Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This Is A New Release Of The Original 1907 Edition.

This is a new release of the original 1926 edition.

This is a new release of the original 1926 edition.

The conditions of our knowledge of the native religion of early Rome may perhaps be best illustrated by a parallel from Roman archaeology. The visitor to the Roman Forum at the present day, if he wishes to reconstruct in imagination the Forum of the early Republic, must not merely 'think away' many strata of later buildings, but, we are told, must picture to himself a totally different orientation of the whole: the upper layer of remains, which he sees before him, is for his purpose in most cases not merely useless, but positively misleading. In the same way, if we wish to form a picture of the genuine Roman religion, we cannot find it immediately in classical literature; we must banish from our minds all that is due to the contact with the East and Egypt, and even with the other races of Italy, and we must imagine, so to speak, a totally different mental orientation before the great influx of Greek literature and Greek thought, which gave an entirely new turn to Roman ideas in general, and in particular revolutionised religion by the introduction of anthropomorphic notions and sensuous representations

1926. Lucretius was a Roman poet and the author of the philosophical epic De Rerum Natura (On the Nature of the Universe), a comprehensive exposition of the Epicurean world-view. His poetry is knit into a whole and vivified through all its parts by the fearless desire for truth, the consciousness of a great purpose, and a deep reverence for nature-felt almost as a personal presence-which has caused this bitter opponent of religion to be universally recognized as one of the most truly religious of the world's poets.

1926. Lucretius was a Roman poet and the author of the philosophical epic De Rerum Natura (On the Nature of the Universe), a comprehensive exposition of the Epicurean world-view. His poetry is knit into a whole and vivified through all its parts by the fearless desire for truth, the consciousness of a great purpose, and a deep reverence for nature-felt almost as a personal presence-which has caused this bitter opponent of religion to be universally recognized as one of the most truly religious of the world's poets.

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1926. Lucretius was a Roman poet and the author of the philosophical epic De Rerum Natura (On the Nature of the Universe), a comprehensive exposition of the Epicurean world-view. His poetry is knit into a whole and vivified through all its parts by the fearless desire for truth, the consciousness of a great purpose, and a deep reverence for nature-felt almost as a personal presence-which has caused this bitter opponent of religion to be universally recognized as one of the most truly religious of the world's poets.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

1926. Lucretius was a Roman poet and the author of the philosophical epic De Rerum Natura (On the Nature of the Universe), a comprehensive exposition of the Epicurean world-view. His poetry is knit into a whole and vivified through all its parts by the fearless desire for truth, the consciousness of a great purpose, and a deep reverence for nature-felt almost as a personal presence-which has caused this bitter opponent of religion to be universally recognized as one of the most truly religious of the world's poets.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the front of each page. There are now over 100 volumes, representing the greater part of classical Greek and Latin literature. The aim of the series remains that of including the works of all the principal classical authors. Although this has been largely accomplished, new volumes are still being published to fill the remaining gaps, and old editions are being revised in the light of recent research or replaced.