The return of the beautiful Countess Olenska into the rigidly conventional society of New York sends reverberations throughout the upper reaches of society.

Newland Archer, an eligible young man of the establishment is about to announce his engagement to May Welland, a pretty ingénue, when May's cousin, Countess Olenska, is introduced into their circle. The Countess brings with her an aura of European sophistication and a hint of scandal, having left her husband and claimed her independence.

Her sorrowful eyes, her tragic worldliness and her air of unapproachability attract the sensitive Newland and, almost against their will, a passionate bond develops between them. But Archer's life has no place for passion and, with society on the side of May and all she stands for, he finds himself drawn into a bitter conflict between love and duty.

A black comedy of manners about vast wealth and a woman who can define herself only through the perceptions of others. The beautiful Lily Bart lives among the nouveaux riches of New York City-people whose millions were made in railroads, shipping, land speculation, and banking. In this morally and aesthetically bankrupt world, Lily, age twenty-nine, seeks a husband who can satisfy her cravings for endless admiration and all the trappings of wealth. Her quest comes to a scandalous end when she is accused of being the mistress of a wealthy man. Exiled from her familiar world of artificial conventions, Lily finds life impossible. Lily Bart is the embodiment of woman as a passive creature, as the ultimate "consumer item." In her introduction, Cynthia Griffin Wolff relates the genesis of this character to the circumstances of Edith Wharton's own life.