in society; and its implications for the art of both the Romanesque and Gothic periods, which were spanned by Bernard's life, are significant.

From Tibetan Buddhists at Jokang to Muslims at Mecca for the hajj, pilgrims across faiths and cultures travel thousands of miles - often by foot - to reach holy sites. Such journeys are considered proof of ultimate devotion, the most important act of an individual's life. The intense mystical and physical aspects of pilgrimages have recently sparked a modern revival, leading travelers in search of spiritual growth and physical challenge to embark on these sacred adventures. Pilgrimage to the End of the World takes the reader, via Conrad Rudolph's able eyes and feet, to the holy site of Santiago de Compostela, believed to be the burial place of the apostle James. Discovered around AD 812, it became one of the most important pilgrimage destinations for Westerners (after Rome and Jerusalem) and has recently received an influx of renewed attention since being named a UNESCO World Heritage Site. Today it is the second most popular Catholic pilgrimage center, having been visited by Francis of Assisi and Pope John Paul II, among others. Rudolph made this passage himself, traveling the two and a half months and one thousand miles along the ancient pilgrimage route from Le Puy, in south-central France, to Santiago, Spain. Offering his perspective as a medieval art historian as well as a veteran traveler, Rudolph melds the ancient and the contemporary, the spiritual and the physical, in a chronicle of his travels to this captivating place. From anecdotes to travel tips for "the wise pilgrim" (routes to take, physical training required, what to eat, where to stay, what to bring, and even recommendations of other publications), this book is at once travel guide, literary work, historical study, and memoir. Sincerely and engagingly written, it will appeal to travelers, religious scholars, and historians - and will have you wanting to embark for Spain as you close it.