These essays are written by scholars from widely differing disciplines and traditions. Theologians, philosophers, literary critics and historians of ideas, approach the question of how the Judaeo-Christian tradition of theological reflection has suffered from, and will negotiate, the emergence of postmodern theory and practice in literature and criticism. Chapters deal with specific texts from Euripides to contemporary fiction, and with the traditions of cultural theory from Nietszche to Benjamin, to Derrida and what David Klemm identifies as the tragedy of present theology.

This text is an interdisciplinary study of Romanticism which focuses on the reception of the Biblical canon in poetry, art and theory. The Bible is acknowledged as the heart of European culture, but as its status as the sacred text of Judaism and Christianity becomes questionable, it remains at the turning point between sacred and secular art in the modern world. The insights of Romanticism are crucial for our understanding of postmodernism as a fundamentally religious movement which acknowledges both the death and rebirth of religious language.

Beginning with the insights of the "canonical criticism" of Brevard Childs and James Sanders, this book explores the canon of the Bible through readings in literature, art and cinema. It places the Bible within the concerns of contemporary feminist thought, postmodern anxiety and modern apocalyptic thought. It returns the reader to a sense of the centrality of the biblical canon, expanding the notion of "reading" to picture and film.

There is no book more important for our culture than the Bible, and it is fundamental to the study of English literature and language. But the Bible is actually little read and its resonances in poetry, plays, and fiction are becoming forgotten and lost.

This book is designed primarily, though not exclusively, for students of English, giving a collection of some of the most important passages from the Hebrew and Christian Bibles, with introductions and commentaries, and selections of texts from literature which use and incorporate these passages in different ways. It explores how closely the Bible is linked with some of the great imaginative literature in English, beginning with the creation stories in Genesis and moving through to the visions of the End in Revelation.

There are extensive introductory essays and full reading lists.

These essays are written by scholars from widely differing disciplines and traditions. Theologians, philosophers, literary critics and historians of ideas approach the question of how the judaeo-Christian tradition of theological reflection has suffered from and will negotiate the emergence of postmodern theory and practice in literature and criticism. Chapters deal with specific texts from Euripides to contemporary fiction, and with the traditions of cultural theory from Nietszche to Benjamin, to Derrida and what David Klemm identifies as the tragedy of present theology.

The central themes of this collection of essays are the mystery of time past, present and future, and the problem of redemption. They are concerned with modern literature, with the threat of meaninglessness in the postmodern condition, and with the possibility of salvation. In an age of deferral and difference, this book addresses itself to eschatology and apocalypse, and redemption in, through, but particularly of, time itself. Hell and madness are never far away, yet the refiguration of time and the breaking in of the transcendent continue to suggest theological possibilities beyond the wastelands of the twentieth century. To those possibilities we look in hope.