Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Ines Maria Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume's contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities of Afrocubanas is that the text is the product of a grassroots community working group in Havana. A number of antiracist organizations emerged to fight racial inequality in light of Cuba's new economic challenges after the fall of its chief trading partner, the Soviet Union in 1991. But, the Afrocubanas Project (founded in the mid-2000s) is one of the few groups that challenges racism and sexism together. The members of the Afrocubanas Project hail from a variety of professions, ages, and sexual orientations. They share a collective interest in challenging negative stereotypes about black women. This volume merges their activism and scholarship to offer a counter discourse to existing narratives about black women in Cuba while also creating and disseminating new knowledge about Afrocubanas. There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women's thought across the island's history. This text is essential reading for scholars and students of Africana Studies, Afro-Latin American Studies, Caribbean history, and courses focusing on black women in the Atlantic region.

Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and the late playwright and theater critic Ines Maria Martiatu Terry, this is the first work of its kind. It places reflection on the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the book examines the lives of Afrocubanas from the late 19th century to the present. The book is the first one to collect and interrogate the voices of black Cuban women in terms of the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities of Afrocubanas is that the text is the product of a grassroots community working group in Havana. A number of contemporary antiracist organizations have emerged to fight racial inequality in light of Cuba's new economic challenges since the fall of its chief trading partner the Soviet Union. But, while the Afrocubanas Project (founded by Daisy Rubiera Castillo and Ines Maria Martiatu Terry in the mid-2000s) is one of most prominent groups in Havana, it is also one of the few groups that challenges racism and sexism together. The members of the Afrocubanas Project hail from a variety of professions, ages, and sexual orientations. This group of black women shares a collective interest in challenging negative stereotypes. This book merges their activism and their intersectional scholarship to create and disseminate new knowledge about black Cuban women. There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women's thought across the island's history. This text is essential reading for students of Afro-Latin American studies, Caribbean history, or courses focussing on black women in the Atlantic region.

Maria de los Reyes Castillo Bueno (1902-1997), a black woman known as "Reyita," recounts her life in Cuba over the span of ninety years. Reyita's voice is at once dignified, warm, defiant, strong, poetic, principled, and intelligent. Her story--as told to and recorded by her daughter Daisy Castillo--begins in Africa with her own grandmother's abduction by slave-traders and continues through a century of experiences with prejudice, struggle, and change in Cuba for Reyita and her numerous family members.
Sensitive to and deeply knowledgeable of the systemic causes and consequences of poverty, Reyita's testimony considers the impact of slavery on succeeding generations, her mother's internalized racism, and Cuba's residual discrimination. The humiliation and poverty inflicted on the black Cuban community as well as her decision to marry a white man to ensure a higher standard of living form the basis of other chapters. Reyita actively participated in the life of the community--often caring for the children of prostitutes along with her own eight children and giving herbal medicine and "spiritualist" guidance to ill or troubled neighbors. She describes her growing resistance, over five decades of marriage, to her husband's sexism and negativity. Strong-willed and frank about her sexuality as well as her religious and political convictions, Reyita recounts joining the revolutionary movement in the face of her husband's stern objections, a decision that added significant political purpose to her life. At book's end, Reyita radiates gratification that her 118 descendants have many different hues of skin, enjoy a variety of professions, and--"most importantly"--are free of racial prejudice.