Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Examinando ejemplos historicos de prisioneros mantenidos en prision indefinida durante los conflictos asimetricos y las crisis de seguridad nacional, Hickman desenreda lo presunto de lo aprobado y revela exactamente por que el encarcelamiento corriente en la base naval infame es tan unico y sin precedentes. Ofrece una teoria alternativa que completamente contradice la narrativa inventada por el Gobierno de Bush construyendo su argumento de la historia domestica e internacional existente: los prisioneros fueron exhibidos como simbolos de victoria militar, castigados como sustitutos por los arquitectos del 11 de septiembre que quedaban libres, y usados como peones en un paso neoconservador para senalar una nueva politica exterior estadounidense que no hacia caso de las Naciones Unidas, que no respetaba las Convenciones de Ginebra, y que se burlaba de la Corte Criminal Internacional.